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around the world, dance fans shake their stuff in clubs and raves, cheering as DJs spin individual tracks into endless, euphoric grooves. But many club kids may not know the electronic dance music revolution began in the glitzy and hedonistic days of disco. The disco beat eventually conquered pop as a whole, bringing four-on-the-floor kick drums to the top of the charts. When the disco backlash hit in the late '70s, the genre was swiftly banished from the mainstream. Dancefloors in the early '80s were dominated by R&B and synth-pop, along with the handful of disco producers who continued to make new and innovative tracks. At the same time, a fresh and decidedly futuristic sound was bubbling up from the clubs of Chicago and Detroit, inspired by the hypnotic pulse of the most stripped-down disco tracks and the innovative electronic pop of the ’70s and ’80s.\n

\nIn the late ’80s, Chicago house music and Detroit techno kickstarted a new revolution in electronic dance music—and they soon transformed youth culture as well, launching the rave era. By the early ’90s, dance music began to fragment into myriad new sounds, whilst the advent of superclubs and warehouse parties provided the perfect place for ravers to thrive. There were wildly different strains of house and techno aimed at very different audiences, from smooth garage to austere minimal techno, all supported by ever–changing pirate radio stations. Whole genres seemed to sprout in clubs every week, including the ecstatic and anthemic sound of trance, the frenetic urgency of hardcore and its transformation into the reggae–touched rhythms of jungle, the bouncy rock-friendly grooves of big beat, and many others. The first huge dance stars began to appear with acts like Basement Jaxx, Fatboy Slim, The Chemical Brothers, The Prodigy and Leftfield creating a legacy still felt in many of today’s biggest sounds. As the 21st century arrived, dance music continued to thrive in Europe as but remained mostly under the radar in America. That all changed with the rise of EDM, a slick and festival-friendly take on house and trance, and suddenly DJs like David Guetta and Avicii were scoring genuine pop hits along with pioneers including Rudimental and Disclosure. But whatever the style—dubstep, deep house or disco—the best dance music is still all about the kind of infectious rhythms that keep you moving and grooving.","short":"Lose yourself in the endless groove."},"shortName":"Dance","url":"https://music.apple.com/tr/curator/apple-music-dance/1013612740","name":"Apple Music 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about classical music as a genre—think of it as an idea. The idea starts in a composer’s mind, is transferred to a written score and is faithfully interpreted by performers. This chain—composer, score, performer—reaches back to the ancient Greeks and Romans and continues to define classical music today. For a casual listener, it might evoke iconic images—a pianist hunched over a Steinway, a chorus and orchestra’s euphoric rendering of Beethoven’s “Ode to Joy”, a soprano in a Viking helmet singing Wagner’s Brünnhilde—but those images represent only a few tiles in the ever-expanding mosaic of classical music.\n

\nTo make sense of the wildly diverse terrain, classical music is often organised into major historical periods. There are three fairly concrete ones—the Baroque Era (approximately 1600-1750), the Classical Era (approximately 1750-1820) and the Romantic Era (approximately 1820-1910). These are bookended by enigmatic periods on either side: so-called Early Music (which includes music from Western Europe before the 17th century) and music from the 20th century and beyond, which can be referred to by any number of terms, like Contemporary Classical or New Music. But one of the great joys in exploring classical music is tracing its creative currents through the centuries—a lineage carried forward through the ages by revolutionaries like the prolific and pious Johann Sebastian Bach, the tempestuous fire of Ludwig van Beethoven and the playful genius of Wolfgang Amadeus Mozart. While today’s composers continue to redefine the definitions of classical music, its traditions are courageously safeguarded (and challenged) by the interpretations of great conductors like Herbert von Karajan, Leonard Bernstein and Pierre Boulez, as well as by timeless recordings of performances by the likes of Yo-Yo Ma, Jascha Heifetz, Luciano Pavarotti and Glenn Gould.","short":"Soloists, symphonies and the soundtrack of pure emotion. "},"shortName":"Classical","url":"https://music.apple.com/tr/curator/apple-music-classical/1013610510","name":"Apple Music Classical","kind":"Genre"}},{"id":"989058908","type":"apple-curators","href":"/v1/catalog/tr/apple-curators/989058908?l=en-GB","attributes":{"artwork":{"width":1080,"url":"https://is2-ssl.mzstatic.com/image/thumb/Features116/v4/31/24/a9/3124a9e6-c29a-4b45-3084-84cd95915d2d/QkwtTVMtV1ctSmF6ei1BREFNX0lEPTk3NjQzOTU0Mi5wbmc.png/{w}x{h}{c}.