Editors’ Notes Rio-born/Berklee-trained composer Pedro Bromfman has lived and worked in the U.S. for years. But it took the international success of the Brazilian Elite Squad films by director/collaborator José Padilha to help net Bromfman's first high-profile Hollywood assignment. “I remember seeing RoboCop as a teenager and the impact the movie had on me,” says Bromfman. “It was truly a dream come true.” The composer explains his score is rooted in considerable studio experimentation: “a hybrid of acoustic and electronic instruments, like RoboCop himself, who is part man, part machine. I used a lot of synthesizers and electronic pulses mixed with an 80-piece orchestra and live percussion. There are also a lot of acoustic instruments cut and processed beyond recognition. As for Basil Poledouris’ [original] theme, I am happy to say it appears in the film in a couple of scenes.”

SONG
Mattox and Reporters
1
1:35
 
First Day
2
3:23
 
Title Card
3
0:49
 
Restaurant Shootout
4
2:47
 
Omnicorp
5
1:40
 
Calling Home
6
2:45
 
Made in China
7
2:28
 
Fixing RoboCop
8
1:56
 
Uploading Data
9
1:35
 
Reputation on the Line
10
1:31
 
Explosion
11
1:05
 
RoboCop Presentation
12
1:43
 
If I Had a Pulse
13
2:41
 
Going After Jerry
14
3:12
 
Vallon's Warehouse
15
2:21
 
Murphy's Case is Filed
16
1:19
 
They're Going to Kill Him
17
3:16
 
Rooftop
18
2:56
 
Mattox Is Down
19
1:40
 
Clara and David
20
2:56
 
Sellars Lies
21
2:28
 
Code Red
22
2:00
 
2.6 Billion
23
1:23
 
Iran Inspection
24
2:12
 
Battling Robots
25
2:47
 

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