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Left with nothing more than an acoustic guitar, he began piecing together a new band, this time taking inspiration from bluegrass, folk, and other genres that didn't rely on amplification. Simonett hadn't played any bluegrass music before, and he filled his lineup with other newcomers to the genre, including fiddler Ryan Young (who'd previously played drums in a speed metal act) and jam band bassist Tim Saxhaug. Along with mandolinist Erik Berry and banjo player Dave Carroll, the group began carving out a fast, frenetic sound that owed as much to rock & roll as bluegrass.\r\nTrampled by Turtles released their first record, Songs from a Ghost Town, in 2004. In a genre steeped in tradition, the album stood out for its contemporary sound, essentially bridging the gap between the bandmates' background in rock music and their new acoustic leanings. 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A year later, the band returned with the darker-toned Wild Animals, which bettered its studio predecessor on the album charts, reaching number 29. 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Based in Nashville, Tennessee, the band may specialize in rags, hollers, and pre-World War II blues, but they were weaned on Nirvana and Public Enemy. Since forming in the late '90s, they have released six acclaimed studio albums, including 2014's Remedy, which took home the Grammy Award for Best Folk Album. They have been inducted into the Grand Ole Opry Hall of Fame, toured with Merle Haggard and Marty Stuart, played on NPR's Prairie Home Companion, and logged multiple appearances at high-profile festivals like Bonnaroo, MerleFest, Telluride Bluegrass Festival, and Newport Folk Festival. \r\nCritter Fuqua (vocals/banjo/resonator guitar), Kevin Hayes (guitjo), Morgan Jahnig (upright bass), Ketch Secor (vocals/fiddle/harmonica/banjo), and Willie Watson (vocals/guitar/banjo) -- who are all from different states -- met in New York, hit the road, played before an impressed Doc Watson in front of a North Carolina pharmacy, and were promptly scheduled to play the folk icon's Merlefest. 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Coinciding with Old Crow Medicine Show's 20th anniversary, they recorded their sixth full-length, 2018's Volunteer, at Nashville's famed RCA Studio A with producer Dave Cobb; the album debuted at number one on Billboard's Bluegrass charts and 14 on the country chart. 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A group that cheerfully explores the outer boundaries of their music, they're known for their strong instrumental skills and knack for improvisational interplay, which have made them an act whose loyal and growing cult following has stood by them for more than 20 years. Best known as a live act, the Yonder Mountain String Band's most representative releases are concert recordings, such as the titles in their Mountain Tracks series, but on 2006's Yonder Mountain String Band and 2017's Love Ain't Love, they showed they were capable of creating unique and ambitious music in the studio.\n\n\r\nThe group's story began in Urbana, Illinois, where Dave Johnston, a student at the University of Illinois, met fellow student Jeff Austin. Johnston played banjo in a local acoustic band called the Bluegrassholes, and when he learned Austin was a novice mandolin player, he invited him to join. The Bluegrassholes proved to be short-lived, and Johnston decided to relocate to Boulder, Colorado, attracted by the city's active music scene. Austin also headed to Colorado, but instead settled in nearby Nederland, and when Johnston found out Austin lived nearby, he packed up his belongings and made the 17-mile journey to Nederland. Austin and Johnston soon crossed paths with a pair of like-minded musicians, guitarist Adam Aijala and bassist Ben Kaufmann. In December 1998, the new quartet adopted the name the Yonder Mountain String Band, and landed their first gig, opening