{f}","height":1080,"textColor3":"111a2b","textColor2":"090d11","textColor4":"141f35","textColor1":"040609","bgColor":"4984ff","hasP3":true},"editorialArtwork":{"subscriptionHero":{"width":4320,"url":"https://is1-ssl.mzstatic.com/image/thumb/Features126/v4/0b/a9/a2/0ba9a20c-0b38-a230-e33a-f6161e9da951/source/{w}x{h}{c}.{f}","height":1080,"textColor3":"82c2a0","textColor2":"82d8e4","textColor4":"6baedc","textColor1":"a2f19a","bgColor":"1a1bb9","hasP3":false},"subscriptionCover":{"width":4320,"url":"https://is3-ssl.mzstatic.com/image/thumb/Features116/v4/42/40/f8/4240f85f-5e85-4c81-95c6-0ceea01de1c3/source/{w}x{h}{c}.{f}","height":1080,"textColor3":"82c2a0","textColor2":"82d8e4","textColor4":"6baedc","textColor1":"000000","bgColor":"1a1bb9","hasP3":false},"brandLogo":{"width":1080,"url":"https://is5-ssl.mzstatic.com/image/thumb/Features116/v4/6a/a6/ba/6aa6ba48-7c46-90eb-4171-b4cb4d3b2e14/source/{w}x{h}{c}.{f}","height":1080,"textColor3":"111a2b","textColor2":"090d11","textColor4":"141f35","textColor1":"040609","bgColor":"4984ff","hasP3":false}},"editorialNotes":{"standard":"Forged in the multicultural melting pot of early 20th-century New Orleans—a place where the blues of Deep South collided with European classical music and Caribbean rhythms—jazz began as a fundamentally African American expression and became America’s indigenous music. The music grew up in speakeasies and brothels, where singular geniuses like Louis Armstrong displayed a new improvisatory language, and it was transported to ballrooms and dancefloors with the sophisticated compositions and arrangements of Duke Ellington and Fletcher Henderson. The music was refined and popularised in the ‘30s as the swinging sounds of Benny Goodman and Count Basie entertained dancing masses in ballrooms and on the radio. At the same time, tunes from popular songwriters like George and Ira Gershwin, Cole Porter and Irving Berlin were reimagined by vocalists like Billie Holiday and Ella Fitzgerald. Early jazz styles spoke with regional accents—particularly in hotbeds like Harlem, Kansas City and Chicago—but as time passed, the language emerged in France, Japan, Brazil and beyond. This constantly evolving diaspora—connecting people, cities and countries across the globe—fuels the genre’s unique energy.\n

\nThe ‘40s and ‘50s saw jazz take some of its most ambitious artistic leaps, placing improvisation and free expression at its centre. Smaller ensembles became nimble vehicles for fearless solos from the likes of bebop pioneer and alto saxophonist Charlie “Bird” Parker, trumpeter Dizzy Gillespie and pianist Bud Powell. While Dave Brubeck became a sensation on college campuses in the ‘50s, Miles Davis’ mid-century trajectory—from his cool-jazz landmark Kind of Blue to the rock fusion of Bitches Brew—encapsulated many of the changes happening within the music for the next 30 years. The restless experimentation of Ornette Coleman and John Coltrane in the ‘60s took jazz to new artistic heights and challenged audiences as it never had before. Straight-ahead jazz reemerged in the ‘80s thanks to traditionalists like Wynton Marsalis and others, while the genre mingled with ‘70s R&B-flavoured pop to create smooth jazz. Broadly appealing singers like Diana Krall and Harry Connick, Jr. kept the repertoire of standards alive at the end of the century, while other artists embraced a newly ascendent art form: hip-hop. Jazz in the new millennium continues to do what it has always done, by reflecting the complexity of our times in the work of musicians who know their history but aren’t bound by it.","short":"The language of pain, joy and endless possibilities."},"shortName":"Jazz","url":"https://music.apple.com/tr/curator/apple-music-jazz/989058908","name":"Apple Music 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Lee Hooker nailed it: \"The blues tells a story,” he said. \"Every line of the blues has a meaning.” The first line of that story was written as an unexpected byproduct of the transatlantic slave trade, when the folk songs of Africa were transmuted into the field hollers and work songs in the cotton plantations of America’s Deep South. That story was told and retold, embellished, and adapted over the years, formalized by Southern jug bands and spiced by New Orleans merchants in the late 19th century, infused with the sweat and sorrow of laborers from the Mississippi Delta and southern Texas. By the time recording technology started to capture the blues in the early 1900s, there was no shortage of singers, guitar pickers, and piano pounders bringing their variation of the blues from the South to the rest of the country. They sang of love and the lack of it, money and the want of it, the tribulations of having a terrible job or needing one. The blues could be sad or joyful, but the words and melodies are often sharp and simple enough to hook your head and heart simultaneously. Even if the particulars of the tales didn't match with everyone's circumstances, the feelings did. With a sound so infectious and stories so universal, how could the blues not go viral, eventually infecting the bloodstream of listeners all over the globe?\n\n

