When Korn introduced their seething mix of rap, metal, funk, and alt-rock, they galvanized a generation of outcasts. P.O.D. turns the sound into a desperate plea on "Youth of the Nation," while LINKIN PARK shoots nihilistic raps through a moody electro soundscape on "In the End." But Evanescence's Amy Lee is the fiercest one here, towering over her male counterparts on "Bring Me to Life."