The difference between Charles Bradley and a so-called soul revivalist is that, for Bradley—who was 67 when the third and final album of his lifetime, Changes, came out in 2016—soul never died in the first place. Like the work of Sharon Jones & The Dap-Kings (whose affiliates the Menahan Street Band provide most of Bradley’s musical backing), Changes doesn’t sound like a lost ’60s album so much as a found one, retouched and dusted off, sonically saturated in a way that wouldn’t’ve been possible 50 years ago. And while Bradley spent years as a James Brown impersonator, his delivery has more in common with what you heard in the balladry of Otis Redding: pained and reflective (“Changes”) but resilient (“Good to Be Back Home”) too—the sound of everything to give and nothing left to lose.

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