for a band called Runaway Truck Tramps at Boulder's Fox Theater. \r\nGiven the band's collective musical interests, which ranged from punk rock to the Grateful Dead, the Yonder Mountain String Band began attracting an audience that went beyond traditional bluegrass fans, and as they began gigging extensively, they won an especially loyal audience on the jam band circuit. In 1999, the YMSB recorded their first album, Elevation, which they released through their own Frog Pad Records label. As their reputation as a live act grew, the Yonder Mountain String Band released Mountain Tracks, Vol. 1, an album compiled from their archive of live recordings; it was the first in what would become a series, with the group releasing four more Mountain Tracks live sets between 2002 and 2008. A second studio album, Town by Town, appeared in 2001, and featured guitar work by noted bluegrass artist Tim O'Brien. For their third studio album, the YMSB collaborated with guitarist and songwriter Benny Galloway; Old Hands also included guest performances by Jerry Douglas and Darol Anger. The album rose to number five on the American bluegrass charts, and the group's success attracted the attention of noted independent label Vanguard Records, which signed YMSB and released their self-titled 2006 set, an eclectic release that was produced by Tom Rothrock (best known for his work with Beck, Moby, and Elliott Smith) and featured drumming from Pete Thomas of Elvis Costello's Attractions. Despite the album's success on the charts -- it rose to number one on the bluegrass charts and gave the band their first appearance on the indie chart at number 43 -- they opted to return to Frog Pad for their next studio effort, 2009's The Show. \r\nFor the next several years, the Yonder Mountain String Band concentrated on live work, playing theaters and festivals across the country, but the band surprised fans in April 2014, when it was announced that Jeff Austin had left the group, in what the YMSB called (in a press release) an amicable departure \"due to varying career goals and creative pursuits.\" The group invited two musicians to join them on their subsequent live dates, Jacob Jolliff on mandolin and Allie Kral on violin, and this five-piece edition of the Yonder Mountain String Band recorded a studio album, Black Sheep, which was slated for release by Frog Pad in June 2015. Two years later, the same lineup released Love Ain't Love, an ambitious album that coupled music with sound effects and dialogue to tell a story in the space of the LP's 13 tracks. YMSB once again documented their fluid, exploratory style on-stage with 2020's Live at the 2019 Peach Music Festival, documenting their set at the Scranton, Pennsylvania event on July 28, 2019. ~ Mark Deming","url":"https://music.apple.com/us/artist/yonder-mountain-string-band/72912457","name":"Yonder Mountain String Band","bornOrFormed":"1998"},"relationships":{"albums":{"href":"/v1/catalog/us/artists/72912457/albums?l=en-US","next":"/v1/catalog/us/artists/72912457/albums?l=en-US&offset=25","data":[{"id":"1226764936","type":"albums","href":"/v1/catalog/us/albums/1226764936?l=en-US","attributes":{"artwork":{"width":1500,"height":1500,"url":"https://is5-ssl.mzstatic.com/image/thumb/Music111/v4/a0/79/a6/a079a67a-1e3f-531d-f7db-fff2dfbc71fd/886446473505.jpg/{w}x{h}bb.jpeg","bgColor":"344559","textColor1":"ccdef6","textColor2":"a8caf2","textColor3":"adc0d6","textColor4":"91afd4"},"artistName":"Yonder Mountain String Band","isSingle":false,"url":"https://music.apple.com/us/album/love-aint-love/1226764936","isComplete":true,"genreNames":["Bluegrass","Music","Country"],"trackCount":13,"isMasteredForItunes":false,"releaseDate":"2017-06-23","name":"Love. 