Throughout 2024’s El Alma De La Fiesta, Brray played primarily to his strengths as a reggaetonero and trapero with a keen R&B edge. Yet even those who’ve closely followed his highly collaborative career will be caught off guard, in a good way, by the direction he has chosen for Inframundo. Admittedly, the signs were there on that prior album, but this full embrace of retro dancehall rhythms and vibes confirms that this was all part of his creative plan. Previously released singles like “Kittypon” and the Baby Rasta team-up “100pol35” transmitted undeniable throwback energy, but hearing old-school refurbishments “Dalo TO’” and “Mai Lova” leaves no doubt as to his commitment to bringing back that signature Caribbean essence. He’s certainly effective on his own, but choice cuts like “Una Gata” with Juanka and Nio García only intensify his efforts. Brray’s love for his genre’s history couldn’t be clearer, as he sounds arguably more vibrant than ever here.