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Born in 1972, “Jilly from Philly” grew out of a softer, gentler scene that produced The Roots and Musiq Soulchild. Her debut album, Who Is Jill Scott?: Words and Sounds, Vol. 1, challenged ideas about what sexy meant in the macho jiggy era (“He Loves Me [Lyzel in E Flat]”) and made solitude feel powerful (“One Is the Magic #”). Scott's emotive, deeply textured voice is equally at ease with jazz instrumentation and rap beats; she comes across as the shoulder to cry on, helping listeners through heartbreak and teaching them to believe in themselves. Her 2004 release, Beautifully Human: Words and Sounds, Vol. 2, celebrates blood ties (“Family Reunion”) and her right to make art (the Grammy-winning “Cross My Mind”). On 2015’s Woman, she sounds utterly composed, ready to face any emotional storm (\"Prepared\"). 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Born Gerald Maxwell Rivera in 1973, the Brooklyn native grew up on the slick pop-soul of the early ’80s as he taught himself music’s ins and outs. He wrote and gigged around New York constantly and was signed to a record deal in 1994; two years later, his debut, Maxwell’s Urban Hang Suite, came out, becoming a commercial success thanks to singles like the swooning “Ascension (Don’t Ever Wonder).” The next year, he released MTV Unplugged, which showcased his musicianship and wide-ranging tastes on revamped versions of his own songs as well as Nine Inch Nails and Kate Bush covers. Embrya, issued in 1998, was a high-concept, meticulously arranged foray into progressive soul; its follow-up, Now, included his reimagining of Bush’s “This Woman’s Work,” which quickly became one of his signature tracks. After a years-long hiatus, Maxwell released BLACKsummers’night, the first album in a proposed trilogy, to widespread acclaim and commercial success in 2009; with tracks like the stunning “Pretty Wings” and the simmering “Bad Habits,” it re-established Maxwell as one of R&B’s leading songwriters. The second piece in the trilogy, blackSUMMERS’night, came out in 2016, with the gleaming “1990X” and the flinty “III” further showcasing his musical and compositional swagger. 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Big hit singles eluded them, but they developed a strong following that appreciated their unwavering dedication to releasing relatable and mature R&B. Throughout their career, Dantzler and Graydon co-wrote most of their songs, which were rooted in traditional soul and gospel. They incorporated nuanced contemporary sounds with help from co-producers such as Anthony Bell, Adam Blackstone, Vidal Davis, Andre Harris, Steve McKie, and James Poyser.\r\nDantzler and Graydon began as solo performers. Dantzler was born in Philadelphia and got his start in the music business writing songs for Pebbles and Bell Biv DeVoe. Graydon, from Washington, D.C., had a solo deal at the age of 15. The two united and began writing songs, but then married and started a family, which necessitated the steady income of work outside the music business. After a time as an appliance salesman, however, Dantzler went back to trying to make it on the local scene. He and Graydon began performing at the Black Lily club, where they caught the attention of Jill Scott, who took them to her label, Hidden Beach Recordings. \r\nThey spent the next two years working on the debut Kindred the Family Soul album, Surrender to Love, which was released in 2003. It featured an impressive cast of collaborators, including Scott, string arranger Larry Gold, Bilal, King Britt, and the then-upcoming Jazmine Sullivan. It was nominated for a Grammy in the category of Best R&B/Soul Album. Kindred released two additional albums for Hidden Beach. In This Life Together, inspired by Ruby Dee and Ossie Davis' memoir of the same title, arrived in 2005. The Arrival, released three years later, was their highest-charting title to that point, reaching number 67 on the Billboard 200 and number seven on the R&B Albums chart. For their fourth album, Dantzler and Graydon moved to Shanachie, where they released 2011's Love Has No Recession, with guests ranging from go-go pioneer Chuck Brown to relative newcomer BJ the Chicago Kid. Another Shanachie release, A Couple Friends, followed in 2014. 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The pair has written tracks for Michael Jackson, Jill Scott, Glenn Lewis, and Bilal. While they're highly respected behind the scenes, Floetry is their way of moving up front.\r\nAmbrosius is the songstress to Stewart's spoken word impresario or \"floacist\" role. The two met due to their love of basketball. Stewart, who hails from London, was a superstar on her court, while Ambrosius wowed fans in her local English neighborhood. They were competitive, but not rivals, so a friendship was formed. Music was also a passion. Ambrosius relished in her reggae roots while Stewart found herself grooving to funk and soul. While attending Brits Performing Arts School, Ambrosius studied business and finance, but made room for courses in voice, performance technique, and recording. Stewart split her time between acting and directing. Later, Ambrosius and Stewart headed to college. \r\nAmbrosius planned to attend Georgia Tech University on a basketball scholarship, but injury forced her to bow out. Stewart headed for Middlesex University, eventually transferring to North London University. Still, they two kept in touch and raved about music. It wouldn't be until Stewart's girl group, 3 Plus 1, disbanded that Floetry would actually give music a serious shot. \r\nIn 1997, Ambrosius and Stewart began writing songs and playing shows in and around London. Three years later, they moved to America in search