Aquarius Donna Hashish Sodomy Colored Spade Manchester England I'm Black Ain't Got No I Believe in Love Ain't Got No (Reprise) Air Initials I Got Life Going Down Hair My Conviction Easy to Be Hard Don't Put It Down Frank Mills Be-In Where Do I Go? Electric Blues Manchester England (Reprise) Black Boys White Boys Walking in Space Abie Baby Three-Five-Zero-Zero What a Piece of Work Is Man / Walking in Space (Reprise) Good Morning Starshine The Bed The Flesh Failures (Let the Sunshine In)

Ain't Got No I Got Life Air Going Down Hair Dead End Frank Mills Hare Krishna Where Do I Go? Electric Blues Easy to Be Hard Manchester White Boys Black Boys Walking in Space Aquarius Good Morning Starshine Exanaplanetooch The Climax Opening Red Blue and White Sentimental Ending Galt MacDermot Interview: How Did You Become Involved with Hair? Galt MacDermot Interview: What Do You Remember About the Off-Broadway Cast Recording? Galt MacDermot Interview: And the Broadway Cast Recording? Galt MacDermot Interview: In the Recording Session Photos, You Were the Only Person Wearing a Jacket and Tie Galt MacDermot Interview: How Did the Two Productions Differ? Galt MacDermot Interview: You Were Not a Traditional Theater Composer. Did You Have Any Models or Influences? Galt MacDermot Interview: Did Hair Influence Your Later Work, Like Two Gentlemen of Verona? Galt MacDermot Interview: Hair Was Controversial With Critics and the Public. Did This Affect You at All? Galt MacDermot Interview: On Writing for the Theater, And What Makes a Popular Song Galt MacDermot Interview: Did You Ever Rewrite Any of the Hair Songs? Galt MacDermot Interview: What Sort of Music Do You Write Now? Galt MacDermot Interview: Do You Use Synthesizers? Galt MacDermot Interview: Have You Any Advice for People Who Want to Write for Musical Theater? Galt MacDermot Interview: Does Any One Songs in Hair Express Your Philosophy?