Featured Playlist

- 20 Songs
- Superunknown (20th Anniversary) · 1994
- Telephantasm (Deluxe Version) · 1994
- Telephantasm · 1994
- Superunknown (20th Anniversary) · 1994
- Superunknown (20th Anniversary) · 1994
- Badmotorfinger (25th Anniversary Remaster) · 1991
- Down On the Upside · 1993
- Badmotorfinger (Super Deluxe Edition) · 1991
- Superunknown (Deluxe Edition) · 1994
- Down On the Upside · 1993
Essential Albums
- With Superunknown, Soundgarden left grunge behind for good. Arriving just as Nirvana were in their death throes and Pearl Jam were becoming increasingly weary of life in the spotlight, Soundgarden’s fourth album eagerly seized the mantle for arena-ready alternative rock. From the bone-cracking thrust of “My Wave” to the Beatlesesque power ballad “Black Hole Sun” to the doomy metallic monster “4th of July,” Superunknown blew Soundgarden’s musical scope wide open and foregrounded their latent pop sensibility—but not at the expense of the band’s essential, mosh-pit-baiting heaviosity.
- Of the albums that reshaped mainstream rock in 1991 (including Nirvana’s Nevermind and Pearl Jam’s Ten), Badmotorfinger is both the most traditional and the least accessible. The hallmarks of classic hard rock are there: big riffs, heavy rhythms, Chris Cornell’s tomcat shriek. But there’s an antisociality to it that, if not the residual influence of punk and hardcore, is at least the kind of thing you wouldn’t play at parties. Talking with Apple Music, guitarist Kim Thayil describes it as a question of function: Some hard rock you can listen to while playing sports, driving fast, making love. “With our records,” he says, “we wanted to make sure that there was some depth in there, that there was a psychedelic element.” They’re qualities achieved through special effects (“Rusty Cage”), repetition (“Jesus Christ Pose”), and sheer inertia (“Slaves & Bulldozers”). And while the pedigree was underground, they conveyed enough conventional sex and danger to appeal to audiences who didn’t care about pedigree so long as they rocked—which they did, without irony or pretense. When Guns N’ Roses asked them to tour in 1991, they went. And when Skid Row asked them a year later, they went then, too. Soundgarden was an interesting band—but one determined not to let their interestingness get to them. Though Badmotorfinger didn’t see the same phenomenal success that Nevermind and Ten did, it bridged a gap between underground and mainstream rock at a time when the nature of that gap was changing and the width of it narrowing. Looking back, Thayil is grateful: “They got all the attention,” he says. “Meanwhile, [we had] steady growth.”
Albums
- 2016
- 2015
- 2013
Artist Playlists
- Heavy riffs and killer hooks from one of grunge's founders.
- Some of their best songs are still their lesser-known.
- These artists can trace part of their DNA to Soundgarden.
- The Seattle legends were inspired by more than metal.
Singles & EPs
Live Albums
- 2011
Compilations
Appears On
- Brandi Carlile
More To Hear
- Jenn Celebrates Soundgarden's album 'Badmotorfinger.'
- Strombo dives into Soundgarden's third album before it turns 30.
- Joshua and Mikey Shoes spin their favorites tunes just for you.
- An eclectic mix, from Sly & The Family Stone to Soundgarden.
- How the Seattle indie label created three decades of noise.
- How the Seattle indie label created three decades of noise.
About Soundgarden
One of the defining acts of the ’90s alt-rock boom, the Seattle quartet Soundgarden blended the Zeppelin-esque grandeur of Chris Cornell’s soaring vocals and Kim Thayil’s guitar pyrotechnics with sludge-coated rhythms to great success. Formed in 1984, the band first appeared on the 1986 compilation Deep Six, a snapshot of its home city’s then-nascent rock scene. The local label Sub Pop released their bleakly paranoid debut single, “Hunted Down”; that was followed by two EPs, Screaming Life and Fopp. Soundgarden’s first full-length, Ultramega OK, came out in 1988 on the famed indie-rock label SST, and the video for lead single “Flower” garnered attention from MTV’s late-night rock shows. The band’s major-label debut, Louder Than Love, was released a year later, highlighted by the cavernous environmental plea “Hands All Over” and the piercing “Loud Love.” Bassist Hiro Yamamoto was replaced by Ben Shepherd for the recording of Soundgarden’s third full-length, 1991’s Badmotorfinger, which proved an alt-rock-mainstream breakthrough, with the bludgeoning “Jesus Christ Pose” and the chugging “Outshined” serving as standard-bearers for grunge. Superunknown, released in 1994, further propelled Soundgarden into the mainstream on the strength of the swaggering “Spoonman” and the psychedelia-tinged “Black Hole Sun,” and 1996’s Down on the Upside expanded the band’s sonic palette. Soundgarden went on hiatus in 1997, with Cornell starting Audioslave and Matt Cameron joining Pearl Jam, and they returned in 2010, releasing their final album, King Animal, in 2012. The band toured until Cornell’s death in 2017 and played their final show, a tribute to Cornell with an all-star cast of vocalists, in 2019.
- HOMETOWN
- Seattle, WA, United States
- FORMED
- 1984