Featured Album

- OCT 1, 1991
- 75 Songs
- Diamonds and Pearls · 1991
- [Love Symbol] · 1992
- Diamonds and Pearls · 1991
- Diamonds and Pearls · 1991
- The Hits / The B-Sides · 1991
- [Love Symbol] · 1992
- The Hits / The B-Sides · 1991
- The Very Best of Prince · 1991
- Love Jams, Vol. 2 · 1996
- Diamonds and Pearls · 1991
Essential Albums
- Prince had ended the 1980s—the decade in which he reigned supreme—on a royal high with 1989’s Batman soundtrack, which hit No. 1 on the Billboard charts and gave him a chart-topping single in “Batdance.” But when Prince started the 1990s with yet another soundtrack—this time for his own film, 1990’s Graffiti Bridge—it failed to recapture the glory of 1984’s Purple Rain or even 1986’s Parade: Music From the Motion Picture Under the Cherry Moon. Hoping to make his mark on the new decade, Prince reset with a new backing band, the New Power Generation—also known as the NPG—resulting in 1991’s Diamonds and Pearls, another multi-platinum jewel in his crown. Having first made made their presence felt on Graffiti Bridge—appearing on the soundtrack’s aptly titled second track, “New Power Generation”—the NPG was in full force on Diamonds and Pearls, Prince’s 13th studio album. The move marked a major departure from the sound perfected by Prince’s previous band, The Revolution. That group had helped his Purple Highness reach the pinnacle of his pop-rock powers on Purple Rain, Around the World in a Day, and Parade. But the New Power Generation was an R&B-based combo incorporating elements of jazz, blues, gospel, and, most significantly, hip-hop—which Prince clearly recognized was becoming the sound of the future: The NPG’s resident rapper, Tony M., flexes his flow on tracks like “Gett Off,” which finds Prince putting some hip-hop swag in his own delivery. But Tony M. isn’t the only vocalist to share the mic with Prince on Diamonds and Pearls. Rosie Gaines duets with Prince on the sparkling title track, one of this album’s two Top 10 hits. And the NPG are in full force on the chart-topping “Cream,” which harkens back to the psych-rock era of The Revolution, but with a bluesy streak that befits Prince’s new band.
Music Videos
- 1992
- 1991
- 1991
- 1991
- 1991
Singles & EPs
Appears On
More To Hear
- Exploring the irony of Prince’s name change.
- Shelby J and Morris Hayes of NPG talk about 'Welcome 2 America.'
More To See
About Prince & The New Power Generation
In the early 2000s, the filmmaker Kevin Smith contacted Prince to see if he could use one of Prince’s songs in one of his movies. Prince responded by asking Smith to make a documentary about him. Smith said sure, but the project never got off the ground. When Smith tried to pull out, one of Prince’s assistants explained to him that it wasn’t that simple. 'Why not?' Smith asked. After all, he wasn’t even a documentarian; he made features. 'I get it,' the assistant said—but Prince doesn’t understand reality like the rest of do. Prince… Prince calls you at three in the morning to ask if he can get a camel. He isn’t doing it to be a jerk. But he does want the camel. It’s a funny story, of course. But it also illustrates the strength and commitment of Prince’s vision. The camel is an extreme example. But imagine you told him there was no way to mix new wave and psychedelia with funk and R&B. Or that a man couldn’t explore androgyny without risking his sex appeal. Imagine, really, telling Prince there were any conventional boundaries he had to respect—and then imagine how much groundbreaking art would’ve been lost if he’d listened. Born Prince Rogers Nelson in 1958, he trained in ballet as a teenager, starting his music career just out of high school. By 24, he’d already released a body of work (including Dirty Mind, Controversy, and 1999) that helped shape nearly every style of ‘80s pop music, Black and white; by 30, he was both a midnight-movie cult hero (Purple Rain) and a Beatles-level visionary (Sign o’ the Times). To read about his Paisley Park compound is to get a glimpse of a world of almost perpetual creativity—between his debut in 1978 and his death in 2016, there was barely a year he didn’t put out an album, and there were several years during which he put out two. He was one of pop music’s true universals, and yet always distinctly Black. And to listen to him mix sexual ecstasy with spiritual transcendence (“When Doves Cry,” “If I Was Your Girlfriend”) not only finished the mission Little Richard started, it delivered on rock ’n' roll’s promise that you could find heaven here on earth if you were willing to shake for it.
- FROM
- United States of America
- FORMED
- 1990
- GENRE
- R&B/Soul