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defining character of New York’s music scene and a trusted voice in hip-hop, Apple Music 1 host Ebro Darden brings the city's urgent mix of music and culture to the world. “When I hear something with real heart and energy,” he says, “I want everyone to hear it.”\n\nEbro splits his time at Apple Music as host of his namesake show and Rap Life Radio and global editorial head of hip-hop and R&B, genres in which Apple Music has proved dominant. A long-time fixture in New York radio, he brings a five-boroughs outlook to Apple Music 1’s global audience, but in a way that incorporates both music from all over the African diaspora and Black culture’s worldwide impact. \n\nShot in Apple Music’s studio near Manhattan’s Union Square, The Ebro Show “has a New York City lens, but because New York City is an international city, we embrace a lot of different cultures,” Ebro—who grew up in the Bay Area but has called New York home for decades—explains. “We lean heavily on rap, but hip-hop is a very international music, so through there comes what's going on in Africa, what's going on in the UK, what's going on in Latin America, what's going on in Australia, what's going on in Asia. I don't know of any show that plays as much Caribbean music as we play.”\n\nBut the show doesn’t only touch on music. “I don’t shy away from talking about social issues as it pertains to the community, specifically Black and brown people,” Ebro adds. “I try to find records that speak to that, music that speaks to that.”\n\nTune in to hear Ebro on The Ebro Show every Monday through Thursday at 12 pm LA/3 pm NY/8 pm LDN and on Rap Life Radio every Friday at 10 am LA/1 pm NY/6 pm LDN.\n\nHometown: New York City\n\nMy earliest musical memory: “Probably listening to George Duke and Chuck Mangione in my dad's Cadillac. And my cousin had [Michael Jackson’s] Off the Wall album. I remember distinctly her showing me the album, like, ‘This is the most important music right now.’”\n\nHow I fell in love with hip-hop: “I was probably six, seven, and me and my friends used to stand outside [department store] Gemco and pop and break and all that to get money so that we could go buy music. I was listening to the radio when KRS-One came on KMEL in San Francisco and said, ‘This is where hip-hop lives.’ Everybody was like, ‘What?'”\n\nMy first music job: “I got my first radio internship at 15. I wasn't on the air, I was doing research. I would call people's houses and play them hooks of songs to get their opinion. But they told me my real name [Ibrahim] was too ethnic, and nobody would pick up the phone, so I changed my name and code-switched my voice to sound more proper, all that shit.”\n\nHow I connected to the fight for social justice: “It was a prerequisite for the family and the world I grew up in. When you loved hip-hop, and you saw the Africa medallions, you were rapping Stetsasonic’s ‘A.F.R.I.C.A.’ and learning about pan-Africanism, when your dad used to listen to The Last Poets and Gil Scott-Heron and you grow up knowing about the Black Panthers and Huey P. Newton—both from the Bay Area—you got to know about it. If you don't know, then you don't get to have an opinion.”\n\nWhat keeps me inspired on the mic: “Life keeps me inspired—the human experience, the desire humans have to share an energy, a feeling, a story. I wanted to be an anthropologist and a sociologist, which is what I ended up going to college for; I didn't finish college, but I discovered I have a love for culture and the study of how people socialise. What are things that make people happy? As a DJ, as a curator, as a programmer, as a host, you're bringing something to the audience; you absorb what people are feeling and what they need to get through the day. There's this thing in the music, this vibration—I find joy in watching people respond to that. I believe that that’s packed into our DNA, or maybe our learned behaviour from cultural experiences; certain sounds mean certain things to people. As a hip-hop fan, you know when you hear them drums in a certain way, you're like, 'Wait a minute, what we about to do right now?' 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Heart Break \nBel Bio DeVoe, Poison.\nWu-Tang Clam, 36 Chambers\nNas, Illmatic\nJay-Z, The Blueprint\nMobb Deep, The Infamous.\n50 Cent, Get Rich or Die Tryin'\nTupac, All Eyez on Me\nOutKast ATLiens, Aquemini\nSlick Rick, Great Adventures of Slick Rick. \nLauryn Hill, Miseducation of Lauren Hill\nThe Fugees, The Score \nThe Roots, Things Fall Apart.\nBlackstar, Blackstar\n“Just put Kanye West. 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host of her namesake Apple Music 1 show, broadcaster Dotty has a big self-proclaimed goal: to bring Black music culture from around the world to life. And she’s remarkably suited for the task: She grew up in global music mecca London as a second-generation immigrant—“all of my grandparents came to the UK from the Caribbean during the Windrush generation,” she explains—and surrounded herself with soul from the US, dancehall from Jamaica and much more. “I love all branches of the Black music tree, from reggae to R&B,” she says.\n\nThe Dotty Show finds her interviewing the artists lighting up Apple Music with the biggest tracks across hip-hop, dancehall, Afrobeats and everything in between, from the UK and beyond. “It’s wall-to-wall Black music from all across the globe,” she says. “A guided tour of the very best.”
