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But as soon as they enjoyed the rock & roll fast life, original bandmembers Todd Whitener (guitar), Jesse Vest (bass), and Matt Taul (drums) left the band after creative differences and whirlwind hype. Two years later, the three were still making music, but under the moniker Tantric. Signed to Madonna's Maverick label, the band welcomed new vocalist Hugo Ferreira and issued a brand-new self-titled album, more rollicking and bold than their previous output. That album became a gold-selling hit, with \"Breakdown\" topping Billboard magazine's Mainstream Rock chart and reaching the Top Five of its Modern Rock chart; \"Astounded\" going Top Ten on the Mainstream Rock chart and reaching the Modern Rock chart; and \"Mourning\" reaching both charts. Tantric followed three years later with After We Go, which reached the Top 100 of the album chart and produced the Top Ten Mainstream Rock hit \"Hey Now\" and two other tracks that reached the chart, a cover of Fleetwood Mac's \"The Chain\" and the album's title song. In late 2007, Whitener, Vest, and Taul exited Tantric, just as they had Days of the New. Ferreira retained rights to the name, however, and he organized a new edition of Tantric with Joe Pessia (guitar), Erik Leonhardt (bass), and former Fuel member Kevin Miller (drums). With this lineup, Tantric recorded their third album, The End Begins, released by the Silent Majority Group label on April 22, 2008, prefaced by the single \"Down and Out,\" which reached the Top Five of the Mainstream Rock chart. 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Inc.","playParams":{"id":"171204734","kind":"album"},"isCompilation":false}}]}}},{"id":"462221","type":"artists","href":"/v1/catalog/us/artists/462221?l=en-US","attributes":{"name":"Alice In Chains","origin":"Seattle, WA","editorialArtwork":{},"genreNames":["Hard Rock"],"artwork":{"width":2400,"height":2400,"url":"https://is1-ssl.mzstatic.com/image/thumb/Features125/v4/4f/df/d7/4fdfd775-8e73-2779-1ae1-0b53d86bd21c/mzl.txniggrv.jpg/{w}x{h}bb.jpeg","bgColor":"d8d8d8","textColor1":"131313","textColor2":"282828","textColor3":"3a3a3a","textColor4":"4b4b4b"},"url":"https://music.apple.com/us/artist/alice-in-chains/462221","artistBio":"Alice in Chains both epitomized the solemn, heavy Seattle sound of the 1990s and stood apart from the grunge hordes. What separated Alice in Chains from their alt-rock brethren was how their roots lay in heavy metal, not punk. Guitarist Jerry Cantrell and vocalist Layne Staley both played in metal bands prior to the formation of Alice in Chains in 1987 and they released the band's debut, Facelift, in 1990, well before Nirvana's Nevermind pushed the underground into the mainstream. Despite their connections to metal, Alice in Chains thrived in the glory days of grunge, and it wasn't merely a question of timing, either. The band's sensibility fit into the alternative rock zeitgeist of the early '90s. Cantrell's gloomy, minor-key riffs were an ideal match for Staley's tortured lyrics, creating a sound that felt as heavy as their Seattle cohorts but also was slightly slicker and ready for radio. It was versatile, too. After the group scored rock radio and MTV hits with \"Man in the Box\" and \"Would?\" in the early days of grunge, Alice in Chains became one of the first alt-rock bands of the '90s to delve into acoustic-based music, scoring hits with the comparatively softer \"No Excuses\" and \"I Stay Away.\" Despite its success, the band was plagued with internal tensions during its commercial peak, much of it stemming from Staley's drug addictions. His abuse slowed the band's upward trajectory in the back half of the '90s, a descent culminating in the singer's accidental death in 2002. Four years later, Cantrell, drummer Sean Kinney, and bassist Mike Inez revived Alice in Chains with singer William DuVall, sparking an extended second life of recording and touring that has lasted longer than their original incarnation.\r\nThe roots of Alice in Chains lay in Sleze, a Seattle-based hair metal band that featured Layne Staley as lead singer. Sleze switched their name to Alice N Chains in 1986, roughly a year prior to Staley's introduction to Cantrell at a party at the rehearsal space called the Music Bank. The pair became friends and Staley invited Cantrell to crash with him at his rented unit at the Music Bank. Shortly afterward, Alice N Chains broke up, as did Cantrell's band, Diamond Lie. Cantrell began auditioning players for a new band, recruiting drummer Sean Kinney and bassist Mike Starr, but he still needed a vocalist and held out hope for Staley to join. At the time, Staley was singing in a funk band that also happened to need a guitarist, so Cantrell agreed to play on the condition his friend would join the fledgling group. Staley agreed. Not long afterward, the funk band folded and this quartet gelled under the name Alice in Chains.