\nBy the '50s, Delta blues players had migrated to the Midwest, creating a newly electrified sound for an industrialized era. In the '60s, British rock bands obsessed with the urban blues of the likes of Muddy Waters and John Lee Hooker stepped in to remind American youth of the heritage it had been missing out on, sparking a blues-rock revival on both sides of the Atlantic. Since then, the world has seen every conceivable variation on the blues, from guitar hero Stevie Ray Vaughan's sound (T-Bone Walker meets Jimi Hendrix) to the gritty, gospel-tinged glory of The Holmes Brothers. Blues has its international craftsmen—like Malian singer and multi-instrumentalist Ali Farka Touré to Brazilian blues guitarist Nuno Mindelis—but no matter which way the music has evolved or where it has developed, one thing has remained constant: it always speaks straight to the soul.","short":"An American artform—from the Mississippi Delta to sweet home Chicago."},"shortName":"Blues","url":"https://music.apple.com/tr/curator/apple-music-blues/976439528","name":"Apple Music Blues","kind":"Genre"}},{"id":"988574300","type":"apple-curators","href":"/v1/catalog/tr/apple-curators/988574300?l=en-GB","attributes":{"artwork":{"width":1080,"url":"https://is4-ssl.mzstatic.com/image/thumb/Features116/v4/16/e6/b3/16e6b3d3-40dd-e7b5-d6d6-52ddb8d86d69/QkwtTVMtV1ctQWx0ZXJuYXRpdmUtVHdlbnR5X09uZV9QaWxvdHMucG5n.png/{w}x{h}{c}.{f}","height":1080,"textColor3":"b48d9e","textColor2":"ec9e9a","textColor4":"ba7e7b","textColor1":"e3b2c8","bgColor":"1a1516","hasP3":true},"editorialArtwork":{"subscriptionHero":{"width":4320,"url":"https://is2-ssl.mzstatic.com/image/thumb/Features126/v4/4f/cc/8b/4fcc8b59-a82e-c3ef-44de-a93b9a1e2d9f/source/{w}x{h}{c}.{f}","height":1080,"textColor3":"272b38","textColor2":"241917","textColor4":"302f3a","textColor1":"1a1515","bgColor":"68a0f8","hasP3":false},"subscriptionCover":{"width":4320,"url":"https://is2-ssl.mzstatic.com/image/thumb/Features116/v4/26/ec/02/26ec02e3-0579-a3db-17b9-8bb376da8337/source/{w}x{h}{c}.{f}","height":1080,"textColor3":"272b38","textColor2":"241917","textColor4":"302f3a","textColor1":"000000","bgColor":"68a0f8","hasP3":false},"brandLogo":{"width":1080,"url":"https://is1-ssl.mzstatic.com/image/thumb/Features116/v4/27/49/5c/27495c96-cb12-f02e-7af2-0dba286960ec/source/{w}x{h}{c}.{f}","height":1080,"textColor3":"b48d9e","textColor2":"ec9e9a","textColor4":"ba7e7b","textColor1":"e3b2c8","bgColor":"1a1516","hasP3":false}},"editorialNotes":{"standard":"In an age where alternative rock bands fill stadiums and ascend the pop charts, it begs the question: alternative to what? Early on, the alternative movement was a reaction to the commercial excesses of mainstream rock. Alt-rock instead brought quirky hooks, a do-it-yourself ethos, deeply personal songwriting and genre-bending adventures to audiences hungry for something different. Although it truly exploded in the early ’90s, the roots of alternative rock started with the punk revolution of the late ’70s, when bands like the Sex Pistols, Ramones and The Clash proved that just about anyone could get up onstage or make a record. Throughout the ’80s, an international network of under-the-radar bands developed, nurtured by a vibrant gigging scene. While hardcore kept the traditional loud-and-fast sound of punk alive, many newer bands had their own distinctive styles: R.E.M.'s jangling folk-influenced rock, Sonic Youth's dissonant noise, The Cure's epic gloom, The Smiths’ petulant indie, New Order's electronic grooves.\n

\nEventually, these bands were dubbed \"alternative rock\", thanks to their left-of-centre sounds and attitudes. By the early ’90s though, grunge bands like Nirvana and Pearl Jam were combining punk’s raw energy with classic hard-rock hooks and entering the pop charts. Suddenly, other alternative heroes like Red Hot Chili Peppers and Soundgarden found massive audiences, while the Madchester scene spawned acts including The Stone Roses and Happy Mondays. Over the next decade, alternative bands of various subgenres introduced a whole generation of young rockers to punk (Green Day), hip-hop (Rage Against the Machine), industrial (Nine Inch Nails), art rock (Radiohead), power pop (Weezer), psychedelia (The Flaming Lips), metal (Tool), Britpop (Oasis), electronic music (The Prodigy) and much more. By the 21st century, alternative rock had grown popular enough to allow bands like Foo Fighters and Coldplay to sell out stadiums in minutes. At the same time, the anything-goes spirit of alternative rock remained alive and well, with newer bands embracing garage rock (The White Stripes), post-punk (The Libertines) and New Wave (The Killers).","short":"Once air guitars and pyrotechnics dominated. Then everything changed . . . "},"shortName":"Alternative","url":"https://music.apple.com/tr/curator/apple-music-alternative/988574300","name":"Apple Music Alternative","kind":"Genre"}},{"id":"976439551","type":"apple-curators","href":"/v1/catalog/tr/apple-curators/976439551?l=en-GB","attributes":{"artwork":{"width":1080,"url":"https://is1-ssl.mzstatic.com/image/thumb/Features126/v4/6c/23/2b/6c232bcb-c85e-5fd4-729d-b7c086659e88/QkwtTVMtV1ctUiZCLUFEQU1fSUQ9OTc2NDM5NTUxLnBuZw.png/{w}x{h}{c}.{f}","height":1080,"textColor3":"5a66c7","textColor2":"6979dd","textColor4":"5664b4","textColor1":"6e7df6","bgColor":"171a29","hasP3":true},"editorialArtwork":{"subscriptionHero":{"width":4320,"url":"https://is1-ssl.mzstatic.com/image/thumb/Features116/v4/3c/bf/6c/3cbf6c1c-ba6e-6065-157d-9295e2f95703/source/{w}x{h}{c}.{f}","height":1080,"textColor3":"1e2333","textColor2":"191c2f","textColor4":"2b3351","textColor1":"0b0c11","bgColor":"86a3f8","hasP3":false},"subscriptionCover":{"width":4320,"url":"https://is3-ssl.mzstatic.com/image/thumb/Features126/v4/9f/bc/f4/9fbcf476-87ba-33da-d748-ac709312f059/source/{w}x{h}{c}.{f}","height":1080,"textColor3":"1e2333","textColor2":"191c2f","textColor4":"2b3351","textColor1":"000000","bgColor":"86a3f8","hasP3":false},"brandLogo":{"width":1080,"url":"https://is1-ssl.mzstatic.com/image/thumb/Features126/v4/c7/00/fb/c700fb09-19e4-7709-5542-29545155e8a7/source/{w}x{h}{c}.{f}","height":1080,"textColor3":"5a66c7","textColor2":"6979dd","textColor4":"5664b4","textColor1":"6e7df6","bgColor":"171a29","hasP3":false}},"editorialNotes":{"standard":"R&B is what happened when rhythm and blues got a glossy modern polish with distant echoes of disco and funk. Of course, it’s sometimes hard to hear traces of either funk or disco in modern R&B. And in fact, many 21st-century R&B hits feel closer to dance-pop or hip-hop than classic soul music or vintage rhythm and blues. The story of contemporary R&B really starts in the late ’70s and early ’80s, a time when several strains of African-American music began to mingle in innovative and unexpected ways. That was the era when innovators and future superstars like Prince and Rick James started to combine slickly futuristic synthesizer hooks and smooth disco rhythms with elements of traditional funk and soul, setting the template for the R&B sound of the ’80s and beyond.\n

\nWith the release of Thriller in 1983, Michael Jackson took this hybrid style to mainstream heights, breaking sales records around the world and singlehandedly making R&B one of the key ingredients in pop music for the next several decades. In the late ’80s, singer and producer Teddy Riley coined the name “new jack swing” to describe a funkier, party-ready brand of R&B that was heavy on hip-hop style and attitude. By the ’90s, rappers and R&B singers were constantly collaborating on each other’s songs. As MCs started rhyming over R&B instrumentals and enlisting R&B singers to sing the hooks, it gave hip-hop mainstream appeal. On the flip side, artists like Mary J. Blige led the charge to bring hip-hop beats into R&B, which birthed hip-hop soul and further blurred the lines between the genres. Of course there’s always been room for soulful ballads and slow jams in modern R&B, as anyone who’s swooned to a Mariah Carey or John Legend hit knows well. The late ’90s saw the rise of the movement known as neo-soul, which abandoned the glitzy, synthetic sound of much modern R&B for the kind of classic musicianship that had seemingly been swept away. Of course, the foundations of R&B have always been built on innovation and the unexpected, and it keeps on evolving, whether you’re looking for a club-ready banger from Beyoncé or an adventurous jam from D’Angelo.","short":"More than just slow jams."},"shortName":"R&B","url":"https://music.apple.com/tr/curator/apple-music-r-b/976439551","name":"Apple Music R&B","kind":"Genre"}},{"id":"1013613723","type":"apple-curators","href":"/v1/catalog/tr/apple-curators/1013613723?l=en-GB","attributes":{"artwork":{"width":1080,"url":"https://is2-ssl.mzstatic.com/image/thumb/Features126/v4/1e/ea/20/1eea2055-fe60-2fb1-973e-364f8e647304/QkwtTVMtV1ctUm9jay1BREFNX0lEPTk3NjQzOTU1NC5wbmc.png/{w}x{h}{c}.{f}","height":1080,"textColor3":"3a161b","textColor2":"231013","textColor4":"461a20","textColor1":"170c0d","bgColor":"fc4c60","hasP3":true},"editorialArtwork":{"storeFlowcase":{"width":4320,"url":"https://is3-ssl.mzstatic.com/image/thumb/Features3/v4/e0/5a/4c/e05a4cf9-f268-9a50-2dd4-bcba90e405d0/source/{w}x{h}{c}.