Latest Release
- FEB 9, 2024
- 6 Songs
- Superfly (Soundtrack from the Motion Picture) · 1972
- Move On Up (Single Edit) - Single · 1970
- Superfly (Soundtrack from the Motion Picture) · 1972
- Curtis (Expanded Edition) · 1970
- Ruff Ryders' Playlist · 1972
- Superfly (Soundtrack from the Motion Picture) · 1972
- Something to Believe In · 1980
- There's No Place Like America Today · 1975
- Honesty · 1983
- Superfly (Soundtrack from the Motion Picture) · 1972
Essential Albums
- Even those who'd been following Curtis Mayfield's post-Impressions solo work must have been floored by Superfly upon its appearance in 1972. Taking on the job of scoring a blaxploitation flick about a dope dealer with hopes of escaping the game, Mayfield made his subtlest and yet most forceful statement to date. Backed by his tight band and the occasional widescreen orchestral arrangement, he brought philosophy, sympathy, and an angry knowledge of the cost of the life. This was a sound that simmered — like Al Green's work of the same period, it wasn't the hardest funk, but denying its power would be a fool's errand. Over the years, the slinky, boasting "Pusherman" has become almost as well known as the title single and "Freddie's Dead." In fact, all of Superfly continues to resound mightily in a new century.
- As the leader of The Impressions, R&B polymath Curtis Mayfield had been redefining the sound of Chicago soul for more than a decade by the time his debut, Curtis, arrived in 1970. It’s a landmark album from a transformative era in Black pop, released not long before Sly and the Family Stone’s There’s a Riot Goin’ On and Marvin Gaye’s What’s Going On. The seeds of Curtis were planted back in 1968, when Mayfield—in an effort to gain total creative freedom—launched his own record label, which he named Curtom. As the guiding force behind the company, Mayfield served as a songwriter and producer for such acts as the Five Stairsteps, Donny Hathaway, Baby Huey, and Major Lance, all the while continuing to front The Impressions. But when the 1970s arrived, bringing with it the dawn of the singer-songwriter movement, Mayfield decided to go solo with Curtis, the album that would mark a dividing line in Mayfield’s life and music. Fully freed from the vocal and melodic template he’d established with The Impressions, Curtis allowed the singer to explore new musical and lyrical vistas. The album’s eight tracks are built on complex polyrhythms and dramatic guitar effects, and fed by the turbulence of the times: Mayfield had been inspired by the 1969 assassination of Chicago Black Panther leader Fred Hampton, and frustrated by what the singer saw as the engineered destruction of the urban ghetto due to drugs, violence, and neglect. Nowhere is that sense of doom more powerful than on the album’s opening track, “(Don't Worry) If There's a Hell Below, We're All Going To Go.” As a female voice reads from the Book of Revelations, Mayfield warns of the coming social and spiritual apocalypse that will spare no one (despite the song's intensity, it became an R&B hit). But that's just one of several striking tracks on Curtis, which also includes “The Other Side of Town”—a study of social segregation—and the dramatic “We the People Who Are Darker Than Blue,” which examines inter-Black relations: “Shall we commit our own genocide/Before you check out your mind?” Mayfield asks at one point. Even as his message became more strident and focused, Mayfield moved the music in manifold directions, showcasing his total mastery—not just of soul, gospel, and jazz, but of funk and psychedelia as well. Curtis also gets personal at times. Mayfield delivers a halting love song with “The Makings Of You,” celebrates Nubian beauty on “Miss Black America,” and documents domestic alienation with “Give It Up.” The record’s largely foreboding feeling is countered by the epic “Move On Up,” a nearly nine-minute exploration of righteous optimism, which serves as the album’s emotional centerpiece. Curtis would kick off a run of remarkable solo LPs from Mayfield, which included 1971’s
Music Videos
Artist Playlists
- A soul titan whose artistry remains unparalleled.
- Politically charged crooners and sensual groovers.
- Their original tunes have been the source material for some of modern music’s biggest hits.
- The early soul and R&B stars who paved his way.
- He kept it real no matter what.
- Explore the full reach of the soul poet’s power.
Singles & EPs
- 2016
- 2012
More To Hear
- Cheaa Mayfield celebrates Curtis Mayfield's 'Superfly.'
- Tracks from Marvin Gaye, Curtis Mayfield, Dionne Warwick and more.
- He joins the show to discuss the Grammys, Dr. Dre, and more.
- Classics from RATM, Stush, and more.
About Curtis Mayfield
Few in soul music have fused gospel vision with social concern as profoundly as Curtis Mayfield. The singer-songwriter was born in Chicago in 1942, where his roots in the gospel and doo-wop scene shaped his role as the frontman of The Impressions. Formed in 1956, the group offered a stirring mix of love ballads and inspirational anthems that sparked the civil rights movement while laying the groundwork for Mayfield’s solo career. Like the music of Marvin Gaye, Gil Scott-Heron, and Stevie Wonder, Mayfield’s gritty progressive funk and pointed messages on Black pride and social despair epitomized the Black Power era across his most seminal solo work, namely 1970’s Curtis, 1971’s Roots, and 1972’s Superfly soundtrack. Despite his successful productions for other artists, Mayfield’s forays into smooth soul and disco stalled in the second half of the ’70s. Since his death in December 1999, the pulse of his radical soul has kept on pushing in all of Black pop—influencing countless others in modern hip-hop and R&B.
- HOMETOWN
- Chicago, IL, United States
- BORN
- June 3, 1942
- GENRE
- R&B/Soul