Editors’ Notes Like time travelers, Dead Can Dance struck upon a previously undiscovered zone where medieval melodies mix with world music and atmospheric electronics. On early songs like 1984's “Ocean,” post-punk guitars give structure to Lisa Gerrard's otherworldly vocals; “Ascension” explores drone music through a classical lens, while cavernous reverb turns the a cappella “The Wind That Shakes the Barley” nearly ambient.

3:05
 
6:11
 
4:14
 
3:13
 
8:47
 
5:09
 
4:59
 
2:51
 
4:30
 
4:14
 
1:54
 
Ark
5:55
 
7:47
 

Featured Artists