{f}","height":1080,"textColor3":"c7bdb7","textColor2":"eddcce","textColor4":"beb4ac","textColor1":"f8e7da","bgColor":"021628","hasP3":false},"subscriptionHero":{"width":4320,"url":"https://is1-ssl.mzstatic.com/image/thumb/Features126/v4/5c/a2/cb/5ca2cbed-9efc-f1cc-5d82-37ce1c12567f/source/{w}x{h}{c}.{f}","height":1080,"textColor3":"371416","textColor2":"251014","textColor4":"48191c","textColor1":"140b0c","bgColor":"fc4547","hasP3":false},"subscriptionCover":{"width":4320,"url":"https://is3-ssl.mzstatic.com/image/thumb/Features116/v4/c9/5e/f6/c95ef62d-1a12-1305-c39c-3160ccc0f562/source/{w}x{h}{c}.{f}","height":1080,"textColor3":"371416","textColor2":"251014","textColor4":"48191c","textColor1":"000000","bgColor":"fc4547","hasP3":false},"brandLogo":{"width":1080,"url":"https://is4-ssl.mzstatic.com/image/thumb/Features116/v4/5f/89/a0/5f89a008-bd99-9d23-786c-98064eb9eb72/source/{w}x{h}{c}.{f}","height":1080,"textColor3":"3a161b","textColor2":"231013","textColor4":"461a20","textColor1":"170c0d","bgColor":"fc4c60","hasP3":false}},"editorialNotes":{"standard":"In the ’50s, visionaries like Chuck Berry, Little Richard and Elvis Presley caught lightning in a bottle when their scandalous mix of rockabilly, blues and R&B started a cultural revolution along generational lines. But even the most starry-eyed dreamer wouldn’t have been able to picture rock ’n’ roll becoming a dominant force on the planet. As it mutated over the decades—held together loosely by loud guitars and the spirit of rebellion—is it any wonder that the club’s membership has grown to accommodate both the stomp-and-clap folk-rock of Mumford & Sons and the distorted high-octane squall of Royal Blood?\n

\nThe roots of rock as we know it today are traced back to the late ’70s generation that rejected all that had come before, boiling rock down to its raw, raging basics in the crucible of punk. After punk begat the artier, more angular arrival of new wave, rock began to reinvent itself at a continually quickening pace—the many faces of alt-rock, the roar of grunge, the garage rock revival. Guitar-wielding heroes of the ‘90s—like Oasis, Blur and Nirvana—had a massive influence on the generation that followed, as did ‘00s rock revivalists like The Strokes, The White Stripes and Black Keys. But rock music has been an illusive, debatable, constantly shifting form of expression from the very start. It’s that refusal to stand still that keeps rock a vital force: one that’s destined to ignite many more teenage rebellions in the years to come.","short":"Tune in. Turn up. Rock out."},"shortName":"Rock","url":"https://music.apple.com/tr/curator/apple-music-rock/1013613723","name":"Apple Music Rock","kind":"Genre"}},{"id":"976439547","type":"apple-curators","href":"/v1/catalog/tr/apple-curators/976439547?l=en-GB","attributes":{"artwork":{"width":1080,"url":"https://is3-ssl.mzstatic.com/image/thumb/Features114/v4/3a/3e/fb/3a3efbc2-ede7-5388-631d-87db27a797f3/QkwtTVMtV1ctT2xkaWVzLUFEQU1fSUQ9OTc2NDM5NTQ3LnBuZw.png/{w}x{h}{c}.{f}","height":1080,"textColor3":"332911","textColor2":"211d0e","textColor4":"3e3314","textColor1":"15130a","bgColor":"d59d33","hasP3":false},"editorialArtwork":{"subscriptionHero":{"width":4320,"url":"https://is3-ssl.mzstatic.com/image/thumb/Features114/v4/33/44/f9/3344f93b-98f9-9de4-a3e6-bf5ed3958bc3/source/{w}x{h}{c}.{f}","height":1080,"textColor3":"34210d","textColor2":"17130a","textColor4":"39220d","textColor1":"12110a","bgColor":"f46f1d","hasP3":false},"subscriptionCover":{"width":4320,"url":"https://is4-ssl.mzstatic.com/image/thumb/Features114/v4/2b/24/dd/2b24dde5-099b-84d6-294c-0b913f384e34/source/{w}x{h}{c}.{f}","height":1080,"textColor3":"34210d","textColor2":"17130a","textColor4":"39220d","textColor1":"000000","bgColor":"f46f1d","hasP3":false},"brandLogo":{"width":1080,"url":"https://is2-ssl.mzstatic.com/image/thumb/Features124/v4/e8/74/95/e8749505-0fe3-f891-65d4-9bbc390b7a2f/source/{w}x{h}{c}.{f}","height":1080,"textColor3":"332911","textColor2":"211d0e","textColor4":"3e3314","textColor1":"15130a","bgColor":"d59d33","hasP3":false}},"editorialNotes":{"standard":"Sure, they might be made-up, but the people and places in oldies songs—the guy searchin' for his lost shaker of salt, the woman demanding R-E-S-P-E-C-T, the spot under the boardwalk—are carried with us our entire lives. People of all ages create unbreakable emotional attachments to the tunes they grow up with—even if some of them were new when their grandparents were young. But oldies are more than just nostalgia trips. This is an exclusive club that has got to be filled with good music, too—nobody nurtures fond memories of mediocrity. When you tune in to oldies, expect to hear songs you love—a cherry-picked selection of muscle-car riffs, surfin’ safaris, and yellow polka dot bikinis—which represent the brightest lights of the era.\n