\nTune in to The Dotty Show every Monday through Thursday at 7 am LA/10 am NYC/3 pm LDN.\n\nHometown: London \n\nFormer life: Dotty signed a record contract in 2012 and released several mixtapes; she has also hosted different shows on BBC Radio 1Xtra.\n\nEarliest musical memory: “My mum playing reggae vinyls on the record player on a Saturday morning. Beres Hammond, Barrington Levy, Gregory Isaacs, Janet Kay were the sound of my childhood.”\n\nFavourite group: Destiny’s Child, “because who else?”\n\nFavourite music video: Michael Jackson, “Remember the Time”\n\nFirst concert: Usher at the Temple in London\n\nFirst song purchased or downloaded: Will Smith, “Gettin’ Jiggy Wit It”\n\nGo-to karaoke song: Mariah Carey, “Honey”\n\nFive songs to get me through the day:\n\n\n1. Stevie Wonder, “As”
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defining character of New York’s music scene and a trusted voice in hip-hop, Apple Music 1 host Ebro Darden brings the city's urgent mix of music and culture to the world. “When I hear something with real heart and energy,” he says, “I want everyone to hear it.”\n\nEbro splits his time at Apple Music as host of his namesake show and Rap Life Radio and global editorial head of hip-hop and R&B, genres in which Apple Music has proved dominant. A long-time fixture in New York radio, he brings a five-boroughs outlook to Apple Music 1’s global audience, but in a way that incorporates both music from all over the African diaspora and Black culture’s worldwide impact. \n\nShot in Apple Music’s studio near Manhattan’s Union Square, The Ebro Show “has a New York City lens, but because New York City is an international city, we embrace a lot of different cultures,” Ebro—who grew up in the Bay Area but has called New York home for decades—explains. “We lean heavily on rap, but hip-hop is a very international music, so through there comes what's going on in Africa, what's going on in the UK, what's going on in Latin America, what's going on in Australia, what's going on in Asia. I don't know of any show that plays as much Caribbean music as we play.”\n\nBut the show doesn’t only touch on music. “I don’t shy away from talking about social issues as it pertains to the community, specifically Black and brown people,” Ebro adds. “I try to find records that speak to that, music that speaks to that.”\n\nTune in to hear Ebro on The Ebro Show every Monday through Thursday at 12 pm LA/3 pm NY/8 pm LDN and on Rap Life Radio every Friday at 10 am LA/1 pm NY/6 pm LDN.\n\nHometown: New York City\n\nMy earliest musical memory: “Probably listening to George Duke and Chuck Mangione in my dad's Cadillac. And my cousin had [Michael Jackson’s] Off the Wall album. I remember distinctly her showing me the album, like, ‘This is the most important music right now.’”\n\nHow I fell in love with hip-hop: “I was probably six, seven, and me and my friends used to stand outside [department store] Gemco and pop and break and all that to get money so that we could go buy music. I was listening to the radio when KRS-One came on KMEL in San Francisco and said, ‘This is where hip-hop lives.’ Everybody was like, ‘What?'”\n\nMy first music job: “I got my first radio internship at 15. I wasn't on the air, I was doing research. I would call people's houses and play them hooks of songs to get their opinion. But they told me my real name [Ibrahim] was too ethnic, and nobody would pick up the phone, so I changed my name and code-switched my voice to sound more proper, all that shit.”\n\nHow I connected to the fight for social justice: “It was a prerequisite for the family and the world I grew up in. When you loved hip-hop, and you saw the Africa medallions, you were rapping Stetsasonic’s ‘A.F.R.I.C.A.’ and learning about pan-Africanism, when your dad used to listen to The Last Poets and Gil Scott-Heron and you grow up knowing about the Black Panthers and Huey P. Newton—both from the Bay Area—you got to know about it. If you don't know, then you don't get to have an opinion.”\n\nWhat keeps me inspired on the mic: “Life keeps me inspired—the human experience, the desire humans have to share an energy, a feeling, a story. I wanted to be an anthropologist and a sociologist, which is what I ended up going to college for; I didn't finish college, but I discovered I have a love for culture and the study of how people socialise. What are things that make people happy? As a DJ, as a curator, as a programmer, as a host, you're bringing something to the audience; you absorb what people are feeling and what they need to get through the day. There's this thing in the music, this vibration—I find joy in watching people respond to that. I believe that that’s packed into our DNA, or maybe our learned behaviour from cultural experiences; certain sounds mean certain things to people. As a hip-hop fan, you know when you hear them drums in a certain way, you're like, 'Wait a minute, what we about to do right now?' As a fan of salsa, you hear them horns hit a certain way, and you're like, 'It's time.'”\n\nSomething people don’t know about me: “I never have listened to an entire interview of mine. Only thing I really listen to is if I screwed something up, to see how I screwed it up.”