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Raised on the music of Charley Patton, Lead Belly, Rev. Gary Davis, and Woody Guthrie, Parr's blue-collar upbringing in the city of Austin, Minnesota (home of Hormel Foods and SPAM) and its rural surroundings are reflected in his life and musical styles. Throughout the 2000s, he toured constantly and released numerous albums either independently or on small labels. In the latter part of the decade, he became a surprise success in Australia when one of his songs was used in a popular commercial. In the 2010s, Parr found a steady home on the Red House label and delivered standout albums like Stumpjumper (2015) and Dog (2017) before an accident temporarily left him unable to play guitar. Following his recovery, he returned with an eponymous 2019 album that mixed new songs with updated versions of highlights from his canon.\r\nParr began his career in Duluth on the western shore of Lake Superior, where he recorded his 2002 debut, Criminals & Sinners. Over the next decade, he would continue to use Duluth as his home base, touring regionally and nationally, recording his unique albums in unusual spaces (warehouses, garages, living rooms, storefronts), and often employing vintage or lo-fi techniques to capture his mix of traditional blues, folk, and spirituals along with his own powerful songs. \r\nIn 2008, his song \"1922 Blues\" from his second album, 1922, was used in a Vodafone commercial in Australia and New Zealand and became a surprise success. He has since enjoyed a number of successful tours and releases in Australia, where in 2010 three of his songs were used in the Australian Western film Red Hill. With his throaty voice, National steel guitar, and banjo, he has been compared to Dave Van Ronk, Dock Boggs, and even Tom Waits. Usually a solo performer, his 2011 release of all-traditional tunes also featured several guests, like his wife, Emily Parr, on vocals and members of the indie group Low. \r\nWith over a dozen records to his credit, both self-released and on small national and international labels, Parr signed with Grammy-winning folk label Red House Records (Greg Brown, John Gorka, Loudon Wainwright III) to release 2015's Stumpjumper. Produced by Megafaun's Phil Cook in North Carolina, Stumpjumper marked the first time Parr had recorded a solo record with a full backing band. Following his 2016 EP titled I Ain't Dead Yet, he returned with the full-length, Dog, in September 2017. \r\nThe next summer, while skateboarding with his daughter along Lake Superior's shore, Parr took a massive spill, shattering his right shoulder. The subsequent surgery left him with a metal plate and eight pins holding together his shoulder, and he set about relearning his guitar technique. The accident prompted some reflection and he took stock by recording a self-titled album consisting of a handful of new songs and some re-recorded highlights and fan favorites from throughout Parr's career. 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After establishing themselves locally, the group got their first national exposure in 2002 as part of the Unlimited Sunshine Tour, holding their own alongside eclectic tourmates like Modest Mouse and De La Soul and eventually serving as Charlie Louvin's back-up band. Albums like 2005's Love What You Do and 2007's Look Out! showed their measure in the studio while live sets like 2013's Live 'Til the Sweet By and By revealed the dynamic stage prowess they'd built their reputation on. After a lengthy break from studio work, they returned in 2016 with the full-length Charismo.\r\nThe Hackensaw Boys were formed in 1999 in Charlottesville, Virginia. The original lineup featured Rob Bullington on mandolin and guitar, Tom Peloso on fiddle and upright bass, David Sickmen on guitar, and Bobby St. Ours on banjo and fiddle. The four musicians had crossed paths in the Virginia roots music community, and when Sickmen and Peloso decided to form a new group, they recruited Bullington and St. Ours. Initially, the Hackensaw Boys made their way busking for street traffic, and as their reputation spread, they graduated to club shows and theaters. They also added guitarist William Gage by year's end, as well as percussionist Justin