\r\nAlice in Chains started to gig regularly in the Seattle area, often sharing bills with Mother Love Bone, earning the attention of promoter Randy Hauser, who bankrolled a demo. Dubbed The Treehouse Tapes, the demo earned the attention of Soundgarden managers Kelly Curtis and Susan Silver, who passed it along to Columbia. The label signed Alice in Chains in 1989 and made them a priority, ushering the band into the studio with producer David Jerden, who had recently worked with Jane's Addiction. Early in 1990, the label released the promo-only We Die Young EP with their eye on heavy metal audiences and its title track became a hit on rock radio, setting the stage for the August release of the group's debut, Facelift, which was quickly followed by a tour opening for Iggy Pop. \"Man in the Box\" became the album's second single in January 1991, and once its video entered heavy MTV rotation, Facelift took off. The album entered the Billboard charts in April 1991, Van Halen requested Alice in Chains as a tour opener in August, and in September the album earned its first gold certification; it would later earn two platinum certifications.\r\nAs Facelift's momentum grew, Alice in Chains kept busy behind the scenes, working on material for a second album and recording an acoustic EP called Sap. One of the first all-acoustic records from an alternative rock band, Sap was released in February 1992. Alice in Chains also filmed a cameo in Singles, Cameron Crowe's romantic comedy celebrating Seattle's vibrant underground scene of the early '90s. By the time the film's soundtrack appeared in June 1992, the Seattle scene had exploded nationally thanks to the unexpected success of Nirvana's second album, Nevermind, and Alice in Chains were in the thick of it. \r\n\"Would?,\" a menacing grind that doubled as the first single from both the Singles soundtrack and Alice in Chains' second album, Dirt, started its climb up Billboard's mainstream rock chart in June 1992, the same month the Singles soundtrack was released. By the point Dirt appeared in stores in September, Alice in Chains had firmly laid stakes in the grunge camp: \"Them Bones,\" the second single pulled from Dirt, became their first song to chart on Billboard's alternative rock chart. Arriving at the peak of 1992's grunge explosion, the dark and gloomy Dirt made Alice in Chains' career. By December, the album earned a platinum certification -- it would go platinum once again in 1993 and 1995, with a fourth and final certification arriving in 2000 -- and it stayed on the charts thanks to \"Angry Chair\" and the Top Ten mainstream rock hits \"Rooster\" and \"Down in a Hole.\"\r\nDespite their success, Alice in Chains were in turmoil behind the scenes. Mike Starr left the band in January 1993, to be replaced by Mike Inez. The band's initial story was that Starr wasn't ready to gear up for an intense work schedule, but Starr later said he was fired due to drug addiction. The specter of heavy drugs hung over the band, thanks to lyrical allusions on Dirt and rumors alleging that Staley was addicted to heroin. Alice in Chains soldiered forth, releasing two new songs on the soundtrack for the Arnold Schwarzenegger film Last Action Hero (including the radio hit \"What the Hell Have I\") and playing a plum spot on the third Lollapalooza tour in 1993. Jar of Flies found the band retreating to softer, moody music, and the shift paid off commercially. Upon its January 1994 release, it became the first EP to debut at number one on the Billboard charts and, thanks in part to \"No Excuses\" -- which went to number one on the mainstream rock chart and three on Billboard's alternative chart, the highest placing they'd have with Layne Staley in the lineup -- it was certified platinum by March; it would eventually earn two additional certifications. \r\nAlice in Chains remained on the top of the charts, but they also remained off the road during 1994, fueling speculation that Staley was mired in heroin addiction. The rumors were true. Behind the scenes, Staley went through a bout of rehab that didn't stick, leading the band to cancel its summer tour on a day's notice and enter an unofficial hiatus. During this time, \"Got Me Wrong\" -- a song initially released on Sap -- was pulled as a single from