Bill Evans: Deep Cuts

Bill Evans: Deep Cuts

Evans' pristine technique and melodic sensibility dominate his reputation, but he was also an experimenter. His pensive acoustic playing and grooving Fender Rhodes exclamations drive composer George Russell's memorable avant-jazz orchestra work “Event IV,” and on “Prelude (Based On A Theme By Scriabin),” Evans uses the Russian composer's work to subtly and smoothly merge a symphony orchestra and a jazz trio.

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