of something bigger. A brief stint in Atlanta didn't pan out, but their time spent in Philadelphia proved golden. Ambrosius and Stewart befriended Julius Erving III, basketball great Julius Erving's son, in mid-2000. Floetry and Erving clicked instantly. Erving signed on as their manager and hooked the ladies up with Jeff Townes, aka DJ Jazzy Jeff, for some recording. That's when the deals started trickling in -- Floetry were official and living out a dream. In 2002, they inked a deal with DreamWorks and touched up their own work for a debut album. Floetic appeared in October 2002, and its follow-up, Flo'Ology, reached the Top Ten upon release three years later. ~ MacKenzie Wilson","isGroup":true,"genreNames":["R&B/Soul"]}},{"id":"3895759","type":"artists","href":"/v1/catalog/us/artists/3895759?l=en-US","attributes":{"artwork":{"width":4016,"height":4016,"url":"https://is2-ssl.mzstatic.com/image/thumb/Features3/v4/15/6a/8f/156a8f89-3a9e-97cd-732c-579fe8e50466/mzl.xhextboz.jpg/{w}x{h}bb.jpeg","bgColor":"0e0400","textColor1":"efefef","textColor2":"e39d7d","textColor3":"c2c0bf","textColor4":"b97f64"},"origin":"Chicago, IL","url":"https://music.apple.com/us/artist/lalah-hathaway/3895759","genreNames":["R&B/Soul"],"artistBio":"The daughter of the great Donny Hathaway, Lalah Hathaway made a good impression with her self-titled debut recording in 1990. She not only displayed poise, confidence, and good technique, but was also versatile enough to do more than just light urban contemporary ballads. Her stage shows included jazz, pre-rock pop, and even gospel, and Hathaway later appeared on BET doing jazz and fusion. After her second and final album for Virgin, 1994's A Moment, she went on a lengthy hiatus, returning in 1999 with Joe Sample for The Song Lives On (GRP). The following decade and into the 2010s she released Outrun the Sky (Sanctuary, 2004), Self Portrait (Stax, 2008), and Where It All Begins (Stax, 2011) -- all fine albums involving collaborations with the likes of Mike City, Rahsaan Patterson, Rex Rideout, and Dre & Vidal. They established Hathaway as one of the finest adult contemporary R&B vocalists of the 2000s and 2010s. A 2013 collaboration with the band Snarky Puppy -- on a cover of Brenda Russell's \"Something\" -- won a 2014 Grammy Award in the category of Best R&B Performance. The following year, thanks to her role in Robert Glasper Experiment's update of Stevie Wonder's \"Jesus Children of America,\" Hathaway picked up the Grammy for Best Traditional R&B Performance. She then recorded and released Live. A document of back-to-back sets recorded at Los Angeles' Troubadour, the same venue her father played in 1971 -- as heard on the first side of his 1972-released album of the same title -- it was released in 2015. A version of \"Little Ghetto Boy\" took the 2016 Grammy for Best Traditional R&B Performance. Led by the single \"Honestly,\" Hathaway's following studio album of the same name arrived in November 2017. ~ Ron Wynn & Andy Kellman","isGroup":false,"bornOrFormed":"December 16, 1968","name":"Lalah Hathaway","editorialArtwork":{}}},{"id":"54556","type":"artists","href":"/v1/catalog/us/artists/54556?l=en-US","attributes":{"artwork":{"width":2400,"height":2400,"url":"https://is2-ssl.mzstatic.com/image/thumb/Features124/v4/eb/a1/61/eba1616c-70ce-e7a7-2aa3-a1e93feb8bf9/mzl.yxyptyqs.jpg/{w}x{h}bb.jpeg","bgColor":"010004","textColor1":"e2e0ea","textColor2":"d7ddeb","textColor3":"b5b3bc","textColor4":"acb0bd"},"origin":"Dallas, TX","url":"https://music.apple.com/us/artist/erykah-badu/54556","genreNames":["R&B/Soul"],"artistBio":"As fearless as she is unpredictable, Erykah Badu is one of American music’s true originals. Indeed, no one could have predicted just how unique her trajectory would be when the singer and songwriter—born Erica Wright, in Dallas, in 1971—first became a leading light of the neo-soul movement alongside friends like D’Angelo and The Roots with the 1997 release of her first hit single, “On & On,” and Baduizm, her impossibly cool full-length debut. While Badu’s deft and playful vocal delivery garnered early comparisons with Billie Holiday, her creative vision proved to be much broader than the slinky, coffee-bar-ready jazz and soul of her early releases. On 2000’s Mama’s Gun and both parts of 2008’s ambitious New Amerykah, Pt. 1 (4th World War), Badu crafted her own bewitching and sometimes bewildering brand of soul, funk, and psychedelia, which she laced with stinging sociopolitical commentary and sly humor. Blazing her own trail, she became an icon and inspiration to younger musical adventurers like Flying Lotus, Georgia Anne Muldrow, and Tyler, The Creator, all of whom later became her collaborators. In 2015, Badu ended a seven-year hiatus as a recording artist with But You Caint Use My Phone, a deliriously odd and enthralling mixtape filled with her riffs and spins on Drake’s then-inescapable “Hotline Bling.” Only Badu could carry off such a wild idea and do it with such imagination and style.","isGroup":false,"bornOrFormed":"February 26, 1971","name":"Erykah Badu","editorialArtwork":{}}},{"id":"99860","type":"artists","href":"/v1/catalog/us/artists/99860?l=en-US","attributes":{"artwork":{"width":640,"height":641,"url":"https://is5-ssl.mzstatic.com/image/thumb/Features114/v4/80/cf/0b/80cf0bd1-1af8-502c-8009-f3531c5c3348/pr_source.png/{w}x{h}bb.jpeg","bgColor":"d3c7c8","textColor1":"050d0c","textColor2":"2d1b16","textColor3":"2e3231","textColor4":"4e3d3a"},"origin":"Grand Rapids, MI","url":"https://music.apple.com/us/artist/chico-debarge/99860","genreNames":["R&B/Soul"],"artistBio":"Brother to the singing DeBarge family, Chico launched a promising solo career on Motown in the late '80s. 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