\n\nMy All-Time Classic Albums:\n\nStevie Wonder, Songs in the Key of Life\nMichael Jackson, Off the Wall\nGuns N' Roses, Appetite for Destruction\nSade, Love Deluxe\nThe D.O.C., No One Can Do It Better.\nDr. Dre, The Chronic. \nA Tribe Called Quest, Midnight Marauders\nAlex:\nEric B. & Rakim, Paid in Full.\nKendrick Lamar, DAMN\nGang Starr, Hard to Earn\nKeith Sweat, Make It Last Forever \nGuy, Guy\nNew Edition, N.E. Heart Break \nBel Bio DeVoe, Poison.\nWu-Tang Clam, 36 Chambers\nNas, Illmatic\nJay-Z, The Blueprint\nMobb Deep, The Infamous.\n50 Cent, Get Rich or Die Tryin'\nTupac, All Eyez on Me\nOutKast ATLiens, Aquemini\nSlick Rick, Great Adventures of Slick Rick. \nLauryn Hill, Miseducation of Lauren Hill\nThe Fugees, The Score \nThe Roots, Things Fall Apart.\nBlackstar, Blackstar\n“Just put Kanye West. 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We the best.” From the mind of Beastie Boy Mike D comes The Echo Chamber. After three decades with his record-breaking, culture-shaking band, he’s designed magazine covers, record sleeves, and his own wallpaper and accessories. Now, he designs radio. “I think, in our own way, we ended up being a radio station of our own design because we were inspired and informed by so much different music that we put into what we made,” Mike D tells Apple Music. “Either by just trying to sound like something or sampling something or talking about it in our lyrics, we were like a gateway band.” Below, he speaks more about that connection.
\nWhat drew you to wanting to host a radio show?\n“I remember years ago, as a band, we kind of always wanted to have a radio station—maybe a show—but technology didn't really exist that aligned with that. And I didn't want to just do a show for the sake of doing a show and not have a vision or an idea of where I'm going with it. Then one day it kind of came to me: When I have friends come over to my house—and it's been this way since I was 12 years old—I'll put on a record and they'll be like, 'Oh, cool. What is this?' And they’ll put something on and it's kind of this back-and-forth dialogue. And I thought, 'You know what? That could be a cool show.'”
\nHow does that idea connect to what Beastie Boys did as far as surfacing artists who shaped you?\n“I feel very grateful that we somehow had been inspired by all this music that we love and then that's helped some of our fans dig deeper and discover more. I remember we were in our studio we had in New York City, Oscilloscope, that was actually [Adam] Yauch's place, and we were like, we'd like to have a show and just play stuff we were into, nothing more complicated than that. I should try to find this. Somewhere a hard drive exists that has our two or three attempts at doing these shows.”
\nHow do you discover music now?\n“Part of the answer is the same way I always have. Both in terms of old records that are new to me and new records and reissue records, there's nothing that beats going to a record store in terms of getting the biggest grab of music and inspiration in one hit. Number two, it's just the same old way of just friends. And at this point, thankfully, I have cool kids who listen to cool music, so there's always this exchange and sharing of music that way. I think one of the things that I do really like in the streaming world is the wormholes. You listen to the playlist and you discover other things.”
\nWho have been the guests you learned the most from?\n“What I think about are these moments—it's, selfishly, music that I got turned on to by different people that I didn't expect. I remember when the artist Doug Aitken was on my show, there was some German things and also some world-psych things that he kind of put me onto. That was great and unexpected. There was this song by this early-’80s band Kleenex—Kim Gordon from Sonic Youth was on and it was something she played. Now I put it on playlists all the time. I remember going back and forth on songs with some of the girls from the band Warpaint and I was really surprised because I didn't realize they were DJing out, playing some of those same things that I was, but then also introducing me to some different things. 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Apple Music 1 host Brooke Reese, whose grandfather emigrated from Mexico when he was 15, music has always been a way to stay connected to family, tradition and cherished memories. “My mom made sure to always keep me connected to our culture and everything my grandpa sacrificed so we all could have a better life,” Brooke says. “I grew up with mariachis at every family party—it was a must!”\n\nBut American pop was also a key part of Brooke’s formative mix, and when she’s feeling nostalgic she’ll play artists like John Mayer or Justin Timberlake. “Their music has been the soundtrack to a lot of important moments in my life, both good and bad. I can remember vividly watching *NSYNC’s ‘Tearin’ Up My Heart’ in my mom’s living room when I was in third or fourth grade. I was immediately drawn in.”