Despite coming to prominence in the corridos scene for his collaborations with Peso Pluma and Tito Double P, Jasiel Nuñez has never limited himself to any one genre. On his Double P Records debut, LA ODISEA, and the more concise though no less ambitious 2025 follow-up, Lo Aprendí En La Lleca, the Guadalajara native explored Afrobeats, hip-hop, and more alongside his already inventive música mexicana expressions. With NÓMADA, the skilled songwriter further blurs the sonic distinctions between styles to the point where delineating them seems both needless and quaint. Beginning with “Adicción,” his latest Peso Pluma pairing, Nuñez distinguishes himself from a crowded Latin music landscape. On the pining “Miento,” he adorns his relatable tale of romantic woe with instrumentation and flourishes both expected and unexpected. A similar approach appears with “Lo Envié,” its sad sierreño base made especially atmospheric and tender. Notably, his appetite for global pop proves voracious on cuts like “Cielo Azul” and “Suave,” the latter decidedly positioned for dance-floor consumption. Not surprisingly, some of the album’s collaborative moments count among the clearest opportunities to show off his increasing depth. Alemán brings his MC strengths to the boom-bap redux “iLove,” as does fellow hip-hop hybrid practitioner Omar Camacho on “La Cara.” Rawayana usher Nuñez into a rich psych-pop community with the nostalgic “Un Amor De Los 90’s,” while Paloma Mami guides him toward R&B balladry on “Estratosférico.” Others, however, reaffirm his connection to his musical roots, namely “Todo Es Diferente” with Marca MP and “Tus Palabras” with DannyLux.