Known best for horn-fueled mambos that shook the world, Tito Puente also applied his supersized timbales and vibraphone skills to other styles. Swinging big-band jazz adds depth to "3-D Mambo"; a shuffling rhythm works a new twist on the mambo sound in "Four Beat Cha Cha, Part 1"; and "Vibe Guajira" finds vibraphonic romance in an old Spanish dance form.