the Clerks soundtrack and wound up as a radio hit. The bigger news during the hiatus was Staley's busman's holiday, Mad Season. Originally the Gacy Bunch at their initial concerts, Mad Season was a Seattle supergroup also featuring Pearl Jam's Mike McCready, the Screaming Trees' Barrett Martin, and John Saunders. The band's lone album, Above, arrived in March 1995. \r\nAs Above was in the middle of its run on the charts -- it peaked at 24 on Billboard's album chart, with \"River of Deceit\" reaching the Top Ten on Billboard's mainstream and modern rock charts -- Alice in Chains reconvened to record their third album with producer Toby Wright. Upon its November 1995 release, the eponymous record debuted at number one on Billboard, with the singles \"Grind\" and \"Heaven Beside You\" reaching the mainstream rock Top Ten; the latter peaked at six on the alternative rock chart. Once again, Alice in Chains were loath to tour. Instead, they recorded a concert -- their first in nearly three years -- for MTV Unplugged on April 10, 1996. By the time the show was released as an album on July 30, Alice in Chains' return to the stage was already thwarted: after four supporting dates for Kiss, Staley was found unresponsive after a heroin overdose on July 3, 1996 following a show in Kansas City, Missouri. \r\nStaley recovered from his OD but the band struggled as he battled his addiction. Following the death of his former fiancée, Demri Parrott, in October 1996, Staley secluded himself from the public, leading Jerry Cantrell to write and record a solo album called Boggy Depot; Mike Inez and Sean Kinney both appeared on Cantrell's solo effort. Alice in Chains completed two new songs, including the Top Ten mainstream rock hit \"Get Born Again,\" for the 1998 box set Music Bank. The box was the first of a series of archival releases in the next three years: Nothing Safe: The Best of the Box showed up in 1999, followed by the concert compilation Live in 2000 and Greatest Hits in 2001. All the members of Alice in Chains busied themselves during this extended hiatus. Sean Kinney and Mike Inez appeared in Spys4Darwin, Inez gigged with Zakk Wylde's Black Label Society during his downtime, and Cantrell worked on a second solo album. Degradation Trip, the guitarist's sophomore record, appeared in June 2002, two months after Staley was found dead from a drug overdose at his Seattle condo. \r\nAlice in Chains parted ways after Staley's death, with Inez becoming a member of Heart and Cantrell collaborating with a number of hard rock and metal acts, including Heart and Ozzy Osbourne. Sony released Alice in Chains from their record contract in 2004, and the next year the group reunited to play a benefit concert for the South Asia tsunami disaster of 2004. Pat Lachman, the singer for Damageplan, acted as Staley's replacement but other stars appeared with the band, too, including Ann Wilson and Maynard James Keenan. The one-off concert went well enough that Alice in Chains decided to make their reunion permanent. Hiring William DuVall, formerly of Comes with the Fall, as Staley's replacement, Alice in Chains toured in 2006, which led to a tour supporting Velvet Revolver in 2007. \r\nThe revived Alice in Chains recorded a comeback album in 2008 with co-producer Nick Raskulinecz, which appeared in September 2009 as Black Gives Way to Blue. Debuting at five on the Billboard charts, Black Gives Way to Blue wound up going gold while racking up two Grammy nominations, reestablishing Alice in Chains as a force in mainstream and modern rock. The group toured into 2010 and then in 2011 set to work on another album with Raskulinecz. Entitled The Devil Put Dinosaurs Here, the album debuted at two upon its release in May 2013. Alice in Chains toured The Devil Put Dinosaurs Here into 2014, then spent the next two years on the road. In 2017, the group started work on another new album with Raskulinecz. Recorded primarily in Seattle, the resulting Rainier Fog appeared in August 2018. ~ Stephen Thomas Erlewine","bornOrFormed":"1987"},"relationships":{"station":{"href":"/v1/catalog/us/artists/462221/station?l=en-US","data":[{"id":"ra.462221","type":"stations","href":"/v1/catalog/us/stations/ra.462221?l=en-US","attributes":{"name":"Alice In