There are very few genres that the avant-garde French film composer Michel Magne didn't successfully attempt. His classical orchestral arrangements that mixed jazz and pop found a natural home in the French TV and film industry of the '60s and '70s. Instrumental solos and jazz piano improvisations make his music anything but predictable, perhaps seen best in the sultry hit “Palm Beach”. Never one stuck in his ways, Magne mingled with the funky on “Danger Tempo” and even experimented with bluesy electric guitar, gospel organ and quirky sound effects on “The Killer Teures”.