Neuhardt. Neuhardt was responsible for creating one of the group's trademarks, the Charismo, a percussion instrument worn like a rubboard and made from tin cans, hubcaps, and bits of scrap metal. \r\nBy 2000, the group had a touring vehicle (a 1964 GMC Motor Coach) and began hitting the road at a steady pace. That year, they also recorded and self-released their first album, Get Some. The Hackensaw Boys soon began to expand, as members drifted in and out of the group. The Hackensaws have included as many as 12 musicians at a time, and according to the band, at least 21 people have been in the lineup at one time or another. In 2002, the Hackensaw Boys self-released a live album, Give It Back, and signed a deal with Valley Entertainment, who put out the band's second studio project, Keep It Simple. (They also reissued Get Some.) Also in 2002, the group took part in the Unlimited Sunshine Tour, a traveling festival headlined and curated by Cake. Sharing the stage with Cake, the Flaming Lips, De La Soul, and Modest Mouse, the tour introduced the Hackensaw Boys to a new and more eclectic audience. (The tour also introduced Tom Peloso to Modest Mouse; Peloso would leave the Hackensaw Boys to tour and record with Modest Mouse in 2004.) In 2003, country music legend Charlie Louvin took part in the Unlimited Sunshine Tour, and recruited the Hackensaw Boys to serve as his backing band. 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After releasing a self-titled debut in 2000, what was originally an acoustic side project quickly became their primary focus, and they expanded the lineup while developing a reputation for exuberant live shows. The band's first of many live albums, Live at the Double Door Inn, saw release in 2002. They were incorporating electric guitar and more prominent drums by 2007’s Emotionalism, their fifth studio LP and first to crack the Billboard 200. A leap into the Top 20 came with their major-label debut, 2009's I and Love and You. The Avett Brothers’ ninth studio full-length, 2016’s True Sadness, reached a career-high number three as the band continued to win fans with their demanding concert schedule. \r\nAlthough siblings Scott (vocals, banjo) and Seth (vocals, guitar) began making music together as children, their group's genesis began when they were members of Nemo, a rock band that gigged regularly in Greenville, North Carolina. Looking for another outlet for their musical ideas, the Avetts began getting together with like-minded friends (most notably Nemo guitarist John Twomey) on Tuesdays for acoustic guitar pulls, where they'd share a few drinks and swap songs. As time passed, the weekly get-together (which was called \"the Back Door Project\" or \"Nemo Downstairs\") became a semi-public event, with the pickers busking for the enjoyment of passers-by, and Seth and Scott decided the new acoustic music they were making was as fun and satisfying as their rock band. \r\nTwomey and the Avetts decided to document their side project in 2000, and \"the Back Door Project\" was renamed the Avett Brothers with the release of a self-titled album that same year. Nemo broke up before 2000 came to a close, and Seth and Scott decided to make the Avett Brothers their new priority. They amicably parted ways with Twomey and added upright bassist and vocalist Bob Crawford to the combo. After a few months of playing live shows, the new trio recorded its second album, 2002's Country Was. The Avett Brothers hit the road upon the album's release that summer, and used the opportunity to break in material for their next studio project, A Carolina Jubilee, which was released in 2003. (A live disc, Live at the Double Door Inn, was sandwiched between the two studio sets.) \r\nOver the next several years, the Avett Brothers maintained a busy and prolific schedule. They released a lengthy and ambitious studio album, Mignonette, in 2004, another live disc in 2005, and both a full-length album (Four Thieves Gone: The Robinsville