\n\nAs the host of Apple Music 1’s The Chart Show, Brooke runs through chart countdowns from around the world, interviews stars at the top and keeps listeners up to date on what’s new and what’s next. “My show is the only listener-based show on Apple Music 1,” she says. “It’s the songs and artists that listeners go back to over and over again.”\n\nTune in to The Chart Show With Brooke Reese every Monday through Thursday at 6 am LA/9 am NYC/2 pm LDN.\n\nHometown: Riverside, California\n\nEarliest musical memory: “In my Latin household, you had to get up early to clean the house and do your chores before you could go outside. I remember my mom blasting Julio Iglesias, Neil Diamond, and Céline Dion. I always loved to sing along, and they always remind me of my mom.”\n\nFavourite music video: Britney Spears’ “I’m a Slave 4 U”. “It was so iconic, and I still know the dance moves to this day.”\n\nFirst song I ever bought or downloaded: Toni Braxton, “Un-Break My Heart”. “I used to play it on my cassette player and sing it at the top of my lungs.”\n\nGo-to karaoke song: Madonna, “Like a Virgin.”\n\nFirst tour: *NSYNC\n\nFive songs that get me through the day:\n\n\n1. Miranda Lambert, “Bluebird”\n2. 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On her namesake Apple Music Country show, Tiera brings her up-close perspective to what’s new in country—but also incorporates other sounds. “My heart is in country music, but I draw inspiration from all different genres,” she says. “So you’re going to hear everything from country to R&B, the classics to the new, and all the feel-good songs that set fire to your soul.”\n\nTune in to The Tiera Show every Monday through Friday on Apple Music Country at 9 am LA/12 pm NYC/5 pm LDN.\n\nHometown: Birmingham, Alabama\n\nHobbies: “Shopping for home decor at Target.”\n\nFirst concert: Jonas Brothers\n\nFirst album Tiera bought or downloaded: Taylor Swift’s self-titled debut \n\nGo-to karaoke song: Hilary Duff, “What Dreams Are Made Of”\n\nFavourite artists: Beyoncé, Dolly Parton\n\nFive songs that get Tiera through the day:\n\nHRVY & Matoma, “Good Vibes”\nFresco Trey, “Feel Good”\nShania Twain, “Man! 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Now independent, Kelleigh continues to write and record music on her own terms in between her Apple Music show. “I am continually inspired by this music community,” she says. “Nashville is bursting with talented vocalists, storytellers and dreamers.”\n\nKelleigh’s favourite days (and nights) include co-writes with fellow songwriters, or a little bourbon alongside her favourite Stapleton, Lambert and Church records—many of which she plays on her daily namesake Apple Music Country show. With warmth and humour, Bannen brings listeners insider perspectives and interviews that are thought-provoking and honest—giving both veteran hitmakers and new artists a space to share their journey, inspiration and creative process. 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It’s become the world’s go-to for the best brand-new music, sure, but it’s also popular music’s premier confessional booth: Day after day, Zane—who’s also Apple Music’s global creative director and co-head of artist relations—gets the biggest, most elusive superstars, from Justin Bieber to Taylor Swift to Kanye West, to let their guards down—laughs, tears and news-making quotes are the norm.\n\n“I’m a curious person, I ask questions, and I guess if I'm passionate about something, I'll talk about it and engage people about it. I want to start a conversation and learn,” Zane explains of his approach. “Because the more you share, the more you learn, and vice versa. It’s just a circle that keeps spinning.”\n\nZane earns guests’ trust with a music obsessive’s curiosity and enthusiasm, compassionate questioning and first-hand music knowledge of life as an artist—he started his music career recording and performing, and continues to write, produce and record.\n\n“The artist side of it, that really drives what I do,” he explains. “I'm not a conventional media-type personality. I’m no good at being a host, really. I'm not a journalist. I don't write, I'm not a writer. What I do is feel and translate.”\n\nCheck out Zane on The Zane Lowe Show every Monday through Thursday on Apple Music 1 at 9 am LA/12 pm NYC/5 pm LDN and New Music Daily every Friday at 9 am LA, 12 pm NY, and 5 pm LDN.\n\nHometown: He now lives much of the time in Los Angeles after working for years in London, but still considers Auckland, New Zealand, home. “That's where I'm raised and that's where my family still lives. It's the closest thing to paradise. I never left New Zealand because I was trying to absorb some other reality; I was just searching to get as close to what I loved as possible.”\n\nFormer life: Zane got into music as an artist before pivoting to DJing and radio hosting, which included a stint at the BBC as one of the top DJs in the UK. But he doesn’t consider himself a “former artist—it’s not a skin you shed”, he says.\n\nEarliest musical memory: “I have a really vague but defined memory of sitting with my cousin and him playing me ‘Smoke on the Water’ by Deep Purple and hearing that riff. I would have been like a baby, but I remember it—the room, what he was wearing. And I remember the music.”