Surveying the sonic intersections between Durban’s idyllic terrains, London’s lively streets and the cosmos’ nebulous pathways, the late jazz maestro ruminates on notions of spirituality, home and self. While invoking the diaspora on “Light of Love,” his improvisations incorporate amahubo (“Izanusi”) and marabi (“Ekhaya”), oscillating between his roots and pondering future possibilities.
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