Although Rob Zombie's boogie-metal is unparalleled—just witness the dizzy, electro-shocked "Let It All Bleed Out"—the horror aficionado's catalog is a sprawling sonic patchwork. "Mars Needs Women" starts with tranquil acoustic guitars and stripped-down percussion before exploding into a distorted caveman stomp, while the galloping "Dead City Radio and the New Gods of Supertown" boasts barking carnivalesque wordplay and psychedelic organ.