\n\nHobbies: Hunting for rare vinyl on eBay (“it’s an addiction, definitely”) and making beats: “If I have 15 minutes in the day between meetings, which is rare, I'm firing up Logic, straight up. It feeds my soul. 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defining character of New York’s music scene and a trusted voice in hip-hop, Apple Music 1 host Ebro Darden brings the city's urgent mix of music and culture to the world. “When I hear something with real heart and energy,” he says, “I want everyone to hear it.”\n\nEbro splits his time at Apple Music as host of his namesake show and Rap Life Radio and global editorial head of hip-hop and R&B, genres in which Apple Music has proved dominant. A long-time fixture in New York radio, he brings a five-boroughs outlook to Apple Music 1’s global audience, but in a way that incorporates both music from all over the African diaspora and Black culture’s worldwide impact. \n\nShot in Apple Music’s studio near Manhattan’s Union Square, The Ebro Show “has a New York City lens, but because New York City is an international city, we embrace a lot of different cultures,” Ebro—who grew up in the Bay Area but has called New York home for decades—explains. “We lean heavily on rap, but hip-hop is a very international music, so through there comes what's going on in Africa, what's going on in the UK, what's going on in Latin America, what's going on in Australia, what's going on in Asia. I don't know of any show that plays as much Caribbean music as we play.”\n\nBut the show doesn’t only touch on music. “I don’t shy away from talking about social issues as it pertains to the community, specifically Black and brown people,” Ebro adds. “I try to find records that speak to that, music that speaks to that.”\n\nTune in to hear Ebro on The Ebro Show every Monday through Thursday at 12 pm LA/3 pm NY/8 pm LDN and on Rap Life Radio every Friday at 10 am LA/1 pm NY/6 pm LDN.\n\nHometown: New York City\n\nMy earliest musical memory: “Probably listening to George Duke and Chuck Mangione in my dad's Cadillac. And my cousin had [Michael Jackson’s] Off the Wall album. I remember distinctly her showing me the album, like, ‘This is the most important music right now.’”\n\nHow I fell in love with hip-hop: “I was probably six, seven, and me and my friends used to stand outside [department store] Gemco and pop and break and all that to get money so that we could go buy music. I was listening to the radio when KRS-One came on KMEL in San Francisco and said, ‘This is where hip-hop lives.’ Everybody was like, ‘What?'”\n\nMy first music job: “I got my first radio internship at 15. I wasn't on the air, I was doing research. I would call people's houses and play them hooks of songs to get their opinion. But they told me my real name [Ibrahim] was too ethnic, and nobody would pick up the phone, so I changed my name and code-switched my voice to sound more proper, all that shit.”\n\nHow I connected to the fight for social justice: “It was a prerequisite for the family and the world I grew up in. When you loved hip-hop, and you saw the Africa medallions, you were rapping Stetsasonic’s ‘A.F.R.I.C.A.’ and learning about pan-Africanism, when your dad used to listen to The Last Poets and Gil Scott-Heron and you grow up knowing about the Black Panthers and Huey P. Newton—both from the Bay Area—you got to know about it. If you don't know, then you don't get to have an opinion.”\n\nWhat keeps me inspired on the mic: “Life keeps me inspired—the human experience, the desire humans have to share an energy, a feeling, a story. I wanted to be an anthropologist and a sociologist, which is what I ended up going to college for; I didn't finish college, but I discovered I have a love for culture and the study of how people socialise. What are things that make people happy? As a DJ, as a curator, as a programmer, as a host, you're bringing something to the audience; you absorb what people are feeling and what they need to get through the day. There's this thing in the music, this vibration—I find joy in watching people respond to that. I believe that that’s packed into our DNA, or maybe our learned behaviour from cultural experiences; certain sounds mean certain things to people. As a hip-hop fan, you know when you hear them drums in a certain way, you're like, 'Wait a minute, what we about to do right now?' 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host of her namesake Apple Music 1 show, broadcaster Dotty has a big self-proclaimed goal: to bring Black music culture from around the world to life. And she’s remarkably suited for the task: She grew up in global music mecca London as a second-generation immigrant—“all of my grandparents came to the UK from the Caribbean during the Windrush generation,” she explains—and surrounded herself with soul from the US, dancehall from Jamaica and much more. “I love all branches of the Black music tree, from reggae to R&B,” she says.\n\nThe Dotty Show finds her interviewing the artists lighting up Apple Music with the biggest tracks across hip-hop, dancehall, Afrobeats and everything in between, from the UK and beyond. “It’s wall-to-wall Black music from all across the globe,” she says. “A guided tour of the very best.”
