- Brothers and Sisters (Deluxe Edition) · 1973
- Idlewild South (Deluxe Edition) · 1970
- Eat a Peach · 1972
- Brothers and Sisters (Super Deluxe Edition) · 1973
- The Essential Allman Brothers Band: The Epic Years · 1990
- Eat a Peach (Deluxe Edition) · 1972
- The Allman Brothers Band · 1969
- A Decade of Hits 1969-1979 · 1970
- Eat a Peach (Deluxe Edition) · 1972
- Where It All Begins · 1994
- Idlewild South (Deluxe Edition) · 1970
- Brothers and Sisters (Super Deluxe Edition) · 1973
- Eat a Peach (Deluxe Edition) · 1971
Essential Albums
- 1972
- Named for Dickey Betts’ farm outside Macon, Ga., <I>Idlewild South</I> was the Allmans’ second album. The 1970 release finds them plowing some jazzy ground akin to what Traffic was doing around the same time, but with a distinctly Southern touch. The eclectic tune stack introduced Betts’ instrumental “In Memory of Elizabeth Reed,” which would soon grow beyond its seven-minute length into one of the group’s true epics. “Revival” hooked into a tent-meeting groove, becoming an early airplay favorite, while this “Hootchie Cootchie Man” was a fine example of rowdy, focused sprawl. Of course, both Duane and Gregg Allman were hitting on all cylinders, on top of a powerhouse rhythm section verging on the polyrhythmic. Their next move – the double album recorded at New York’s Fillmore East – would make the Allman Brothers Band undeniable rock stars. But their power is already here to be heard.
- It's hard to believe now, but in 1969 The Allman Brothers Band were kids, really. But here they play like a seasoned crew, giving their rock and Southern blues an eerie gospel groove and a freeform jazzy feel. And you can hear in their playing the respect they have for all the musicians who'd passed before them. This self-titled debut opens with a rousing version of The Spencer Davis Group instrumental “Don’t Want You Know More” and flows effortlessly into Gregg Allman’s wise-beyond-his-22-years testimonial “It’s Not My Cross to Bear.” They sound like two sides of the same song: not in structure or chord changes, but in some darkly Southern way, like a soundtrack to a William Gay story. The set features future concert staples “Whipping Post” and the beautiful, waltz-timed “Dreams”—two songs that are equal parts tragedy and melancholy and foreshadow the band’s character for years to come. Helmed by Atlantic house producer Adrian Barber (Cream, The Bee Gees), this album introduces the classic and best lineup of The Allman Brothers Band, which here really does sound like a brotherhood. That sound just can’t be faked.
- 1990
Artist Playlists
- A legendary band that turned tragedies into triumphs.
- Gregg and Duane are gods to Southern rockers and jam bands.
- The Allmans' mentors loom large over their album tracks.
- Early rock ‘n' rollers and blues from both sides of the Atlantic.
Compilations
About The Allman Brothers Band
The USA's most iconic rock band south of the Mason-Dixon Line was a relentlessly improvising juggernaut that transcended tragedies, breakups, and frequent personnel changes over four and a half decades. The dazzling slide guitarist Duane Allman and his gruff-voiced keyboardist brother Gregg formed their modal-jamming sextet in Jacksonville, Florida, in 1969, joined by co-lead guitarist Dickey Betts, bassist Berry Oakley, and a pair of powerhouse drummers in Butch Trucks and Jai Johanny Johansen, aka Jaimoe. Their earliest studio albums added future blues standards like "Whipping Post" and extended improv vehicles like "In Memory of Elizabeth Reed" to the jam-band canon, and they became bona fide stars with the 1971 release of their sprawling live album, At Fillmore East. By the end of the next year, however, both Duane and Oakley had died in motorcycle crashes. In their absence, Betts took a more prominent role on 1972’s Eat a Peach and 1973’s Brothers and Sisters, showcasing his knack for juxtaposing the bucolic (his instrumental "Jessica") with the badass (the Top-10 single "Ramblin' Man"). The broken brotherhood soldiered on before calling it quits in 1976 and, after a three-year reunion, again in 1982. What followed, though, was one of the great third acts in American entertainment. The 1989 additions of Duane Allman-channeling guitarist Warren Haynes and bassist Allen Woody, coupled with slide specialist Derek Trucks (Butch's nephew) and bassist Oteil Burbridge in the late '90s, re-energized the group: In its final incarnation, The Allman Brothers Band delivered a satisfying studio swan song with 2004’s One Way Out and performed hundreds of shows, culminating with their 238th sold-out appearance at New York's Beacon Theatre in 2014. Gregg Allman died in 2017, but the surviving members met at a packed Madison Gardens in early 2020 for one last epic jam.
- FROM
- Jacksonville, FL, United States
- FORMED
- March 26, 1969
- GENRE
- Southern Rock