\nIn the '50s, that means the rip-'em-up rockabilly of Elvis Presley's Sun sides, the swingin' swagger of Sinatra’s big band, or the street-wise doo-wop of Dion & The Belmonts. In the ‘60s? The Supremes' Motown magic, the sun-kissed bliss of The Beach Boys, and the grit and groove of the original roots rockers, Creedence Clearwater Revival. But as pop music matured (and its audience along with it) the gate gradually opened wider. First, the golden age of '70s AM radio got adopted, adding the sleek glow of Philly soul, the polyester paradise of disco, and the rhinestone-studded regality of Elton John and Neil Diamond. These days, some '80s singles are in the mix too, allowing larger-than-life, mono-moniker titans like Prince, Madonna, and Sting to play alongside the geniuses who influenced them. But the best thing about the oldies universe is having the “Oh, yes I love this song!” moments inspired by the tunes that endure—packing a potent punch for people who experienced them firsthand and new listeners getting hooked for the first time.","short":"Classic tracks from the ‘50s and ‘60s."},"shortName":"Oldies","url":"https://music.apple.com/tr/curator/apple-music-oldies/976439547","name":"Apple Music 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folk music, or Türk halk müziği, is a universe unto itself. Everything about it is multifaceted—the rhythms, the scales, the styles, even the cultures that contribute to it. All the peoples who occupied the Ottoman territories have had an effect on its musical makeup. Halk is a part of everyday life in Turkey, accompanying all kinds of social events. Dance is an important part of halk too, and there are as many different kinds of dances (hora, zeybek and horan, to name a few) as there are types of songs. One of the most striking things about the music is that one mode, uzun hava, is totally freeform in both structure and rhythm, allowing the performer an incredible level of expression. Halk music can be made with stringed instruments like the saz and the tar, percussion like the darbuka, davul and tef, and wind instruments such as the duduk, zurna and tulum.\n

\nHalk history goes back hundreds of years; between 1925 and 1953, a project initiated by President Mustafa Kemal Atatürk catalogued as many Turkish folk songs as possible and wound up with about 10,000. In the ‘60s, in much the same way that traditional folk gave rise to the singer/songwriter movement in America, artists like Neşet Ertaş and Âşık Veysel made the move from old-school halk to a more modern approach driven by original songs. By the following decade, a host of new faces, from Selda Bağcan to Erkan Oğur, had come to prominence, mixing halk traditions with other sounds to create new musical hybrids. That hybridization has increased over time, and these days Turkish folk can be found in everything from the ballads of troubadour Volkan Konak to the exploratory psychedelic rock of the band Baba Zula.","short":"Turkish folk brings artistic expression into everyday living."},"shortName":"Halk","url":"https://music.apple.com/tr/curator/apple-music-halk/982345933","name":"Apple Music Halk","kind":"Genre"}},{"id":"982356290","type":"apple-curators","href":"/v1/catalog/tr/apple-curators/982356290?l=en-GB","attributes":{"artwork":{"width":1080,"url":"https://is3-ssl.mzstatic.com/image/thumb/Features114/v4/1d/01/ce/1d01ce5f-fd8c-acbd-70a1-131d9aa95b31/QkwtTVMtV1ctU2FuYXQtQURBTV9JRD05ODIzNTYyOTAucG5n.png/{w}x{h}{c}.{f}","height":1080,"textColor3":"40270a","textColor2":"201609","textColor4":"432a0c","textColor1":"1d1306","bgColor":"fd9116","hasP3":false},"editorialArtwork":{"subscriptionHero":{"width":4320,"url":"https://is3-ssl.mzstatic.com/image/thumb/Features114/v4/b1/4e/ff/b14eff31-ac0d-653c-89a7-38b33f292287/source/{w}x{h}{c}.{f}","height":1080,"textColor3":"2b1409","textColor2":"0a0803","textColor4":"2c1509","textColor1":"090701","bgColor":"fc591a","hasP3":false},"subscriptionCover":{"width":4320,"url":"https://is4-ssl.mzstatic.com/image/thumb/Features124/v4/d6/3d/a7/d63da768-e5f4-0529-8200-186a24192522/source/{w}x{h}{c}.{f}","height":1080,"textColor3":"2b1409","textColor2":"0a0803","textColor4":"2c1509","textColor1":"000000","bgColor":"fc591a","hasP3":false},"brandLogo":{"width":1080,"url":"https://is4-ssl.mzstatic.com/image/thumb/Features124/v4/63/09/6a/63096aa7-59d4-bda9-aeeb-29022c73d72c/source/{w}x{h}{c}.{f}","height":1080,"textColor3":"40270a","textColor2":"201609","textColor4":"432a0c","textColor1":"1d1306","bgColor":"fd9116","hasP3":false}},"editorialNotes":{"standard":"Turkish art music, or Türk sanat müziği, encompasses both the spiritual and the secular, the old and the new, concise pieces and extended suites—and it’s the very bedrock of Turkish culture and history. In fact, its roots are so deep that they predate the Ottoman Empire, going all the way back to the Turks’ 11th-century arrival in Anatolia. In major cities like Istanbul, mosques and Sufi schools were among the places that became hubs for the development of the music. The pieces feature singers at their center, accompanied by small groups playing traditional instruments like the latva, a kind of lute. According to the Sufis, each scale, or makam, in the music corresponds to a different state of mind or spirit.\n

