Hannah Georgas’ high, clear voice is the silvery thread that binds together her songs. It’s stayed true and unaffected over time, connecting her high-school-band days in a Toronto suburb to her stints on arena tours. This bright flash of consistency lets her play a deft stylistic hopscotch. Her vocals beckon from the sweetly modest acoustic pop that earned her the affections of Canada’s national broadcaster in 2009, sending her early songs soaring through the speakers of the country’s indie fans, and they remain an irresistible beacon amid the sophisticated synth-strewn textures on more recent work, like 2016’s For Evelyn.