\nTune in to The Dotty Show every Monday through Thursday at 7 am LA/10 am NYC/3 pm LDN.\n\nHometown: London \n\nFormer life: Dotty signed a record contract in 2012 and released several mixtapes; she has also hosted different shows on BBC Radio 1Xtra.\n\nEarliest musical memory: “My mum playing reggae vinyls on the record player on a Saturday morning. Beres Hammond, Barrington Levy, Gregory Isaacs, Janet Kay were the sound of my childhood.”\n\nFavourite group: Destiny’s Child, “because who else?”\n\nFavourite music video: Michael Jackson, “Remember the Time”\n\nFirst concert: Usher at the Temple in London\n\nFirst song purchased or downloaded: Will Smith, “Gettin’ Jiggy Wit It”\n\nGo-to karaoke song: Mariah Carey, “Honey”\n\nFive songs to get me through the day:\n\n\n1. Stevie Wonder, “As”
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defining character of New York’s music scene and a trusted voice in hip-hop, Apple Music 1 host Ebro Darden brings the city's urgent mix of music and culture to the world. “When I hear something with real heart and energy,” he says, “I want everyone to hear it.”\n\nEbro splits his time at Apple Music as host of his namesake show and Rap Life Radio and global editorial head of hip-hop and R&B, genres in which Apple Music has proved dominant. A long-time fixture in New York radio, he brings a five-boroughs outlook to Apple Music 1’s global audience, but in a way that incorporates both music from all over the African diaspora and Black culture’s worldwide impact. \n\nShot in Apple Music’s studio near Manhattan’s Union Square, The Ebro Show “has a New York City lens, but because New York City is an international city, we embrace a lot of different cultures,” Ebro—who grew up in the Bay Area but has called New York home for decades—explains. “We lean heavily on rap, but hip-hop is a very international music, so through there comes what's going on in Africa, what's going on in the UK, what's going on in Latin America, what's going on in Australia, what's going on in Asia. I don't know of any show that plays as much Caribbean music as we play.”\n\nBut the show doesn’t only touch on music. “I don’t shy away from talking about social issues as it pertains to the community, specifically Black and brown people,” Ebro adds. “I try to find records that speak to that, music that speaks to that.”\n\nTune in to hear Ebro on The Ebro Show every Monday through Thursday at 12 pm LA/3 pm NY/8 pm LDN and on Rap Life Radio every Friday at 10 am LA/1 pm NY/6 pm LDN.\n\nHometown: New York City\n\nMy earliest musical memory: “Probably listening to George Duke and Chuck Mangione in my dad's Cadillac. And my cousin had [Michael Jackson’s] Off the Wall album. I remember distinctly her showing me the album, like, ‘This is the most important music right now.’”\n\nHow I fell in love with hip-hop: “I was probably six, seven, and me and my friends used to stand outside [department store] Gemco and pop and break and all that to get money so that we could go buy music. I was listening to the radio when KRS-One came on KMEL in San Francisco and said, ‘This is where hip-hop lives.’ Everybody was like, ‘What?'”\n\nMy first music job: “I got my first radio internship at 15. I wasn't on the air, I was doing research. I would call people's houses and play them hooks of songs to get their opinion. But they told me my real name [Ibrahim] was too ethnic, and nobody would pick up the phone, so I changed my name and code-switched my voice to sound more proper, all that shit.”\n\nHow I connected to the fight for social justice: “It was a prerequisite for the family and the world I grew up in. When you loved hip-hop, and you saw the Africa medallions, you were rapping Stetsasonic’s ‘A.F.R.I.C.A.’ and learning about pan-Africanism, when your dad used to listen to The Last Poets and Gil Scott-Heron and you grow up knowing about the Black Panthers and Huey P. Newton—both from the Bay Area—you got to know about it. If you don't know, then you don't get to have an opinion.”\n\nWhat keeps me inspired on the mic: “Life keeps me inspired—the human experience, the desire humans have to share an energy, a feeling, a story. I wanted to be an anthropologist and a sociologist, which is what I ended up going to college for; I didn't finish college, but I discovered I have a love for culture and the study of how people socialise. What are things that make people happy? As a DJ, as a curator, as a programmer, as a host, you're bringing something to the audience; you absorb what people are feeling and what they need to get through the day. There's this thing in the music, this vibration—I find joy in watching people respond to that. I believe that that’s packed into our DNA, or maybe our learned behaviour from cultural experiences; certain sounds mean certain things to people. As a hip-hop fan, you know when you hear them drums in a certain way, you're like, 'Wait a minute, what we about to do right now?' As a fan of salsa, you hear them horns hit a certain way, and you're like, 'It's time.'”\n\nSomething people don’t know about me: “I never have listened to an entire interview of mine. Only thing I really listen to is if I screwed something up, to see how I screwed it up.”\n\nMy All-Time Classic Albums:\n\nStevie Wonder, Songs in the Key of Life\nMichael Jackson, Off the Wall\nGuns N' Roses, Appetite for Destruction\nSade, Love Deluxe\nThe D.O.C., No One Can Do It Better.\nDr. Dre, The Chronic. \nA Tribe Called Quest, Midnight Marauders\nAlex:\nEric B. & Rakim, Paid in Full.\nKendrick Lamar, DAMN\nGang Starr, Hard to Earn\nKeith Sweat, Make It Last Forever \nGuy, Guy\nNew Edition, N.E. Heart Break \nBel Bio DeVoe, Poison.\nWu-Tang Clam, 36 Chambers\nNas, Illmatic\nJay-Z, The Blueprint\nMobb Deep, The Infamous.\n50 Cent, Get Rich or Die Tryin'\nTupac, All Eyez on Me\nOutKast ATLiens, Aquemini\nSlick Rick, Great Adventures of Slick Rick. \nLauryn Hill, Miseducation of Lauren Hill\nThe Fugees, The Score \nThe Roots, Things Fall Apart.\nBlackstar, Blackstar\n“Just put Kanye West. 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We the best.” From the mind of Beastie Boy Mike D comes The Echo Chamber. After three decades with his record-breaking, culture-shaking band, he’s designed magazine covers, record sleeves, and his own wallpaper and accessories. Now, he designs radio. “I think, in our own way, we ended up being a radio station of our own design because we were inspired and informed by so much different music that we put into what we made,” Mike D tells Apple Music. “Either by just trying to sound like something or sampling something or talking about it in our lyrics, we were like a gateway band.” Below, he speaks more about that connection.
