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Smith’s songs provide snapshots of a sentimental America, awash in feel-good, nostalgic twang that sets scenes of big skies (“Backroad Song”), falling in love (“Happens Like That”), and all down-home things in between (“Country Things”). His pseudo-satirical, hard-living musical alter ego, Earl Dibbles Jr., allows him an extra chance to provide that previously mentioned escapism through tongue-in-cheek cuts like “The Country Boy Song” and “Merica,” the latter of which rolls out a number of rural caricatures. 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