\nBy the 18th century, Western influences started to slip into the music, both in structure and instrumentation. In the 20th century, pioneers like Münir Nurettin Selçuk, known as the first performer to establish a lead singer role in the style, helped to usher in a new phase. What had previously been known as Klasik Türk müziği (Turkish classical music) was at last dubbed Türk sanat müziği, and it incorporated the oud, ney (flute), kemençe (fiddle) and kudüm drum, among other instruments. Subsequently, giants in the field like Zeki Müren and Müzeyyen Senar pointed the music onto a new path, and it continues to thrive and progress to this day. Raising a glass of raki while you’re soaking up the sounds of sanat is as attractive a proposition today as it was centuries ago, even if the style has shifted over time.","short":"Explore the living tradition of Turkish art music, from classical to contemporary.\n"},"shortName":"Sanat","url":"https://music.apple.com/tr/curator/apple-music-sanat/982356290","name":"Apple Music Sanat","kind":"Genre"}},{"id":"982302682","type":"apple-curators","href":"/v1/catalog/tr/apple-curators/982302682?l=en-GB","attributes":{"artwork":{"width":1080,"url":"https://is4-ssl.mzstatic.com/image/thumb/Features115/v4/ea/55/1b/ea551b98-5e4e-7f8e-45b4-07d743f24391/QkwtTVMtV1ctQXJhYmljLUFEQU1fSUQ9OTgyMzAyNjgyLnBuZw.png/{w}x{h}{c}.{f}","height":1080,"textColor3":"e2c1d7","textColor2":"f3e5ee","textColor4":"ddb7d1","textColor1":"f9f2f7","bgColor":"8d1c65","hasP3":true},"editorialArtwork":{"subscriptionHero":{"width":4320,"url":"https://is4-ssl.mzstatic.com/image/thumb/Features125/v4/aa/22/5a/aa225af6-2300-d9c4-7006-b19b503a5eeb/source/{w}x{h}{c}.{f}","height":1080,"textColor3":"df54d2","textColor2":"f868fa","textColor4":"df54d2","textColor1":"f868fa","bgColor":"860d47","hasP3":false},"subscriptionCover":{"width":4320,"url":"https://is3-ssl.mzstatic.com/image/thumb/Features125/v4/84/13/6a/84136ac5-0d6e-9857-4711-e61046978208/source/{w}x{h}{c}.{f}","height":1080,"textColor3":"df54d2","textColor2":"f868fa","textColor4":"df54d2","textColor1":"000000","bgColor":"860d47","hasP3":false},"brandLogo":{"width":1080,"url":"https://is4-ssl.mzstatic.com/image/thumb/Features125/v4/6b/45/24/6b4524d6-07bf-b3fe-fe7a-aaabf18493a5/source/{w}x{h}{c}.{f}","height":1080,"textColor3":"e2c1d7","textColor2":"f3e5ee","textColor4":"ddb7d1","textColor1":"f9f2f7","bgColor":"8d1c65","hasP3":false}},"editorialNotes":{"standard":"Rooted in the poetic tradition of the pre-Islamic age, classical Arabic music developed and flourished from the early Islamic period and 11th-century Moorish Spain to the 20th-century secular incarnation that entered a golden age in Cairo. The Egyptian capital became the musical hub of the Arab world, attracting musicians and singers from across North Africa and the Middle East. Legendary female singers Umm Kulthum (who rose to prominence in the mid-‘20s) and Fairuz (who became famous a generation later) embody the heyday of pan-Arabism for generations of Arabic people. Their virtuosic, melismatic singing and charismatic performances enraptured audiences. Artists like Farid Al Atrash, whose oud (lute) improvisations were phenomenal and lightning-quick, performed concerts that became national events. Other notable stars, like Sayed Darwish, Mohammed Abdel Wahab, Warda Al Jazairia and more recently Mohamed Mounir, George Wassouf and Hakim, were heard across Africa and Asia. \n

\nIntroduced in the '50s and '60s by Abdel Halim Hafez, Arabic pop became a fully fledged genre in its own right during the '70s. It moved beyond the lengthy melodic and orchestrated compositions of old, to a more syncopated and rhythmic cross-cultural blend of Western genres and Arabic instruments and lyrics. Amr Diab’s global 1996 crossover hit \"Habibi Ya Nour El Ain\" took Arabic pop to a whole new level, merging Spanish guitar, French accordion and Arabic duff. This wildly successful fusion experiment was attempted by a wide range of artists, who produced mixes of Franco-Arabic (Dalida, Sam Clarke), R&B, reggae and hip-hop. But the variations are endless—from Arabic jazz visionaries like Ziad Rahbani and Rima Khcheich to Arabic rock icons like Massar Egbari, Sahara and Mashrou' Leila. After years of somewhat painful experimentation, Arabic electronic music has graduated from the generic chillout mixes and catchy techno-infused bellydance music of the past—as demonstrated by exciting young artists emerging from Egypt's electro-shaabi underground.