\nWhat drew you to wanting to host a radio show?\n“I remember years ago, as a band, we kind of always wanted to have a radio station—maybe a show—but technology didn't really exist that aligned with that. And I didn't want to just do a show for the sake of doing a show and not have a vision or an idea of where I'm going with it. Then one day it kind of came to me: When I have friends come over to my house—and it's been this way since I was 12 years old—I'll put on a record and they'll be like, 'Oh, cool. What is this?' And they’ll put something on and it's kind of this back-and-forth dialogue. And I thought, 'You know what? That could be a cool show.'”
\nHow does that idea connect to what Beastie Boys did as far as surfacing artists who shaped you?\n“I feel very grateful that we somehow had been inspired by all this music that we love and then that's helped some of our fans dig deeper and discover more. I remember we were in our studio we had in New York City, Oscilloscope, that was actually [Adam] Yauch's place, and we were like, we'd like to have a show and just play stuff we were into, nothing more complicated than that. I should try to find this. Somewhere a hard drive exists that has our two or three attempts at doing these shows.”
\nHow do you discover music now?\n“Part of the answer is the same way I always have. Both in terms of old records that are new to me and new records and reissue records, there's nothing that beats going to a record store in terms of getting the biggest grab of music and inspiration in one hit. Number two, it's just the same old way of just friends. And at this point, thankfully, I have cool kids who listen to cool music, so there's always this exchange and sharing of music that way. I think one of the things that I do really like in the streaming world is the wormholes. You listen to the playlist and you discover other things.”
\nWho have been the guests you learned the most from?\n“What I think about are these moments—it's, selfishly, music that I got turned on to by different people that I didn't expect. I remember when the artist Doug Aitken was on my show, there was some German things and also some world-psych things that he kind of put me onto. That was great and unexpected. There was this song by this early-’80s band Kleenex—Kim Gordon from Sonic Youth was on and it was something she played. Now I put it on playlists all the time. I remember going back and forth on songs with some of the girls from the band Warpaint and I was really surprised because I didn't realize they were DJing out, playing some of those same things that I was, but then also introducing me to some different things. 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Apple Music 1 host Brooke Reese, whose grandfather emigrated from Mexico when he was 15, music has always been a way to stay connected to family, tradition and cherished memories. “My mom made sure to always keep me connected to our culture and everything my grandpa sacrificed so we all could have a better life,” Brooke says. “I grew up with mariachis at every family party—it was a must!”\n\nBut American pop was also a key part of Brooke’s formative mix, and when she’s feeling nostalgic she’ll play artists like John Mayer or Justin Timberlake. “Their music has been the soundtrack to a lot of important moments in my life, both good and bad. I can remember vividly watching *NSYNC’s ‘Tearin’ Up My Heart’ in my mom’s living room when I was in third or fourth grade. I was immediately drawn in.”\n\nAs the host of Apple Music 1’s The Chart Show, Brooke runs through chart countdowns from around the world, interviews stars at the top and keeps listeners up to date on what’s new and what’s next. “My show is the only listener-based show on Apple Music 1,” she says. “It’s the songs and artists that listeners go back to over and over again.”\n\nTune in to The Chart Show With Brooke Reese every Monday through Thursday at 6 am LA/9 am NYC/2 pm LDN.\n\nHometown: Riverside, California\n\nEarliest musical memory: “In my Latin household, you had to get up early to clean the house and do your chores before you could go outside. I remember my mom blasting Julio Iglesias, Neil Diamond, and Céline Dion. I always loved to sing along, and they always remind me of my mom.”\n\nFavourite music video: Britney Spears’ “I’m a Slave 4 U”. “It was so iconic, and I still know the dance moves to this day.”\n\nFirst song I ever bought or downloaded: Toni Braxton, “Un-Break My Heart”. “I used to play it on my cassette player and sing it at the top of my lungs.”\n\nGo-to karaoke song: Madonna, “Like a Virgin.”\n\nFirst tour: *NSYNC\n\nFive songs that get me through the day:\n\n\n1. Miranda Lambert, “Bluebird”\n2. 