Sessions) and an EP (The Gleam) in 2006, all recorded during breaks in the group's heavy touring calendar. As if this weren't enough to keep the three men occupied, Crawford also recorded and performed with his side project New Jersey Transient, Seth Avett released albums under the moniker Darling, and Seth and Scott occasionally played shows with their electric band Oh What a Nightmare. In 2007, with cellist Joe Kwon added to the lineup, the Avett Brothers reached a new level of popularity with Emotionalism, their first album to make a dent on the Billboard charts. Rick Rubin took notice and signed the band to American Recordings, his own division of Sony BMG/Columbia, midway through following year. \r\nThe Gleam II, issued just several months later, was the Avett Brothers' last release on the Ramseur label, while 2009's I and Love and You served as their major-label debut. The album peaked at number 16, and the international tour that followed was partially documented on the 2010 concert album Live, Vol. 3. In 2011 the Avett Brothers received an invitation to perform alongside Bob Dylan and Mumford & Sons at the Grammy Awards, and in 2012 they released The Carpenter, their second studio album under the tutelage of Rubin. The Carpenter was greeted with good reviews and debuted at number four on the Billboard Top 200 on its way to a Grammy nomination for Best Americana Album. In 2013, the Avett Brothers released Magpie and the Dandelion, which consisted of material recorded with Rubin during the sessions for The Carpenter, and it charted at number five. The following year, they continued to tour extensively and began recording another album with Rubin. Meanwhile, in early 2015, Seth Avett partnered with folk-influenced indie rocker Jessica Lea Mayfield to release a collection of Elliott Smith covers titled Seth Avett & Jessica Lea Mayfield Sing Elliott Smith, and that April, the band appeared on the final season of the long-running Late Show with David Letterman, joined by Brandi Carlile. Late in the year, they issued Live, Vol. 4. Their ninth studio long-player, True Sadness, arrived in June 2016, and reached a career-high number three on the Billboard 200. Though the brothers publicly denied they would make a political album, the days' current events seeped into 2019’s Closer Than Together, their fifth studio album for American Recordings/Universal. ~ Mark Deming","url":"https://music.apple.com/us/artist/the-avett-brothers/62487918","name":"The Avett Brothers","bornOrFormed":"2000"},"relationships":{"albums":{"href":"/v1/catalog/us/artists/62487918/albums?l=en-US","data":[{"id":"1440843589","type":"albums","href":"/v1/catalog/us/albums/1440843589?l=en-US","attributes":{"artwork":{"width":3000,"height":3000,"url":"https://is3-ssl.mzstatic.com/image/thumb/Music118/v4/fe/cb/62/fecb6201-2c63-beac-0de2-95dbd2e90c28/00602547861917.rgb.jpg/{w}x{h}bb.jpeg","bgColor":"f3e503","textColor1":"0b0904","textColor2":"00314a","textColor3":"393504","textColor4":"30553c"},"artistName":"The Avett Brothers","isSingle":false,"url":"https://music.apple.com/us/album/true-sadness/1440843589","isComplete":true,"genreNames":["Rock","Music","Country","Alternative Country","Singer/Songwriter","Alternative Folk"],"trackCount":12,"isMasteredForItunes":true,"releaseDate":"2016-06-24","name":"True Sadness","recordLabel":"RRE, LLC / Republic","editorialArtwork":{"storeFlowcase":{"width":4320,"height":1080,"url":"https://is2-ssl.mzstatic.com/image/thumb/Features20/v4/be/15/b1/be15b14e-32a2-042e-8b3a-225d93fbfac6/source/{w}x{h}bb.jpeg","bgColor":"e8311e","textColor1":"fcf100","textColor2":"002330","textColor3":"323013","textColor4":"324c26"},"subscriptionHero":{"width":4320,"height":1080,"url":"https://is1-ssl.mzstatic.com/image/thumb/Features62/v4/33/5e/9b/335e9b13-761d-c6f8-1609-bb3f318c5e19/source/{w}x{h}bb.jpeg","bgColor":"000000","textColor1":"edbea4","textColor2":"d4997e","textColor3":"be9883","textColor4":"aa7a65"}},"copyright":"American Recordings; ℗ 2016 Republic Records, a division of UMG Recordings, Inc.","playParams":{"id":"1440843589","kind":"album"},"editorialNotes":{"standard":"Reuniting with Rick Rubin, the brothers explore the beauty of heartbreak. 