\n","short":"A diverse and evolving heritage spanning centuries, culture and geography. "},"shortName":"Arabic","url":"https://music.apple.com/tr/curator/apple-music-arabic/982302682","name":"Apple Music Arabic","kind":"Genre"}},{"id":"976439552","type":"apple-curators","href":"/v1/catalog/tr/apple-curators/976439552?l=en-GB","attributes":{"artwork":{"width":1080,"url":"https://is4-ssl.mzstatic.com/image/thumb/Features124/v4/54/2f/81/542f81ce-28d6-1d4f-6940-5f19818e0acb/QkwtTVMtV1ctUmVnZ2FlLUFEQU1fSUQ9OTc2NDM5NTUyLnBuZw.png/{w}x{h}{c}.{f}","height":1080,"textColor3":"25110b","textColor2":"080502","textColor4":"26120b","textColor1":"060302","bgColor":"da4f27","hasP3":false},"editorialArtwork":{"superHeroTall":{"width":1680,"url":"https://is3-ssl.mzstatic.com/image/thumb/Features113/v4/a5/1e/52/a51e5285-c869-828f-677a-792ec98452f7/source/{w}x{h}{c}.{f}","height":2240,"textColor3":"c47c20","textColor2":"ee6700","textColor4":"c05300","textColor1":"f39a28","bgColor":"080301","hasP3":false},"subscriptionHero":{"width":4320,"url":"https://is1-ssl.mzstatic.com/image/thumb/Features124/v4/3b/2c/17/3b2c17ff-e1ca-e153-6cf6-69dfadf6f327/source/{w}x{h}{c}.{f}","height":1080,"textColor3":"ccaf30","textColor2":"faa23f","textColor4":"e37a31","textColor1":"dde93e","bgColor":"8d0002","hasP3":false},"subscriptionCover":{"width":4320,"url":"https://is3-ssl.mzstatic.com/image/thumb/Features114/v4/0f/ad/87/0fad8714-e366-0ca7-71fb-4737df18aa3d/source/{w}x{h}{c}.{f}","height":1080,"textColor3":"ccaf30","textColor2":"faa23f","textColor4":"e37a31","textColor1":"000000","bgColor":"8d0002","hasP3":false},"brandLogo":{"width":1080,"url":"https://is4-ssl.mzstatic.com/image/thumb/Features114/v4/7e/5f/24/7e5f244e-d22e-5004-2d65-2966735450f0/source/{w}x{h}{c}.{f}","height":1080,"textColor3":"25110b","textColor2":"080502","textColor4":"26120b","textColor1":"060302","bgColor":"da4f27","hasP3":false},"superHeroWide":{"width":4320,"url":"https://is5-ssl.mzstatic.com/image/thumb/Features123/v4/ac/0b/d0/ac0bd0ba-1e08-946a-cc73-aa99b27b2f4b/source/{w}x{h}{c}.{f}","height":1800,"textColor3":"ac9647","textColor2":"ec5900","textColor4":"be4800","textColor1":"d5bb59","bgColor":"070301","hasP3":false}},"editorialNotes":{"standard":"With its combination of sweet harmonies and easy-rolling grooves, reggae is dance music with a socially conscious message and soul music set to a uniquely Caribbean beat. But though it’s become synonymous with palm-lined getaways and breezy good times, reggae is just as often deeply spiritual and passionately political. And from the righteous rhythms of ’70s roots reggae to the digital grooves of modern dancehall, the music of Jamaica has also been sonically adventurous from the very beginning. Born on a handful of Caribbean islands, reggae’s musical innovations have had a major impact on pop, punk, hip-hop, and electronic dance music around the globe.\n

\nReggae’s journey around the world actually started back in the late ’50s and early ’60s. That was when a wave of young Jamaican artists like Prince Buster and Desmond Dekker cooked up a sound called ska, adding a jumpy new rhythm to American soul music. Ska slowed down to a sinuous sway in the late ’60s, and this smoother, more relaxed style was dubbed rocksteady. Evolving from the languid rhythms of rocksteady, the booming bass-and-drum groove of reggae truly came into its own in the early ’70s, launching the careers of international icons like Bob Marley and Peter Tosh. Reggae would also then split into several different styles. The rhythms of roots reggae were heavier and the lyrics more directly spiritual, coinciding with the rise of Rastafarianism in Jamaica. Dub reggae was instrumental and almost psychedelic, conjured up by innovative producers like Lee “Scratch” Perry and King Tubby. And the romantic sound of lovers rock earned transatlantic hits for crooners like Gregory Isaacs. Throughout the ’80s and ’90s, the sound reggae changed radically. Live bands were often out, and electronic rhythms were in. Singers were often replaced by rappers (also known as “deejays”) like Bounty Killer and Beenie Man, and soon dancehall became the hottest sound on the island. In the 21st century, both classic reggae and cutting-edge dancehall remain Jamaica’s biggest musical exports, continuing to regularly turn out a new crop of charismatic stars like Popcaan and Cham.","short":"The sound of Jamaica."},"shortName":"Reggae","url":"https://music.apple.com/tr/curator/apple-music-reggae/976439552","name":"Apple Music 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