Unlike some other genres, hip-hop doesn’t often give its artists the time needed to grow up in public. One wondrous exception to this remains Tyler, The Creator, whose sophomorically caustic beginnings begat an evolution of his artistry into something defiantly personal and musically rich. Indeed, it speaks volumes that, roughly a decade-and-a-half after dropping his profane self-released 2009 debut Bastard, he’d end up with the distinction of Apple Music’s 2025 Artist of the Year. Raised in Los Angeles County, Tyler (born Tyler Okonma in 1991) started experimenting with music in his early teens, co-founding the Odd Future collective in 2007, a skate-friendly group whose members included fellow future stars like Earl Sweatshirt and Frank Ocean. Drawing from influences like Kanye West and The Neptunes’ eclectic Pharrell Williams, his 2011 debut major label album Goblin offered up lyrical shocks galore, its gritty, nightmarish content endearing him to an engaged young audience while bewildering others. His antihero status and perceived bad reputation only made those fans love him more, leading to further explorations of his rich, thematic world on Wolf (2013) and Cherry Bomb (2015). All the while, his productions got more sophisticated as his words broached increasingly more interesting psychological territory. Along with Okonma’s musical endeavours came other creative pursuits, from art-directing his albums, designing subversive streetwear for his Golf Wang line, acting and creating TV programming including the chaotic late-night sketch show Loiter Squad. Yet, the shift represented by 2017’s Flower Boy, an album whose vulnerability and eclecticism reflected a major and mature step up, ushered in a new era for him, one where accolades proved more common than dismissive criticism. On 2019’s soul-baring, mood-driven IGOR, the album’s kaleidoscopic blend of funk and R&B made it almost absurd to continue pigeonholing him primarily as a hip-hop act, though some in the industry misguidedly did try. Even when he returned to his rap roots on the DJ Drama-hosted CALL ME IF YOU GET LOST, Okonma had clearly evolved, the album’s constellation of tightly wound flows, dynamic production and sleek wordplay emphasising the change. That became even more evident with 2024’s personal yet guarded CHROMAKOPIA and the insurrectionary club manoeuvre DON’T TAP THE GLASS. Whether guesting on his heroes Clipse’s reunion album or hosting his annual festival called the Camp Flog Gnaw Carnival, it’s now impossible not to acknowledge his status as a modern icon stretching well beyond hip-hop.