Bill Callahan's spellbinding voice holds sway over a vast range of settings. Observe the collision of budget drum machine and posh orchestration driving his Smog-era standout “Bathysphere.” Then take in the hippie-ish congas and flute of “Javelin Unlanding,” the easy-breezy whistling of “In the Pines,” the harried fiddle slashes of “Diamond Dancer,” and, most affecting of all, the naked intimacy of radio-session gem “I Break Horses.”