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Yet, the most memorable moments on True Sadness—like “Mama, I Don’t Believe” and “No Hard Feelings”—are somewhere between the highs and lows, when the Avetts channel Tom Petty’s bittersweet, Wildflowers-era Americana.","short":"Reuniting with Rick Rubin, the brothers explore the beauty of heartbreak."},"isCompilation":false}},{"id":"1440812083","type":"albums","href":"/v1/catalog/us/albums/1440812083?l=en-US","attributes":{"artwork":{"width":1500,"height":1500,"url":"https://is1-ssl.mzstatic.com/image/thumb/Music118/v4/1a/8c/c6/1a8cc692-f101-d870-d033-f8dda19b53f8/00602537159048.rgb.jpg/{w}x{h}bb.jpeg","bgColor":"192217","textColor1":"dfaa81","textColor2":"dba060","textColor3":"b78f6c","textColor4":"b48751"},"artistName":"The Avett Brothers","isSingle":false,"url":"https://music.apple.com/us/album/i-and-love-and-you/1440812083","isComplete":true,"genreNames":["Rock","Music","Country","Honky Tonk","Singer/Songwriter","Contemporary Folk","Alternative Country","Alternative Folk"],"trackCount":13,"isMasteredForItunes":false,"releaseDate":"2009-01-01","name":"I and Love and You","recordLabel":"American Recordings Catalog P&D","editorialArtwork":{},"copyright":"℗ 2009 American Recordings, LLC","playParams":{"id":"1440812083","kind":"album"},"editorialNotes":{"name":"I And Love and You","standard":"“They say ‘Don’t take your business to the big time’; I bought us tickets there,” sing The Avett Brothers on “Slight Figure of Speech,” summing up their major label debut. 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After years of recording and steadfast touring, the North Carolinians released their major-label debut in 2009 (I and Love and You), with legendary producer Rick Rubin (Johnny Cash, Tom Petty) at the boards. For its follow up, The Carpenter, the bluegrass-rooted trio reunite with Rubin, who lends a light touch to these highly textured tunes. The Avett Brothers introduce their sound as “lonesome” on the gentle, yet stirring opener (“The Once and Future Carpenter”), then profess, “We’re all in this together—if I live the life I’m given, I won’t be scared to die.” It’s this at-times plaintive, yet unwaveringly honest spirit that makes their tracks so compelling—even a bleak song like “Winter in My Heart” sounds sweet thanks to bright vocals and vivid lyrics. Sprinkled amidst the folk-tinged collection are some soulful jams (“Pretty Girl from Michigan,” “I Never Knew You”) that illustrate Scott and Seth’s rock ‘n’ roll roots."},"isCompilation":false}},{"id":"1478156487","type":"albums","href":"/v1/catalog/us/albums/1478156487?l=en-US","attributes":{"artwork":{"width":3000,"height":3000,"url":"https://is1-ssl.mzstatic.com/image/thumb/Music113/v4/cf/b2/45/cfb245ff-ecbe-5bde-9704-08cc245bf296/19UMGIM69270.rgb.jpg/{w}x{h}bb.jpeg","bgColor":"e6ddbc","textColor1":"000000","textColor2":"292723","textColor3":"2e2c25","textColor4":"4f4b42"},"artistName":"The Avett Brothers","isSingle":false,"url":"https://music.apple.com/us/album/closer-than-together/1478156487","isComplete":true,"genreNames":["Rock","Music","Country","Alternative Country","Singer/Songwriter","Alternative Folk"],"trackCount":13,"isMasteredForItunes":true,"releaseDate":"2019-10-04","name":"Closer Than Together","recordLabel":"Republic Records","editorialArtwork":{"storeFlowcase":{"width":4320,"height":1080,"url":"https://is2-ssl.mzstatic.com/image/thumb/Features113/v4/43/c7/05/43c7055f-d77d-4e3b-efe6-b1627e06af45/source/{w}x{h}bb.jpeg","bgColor":"000000","textColor1":"e4ddbf","textColor2":"1b1a16","textColor3":"2d2c26","textColor4":"434138"},"subscriptionHero":{"width":4320,"height":1080,"url":"https://is2-ssl.mzstatic.com/image/thumb/Features113/v4/64/fc/d6/64fcd665-7145-92c5-cddb-c8e78eb58df8/source/{w}x{h}bb.jpeg","bgColor":"000000","textColor1":"f6c2a3","textColor2":"c0cccf","textColor3":"c59b83","textColor4":"9aa3a6"}},"copyright":"American