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Jackman began experimenting with electronic programming while in his teens, earning his first high-profile credit on Mike Oldfield’s 1996 album, Voyager.\n∙ His work on Art of Noise’s “Born on a Sunday” brought him to the attention of Seal, who put him up in his spare bedroom during the year and a half that they collaborated on Togetherland.\n∙ Jackman transitioned to film scoring at the encouragement of Academy Award-winning composer Hans Zimmer, who told him that “the record industry is a complete waste of time.”\n∙ Jackman has provided synthesizer programming and additional music to several Hans Zimmer film scores, including The Da Vinci Code and The Dark Knight. \n∙ Jackman has composed scores for several Hollywood blockbusters, including Puss in Boots, Captain America: The Winter Soldier, Captain America: Civil War, and Big Hero 6.\n∙ While composing film music for Wreck-It Ralph, Jackman studied popular arcade games from several different decades to incorporate their sounds into 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The composer has been soundtracking Hollywood’s biggest hits for decades, racking up Golden Globes, Grammys, and Oscar®s along the way.
Zimmer was born in Frankfurt, Germany, in 1957 and moved to London as a young adult, putting his piano lessons to good use by immersing himself in the city's nascent synth scene. People have been humming along to his work since his collaboration with The Buggles on their 1980 hit, “Video Killed the Radio Star.” After stints making avant-garde pop and producing an album for The Damned, the largely self-taught Zimmer teamed up with composer Stanley Myers to start scoring films, including 1985’s My Beautiful Laundrette. Soon he was crafting a score with David Byrne for the 1987 film The Last Emperor, which led to his first Oscar®, before flying solo for the apartheid drama A World Apart. Zimmer’s ability to create textures out of notes, blending orchestras, synths, folk, and choral music made him a go-to for directors in all genres. A shockingly prolific composer, Zimmer’s score credits are attached to some of the biggest movies of the last four decades: Rain Man, Driving Miss Daisy, Thelma & Louise, The Lion King, Gladiator, Inception, The Dark Knight Rises, and Hidden Figures. Zimmer made scores so cool that they couldn’t be contained by the silver screen. 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Known for his work in movie franchises such as Shrek and The Chronicles of Narnia, he's the older brother of film/TV composer Rupert Gregson-Williams. \r\nBorn in England on December 13, 1961, Gregson-Williams studied voice and piano at the Guildhall School of Music & Drama in London, where he later taught music. While he began working as a film composer in the early '90s, his big break came when he was taken under the wing of Oscar-winning film composer Hans Zimmer during the mid-'90s. He worked on the soundtracks of Zimmer-scored films including Crimson Tide (1995), Muppet Treasure Island (1996), The Rock (1996), and As Good as It Gets (1997). He went on to collaborate with Trevor Rabin (1998's Enemy of the State and Armageddon) and John Powell (1998's Antz, 2000's Chicken Run, 2001's Shrek) as well. \r\nMeanwhile, Gregson-Williams began taking the lead on the soundtracks of children's movies like The Tigger Movie (2000) and Spy Kids (2001) as well as action films such as Phone Booth (2002) and The Rundown (2003). By mid-decade, he was scoring A-list films including Shrek 2 (2004), Man on Fire (2004), and The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005) which earned him a Grammy nomination for best score. His subsequent work in the 2000s included Gone Baby Gone (2007), Shrek the Third (2007), The Chronicles of Narnia: Prince Caspian (2008), and X-Men Origins: Wolverine (2009). In addition, he began composing music for the video game franchises Metal Gear Solid and Call of Duty. 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