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Ward Guenther Show","standard":"If you haven't had the pleasure of visiting Music City, The Ward Guenther Show on Apple Music Country is as close to the real thing as you can get. A long-time Tennessean, Ward founded Nashville's esteemed Whiskey Jam showcase, in which rising stars show what they’ve got in local dive bars. The Mississippi-born, Memphis-raised Ward has a similar focus on his namesake Apple Music Country show: “We are identifying and shining a light on new music and new artists at quite possibly the most important part of an artist's journey,” he says. “They are finding their voice, their style, and most importantly their audience.”\n\nTo hear Ward showcase the freshest faces on Nashville's colorful and constantly evolving music scene, don’t miss The Ward Guenther Show Monday through Thursday on Apple Music Country at 1 pm LA/4 pm NYC/9 pm LDN.\n\nHometown: “My mom's from south Louisiana and dad's from the Mississippi Delta, so I had a culturally rich, wonderfully Southern upbringing, but I’ve been in Nashville for 18 years.”\n\nFavourite band: “Probably Dave Matthews Band. I don't listen to them much anymore, but if they hadn't featured Béla Fleck on 'Spoon', I wouldn't be here talking about my show.”\n\nEarly musical memory: “Seeing the video for Guns N’ Roses’ ‘Paradise City'. It was wild. I was staying at my cousin's house in New Orleans, and I remember feeling like I was doing something wrong. Real, raw concert footage of one of the wildest bands of all time at their absolute peak. Pretty heavy stuff as a kid!”\n\nFirst song purchased or downloaded: “I bought the cassette singles of Queen ‘Bohemian Rhapsody’ and Sir Mix-A-Lot ‘Baby Got Back’ at the same time.”\n\nGo-to karaoke song: “Superstition”, Stevie Wonder\n\nFive songs that get Ward through the day: \n\nJoe Cocker, “Feelin’ Alright”\nJohn Mayer, “Queen of California” \nMaren Morris, “All My Favorite People” \nStevie Wonder, “Signed, Sealed, Delivered”\nLinda Ronstadt, “Silver Threads and Golden Needles”\n\nFavourite interview: “Koe Wetzel. I had gotten into his music over 2020 and we connected over FaceTime from his hotel room. It was noon and the shades were still drawn. He had been out celebrating his tour manager’s birthday, said they were at the club ’til 5 am. It was an actual picture of an actual artist on the rise. We had a good talk and some good laughs!”\n\nMost inspiring thing about music: “The constant refreshing of the talent pool. We all have our favourites that will be meaningful to us forever, but the intrigue of what's to come and the thrill of the hunt keep me going. Think about it: Right now, somewhere, there's a kid learning to play guitar who's going to change someone's life with their music.”\n","short":"Everything you need to know from the heart of Music City.","tagline":"Apple Music"},"url":"https://music.apple.com/bs/curator/the-ward-guenther-show/1500977263","editorialArtwork":{"storeFlowcase":{"width":4320,"url":"https://is2-ssl.mzstatic.com/image/thumb/Features124/v4/0e/1f/4b/0e1f4b59-d8e4-2c53-eca5-5a7375004f1e/source/{w}x{h}bb.{f}","height":1080,"textColor3":"243244","textColor2":"212122","textColor4":"3f3f3f","textColor1":"061427","bgColor":"d5d5d6","hasP3":false},"subscriptionHero":{"width":4320,"url":"https://is3-ssl.mzstatic.com/image/thumb/Features114/v4/21/ef/0e/21ef0ec0-c026-86db-bbef-99b9cf187177/source/{w}x{h}bb.{f}","height":1080,"textColor3":"373737","textColor2":"0f1b2b","textColor4":"2d3948","textColor1":"191919","bgColor":"d5d5d6","hasP3":false},"subscriptionCover":{"width":4320,"url":"https://is1-ssl.mzstatic.com/image/thumb/Features114/v4/31/19/2c/31192c25-a394-4fcc-48f4-745c03cf633c/source/{w}x{h}bb.{f}","height":1080,"textColor3":"223145","textColor2":"2f1d20","textColor4":"4b3a3e","textColor1":"000000","bgColor":"d5d5d6","hasP3":false},"bannerUber":{"width":4320,"url":"https://is1-ssl.mzstatic.com/image/thumb/Features114/v4/f9/41/7d/f9417dac-4c41-0c42-6e78-5a636518d62e/source/{w}x{h}bb.{f}","height":1080,"textColor3":"253345","textColor2":"181818","textColor4":"363636","textColor1":"071528","bgColor":"d5d5d6","hasP3":false},"brandLogo":{"width":1080,"url":"https://is4-ssl.mzstatic.com/image/thumb/Features124/v4/19/87/75/1987759c-71cd-093f-be90-31fad6dad401/source/{w}x{h}bb.{f}","height":1080,"textColor3":"2b3a4d","textColor2":"1d1d1d","textColor4":"3a3a3b","textColor1":"0e1c30","bgColor":"d5d5d6","hasP3":false}},"name":"The Ward Guenther Show","kind":"Show","showHostName":"Apple Music","shortName":"The Ward Guenther Show"}}]}}},{"id":"ra.1498157166-3","type":"station-events","attributes":{"title":"Rhinestone Radio with Sam Stephens","heroArtwork":{"width":4320,"height":1080,"url":"https://is3-ssl.mzstatic.com/image/thumb/Features122/v4/e5/f9/6a/e5f96ad1-cc90-0f82-f8d3-501d060a5b25/

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