Recordings; ℗ 2019 Republic Records, a division of UMG Recordings, Inc.","playParams":{"id":"1478156487","kind":"album"},"editorialNotes":{"standard":"The Avett Brothers long ago figured out how to fill the corners of cavernous arenas with earnest energy using primarily acoustic instruments. Seth Avett gave advance warning via social media that this album would represent a socially conscious turn for him, his brother Scott, and their longtime bandmates. They push the folk and pop-punk threads in their music to galvanizing extremes on this Rick Rubin-produced record, while treating national concerns with the warmheartedness that they usually reserve for inner and interpersonal yearnings. The performances are often buoyant (“Locked Up,” “High Steppin’”) and the writing openly emotional, but several songs (including “Tell the Truth,” “New Woman’s World,” and “We Americans”) give priority to expressions of penitence. “I am a son of Uncle Sam, and I struggle to understand the good and evil,” Seth sings, his delivery crisp and purposeful, “but I’m doing the best I can, in a place built on stolen land with stolen people.” During dense folk ballads like “Long Story Short” and “C Sections and Railway Trestles,” the stories convey a sense of caretaking responsibility for younger generations, the Avetts striving to make all of these gestures feel ennobling."},"isCompilation":false}},{"id":"927489495","type":"albums","href":"/v1/catalog/us/albums/927489495?l=en-US","attributes":{"artwork":{"width":1500,"height":1500,"url":"https://is2-ssl.mzstatic.com/image/thumb/Music1/v4/a7/81/71/a7817199-515b-e471-c04b-637515f46d22/888880660954.tif/{w}x{h}bb.jpeg","bgColor":"f0ce2e","textColor1":"0e0b06","textColor2":"0e0b06","textColor3":"3b320e","textColor4":"3b320e"},"artistName":"The Avett Brothers","isSingle":false,"url":"https://music.apple.com/us/album/the-second-gleam/927489495","isComplete":true,"genreNames":["Rock","Music","Country","Alternative Country","Contemporary Bluegrass","Honky Tonk","Singer/Songwriter","Alternative Folk","Contemporary Folk","World"],"trackCount":8,"isMasteredForItunes":false,"releaseDate":"2008-07-22","name":"The Second Gleam","recordLabel":"Ramseur Records","editorialArtwork":{},"copyright":"℗ 2008 Ramseur Records","playParams":{"id":"927489495","kind":"album"},"isCompilation":false}},{"id":"1445886183","type":"albums","href":"/v1/catalog/us/albums/1445886183?l=en-US","attributes":{"artwork":{"width":1500,"height":1500,"url":"https://is5-ssl.mzstatic.com/image/thumb/Music128/v4/23/a9/46/23a94625-fd88-7742-3e1f-4e2bbc97c061/00602537520282.rgb.jpg/{w}x{h}bb.jpeg","bgColor":"fdc800","textColor1":"0e0c0d","textColor2":"55012a","textColor3":"3e310b","textColor4":"762922"},"artistName":"The Avett Brothers","isSingle":false,"url":"https://music.apple.com/us/album/magpie-and-the-dandelion/1445886183","isComplete":true,"genreNames":["Rock","Music","Singer/Songwriter","Country","Alternative Country","Alternative Folk"],"trackCount":15,"isMasteredForItunes":true,"releaseDate":"2013-01-01","name":"Magpie and the Dandelion","recordLabel":"RRE, LLC / Republic","editorialArtwork":{"originalFlowcaseBrick":{"width":1778,"height":600,"url":"https://is5-ssl.mzstatic.com/image/thumb/Features4/v4/55/02/38/55023899-7d72-9417-2507-af0f9830d11b/source/{w}x{h}bb.jpeg","bgColor":"fccc0d","textColor1":"0a0c05","textColor2":"37312a","textColor3":"3a3207","textColor4":"5f5024"}},"copyright":"American Recordings; ℗ 2013 Republic Records, a division of UMG Recordings, Inc.","playParams":{"id":"1445886183","kind":"album"},"editorialNotes":{"standard":"Think of Magpie and the Dandelion not as a sequel to its predecessor, The Carpenter, but as that album's other half—both records were drawn from the same batch of sessions with legendary producer Rick Rubin. 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