Chains","mediaKind":"audio","artwork":{"width":2400,"height":2400,"url":"https://is1-ssl.mzstatic.com/image/thumb/Features125/v4/4f/df/d7/4fdfd775-8e73-2779-1ae1-0b53d86bd21c/mzl.txniggrv.jpg/{w}x{h}rc.jpeg","bgColor":"d8d8d8","textColor1":"131313","textColor2":"282828","textColor3":"3a3a3a","textColor4":"4b4b4b"},"url":"https://music.apple.com/us/station/alice-in-chains/ra.462221","requiresSubscription":true,"playParams":{"id":"ra.462221","kind":"radioStation","format":"tracks","stationHash":"CgcIARoDjZscEAE"},"isLive":false}}]},"albums":{"href":"/v1/catalog/us/artists/462221/albums?l=en-US","data":[{"id":"157316517","type":"albums","href":"/v1/catalog/us/albums/157316517?l=en-US","attributes":{"artwork":{"width":1500,"height":1500,"url":"https://is3-ssl.mzstatic.com/image/thumb/Music5/v4/19/12/74/1912745b-3826-7cf2-22f8-1502776ca6e3/dj.ncevfnuh.jpg/{w}x{h}bb.jpeg","bgColor":"e88d58","textColor1":"080303","textColor2":"1f1111","textColor3":"351f14","textColor4":"47291f"},"artistName":"Alice In Chains","isSingle":false,"url":"https://music.apple.com/us/album/dirt/157316517","isComplete":true,"genreNames":["Hard Rock","Music","Rock","Alternative","Metal","Grunge","Adult Alternative"],"trackCount":13,"isMasteredForItunes":false,"releaseDate":"1992-09-29","name":"Dirt","recordLabel":"Columbia","editorialArtwork":{},"copyright":"℗ 1992 Sony Music Entertainment Inc.","playParams":{"id":"157316517","kind":"album"},"editorialNotes":{"standard":"Alice in Chains were the darkest group to emerge from the grunge explosion of the early ‘90s. Where other groups balanced their moody extremes with pop hooks (Nirvana) or anthemic riffs (Pearl Jam, Soundgarden), Singer Layne Staley eventually died at the hands of his addiction and Dirt remains one of the most disturbing looks at a wasted life and is one long slide down to the bottom of Dante’s Inferno. It’s frightening in its intensity and its mastery of a world Black Sabbath once merely suggested.","short":"With eerie power, alt-metal’s bluesiest band gets under your skin."},"isCompilation":false}},{"id":"268435274","type":"albums","href":"/v1/catalog/us/albums/268435274?l=en-US","attributes":{"artwork":{"width":600,"height":600,"url":"https://is5-ssl.mzstatic.com/image/thumb/Music/28/60/62/mzi.jelkfrks.jpg/{w}x{h}bb.jpeg","bgColor":"31120e","textColor1":"bec766","textColor2":"e8b62f","textColor3":"a2a355","textColor4":"c49528"},"artistName":"Alice In Chains","isSingle":false,"url":"https://music.apple.com/us/album/jar-of-flies/268435274","isComplete":true,"genreNames":["Hard Rock","Music","Rock","Alternative","Grunge","Adult Alternative","Metal"],"trackCount":7,"isMasteredForItunes":false,"releaseDate":"1994-01-25","name":"Jar of Flies","recordLabel":"Columbia","editorialArtwork":{},"copyright":"℗ 1993 Sony Music Entertainment Inc.","playParams":{"id":"268435274","kind":"album"},"editorialNotes":{"standard":"Recorded after their mainstream breakthrough, Dirt, this mostly acoustic EP is actually some of the Seattle band's heaviest work. Though Jerry Cantrell's murky electric guitar work shows up on the opening \"Rotten Apple,\" the song quickly mutates into a weighty, unplugged rumination on depression and addiction. \"Nutshell\" and the violin-enhanced \"I Stay Away\" explore alienation with finely plucked guitar arpeggios worthy of Zeppelin and beguiling vocal melodies from Cantrell and the late Layne Staley, proving the group didn't need heavy riffs to exorcise their demons.","short":"An acoustic EP that features some of their weightiest work."},"isCompilation":false}},{"id":"388143873","type":"albums","href":"/v1/catalog/us/albums/388143873?l=en-US","attributes":{"artwork":{"width":600,"height":600,"url":"https://is1-ssl.mzstatic.com/image/thumb/Music/ff/eb/d8/mzi.wegmszqt.jpg/{w}x{h}bb.jpeg","bgColor":"180c0e","textColor1":"ffece3","textColor2":"ed8943","textColor3":"d0bfb8","textColor4":"c37039"},"artistName":"Alice In Chains","isSingle":false,"url":"https://music.apple.com/us/album/mtv-unplugged-alice-in-chains-live/388143873","isComplete":true,"genreNames":["Hard Rock","Music","Rock","Alternative","Grunge","Metal","Adult Alternative"],"trackCount":13,"isMasteredForItunes":false,"releaseDate":"1996-07-30","name":"MTV Unplugged: Alice In Chains (Live)","recordLabel":"Columbia/Legacy","editorialArtwork":{},"copyright":"℗ 1996 Columbia Records, a division of Sony Music Entertainment","playParams":{"id":"388143873","kind":"album"},"editorialNotes":{"standard":"Original Alice in Chains vocalist Layne Staley shines in this powerful performance, which would be one of his last live appearances ever. His torn-up vocals are the passionate lifeblood of this acoustic set, fuelling the uneasy darkness of “Rooster” and delivering the lonesome howl that makes this rendition of “Down In a Hole” unforgettable. The band’s gloomy energy haunts throughout, but the skewed, dissonant grunge of the closing “The Killer Is Me” is especially mesmerizing and harrowing.","short":"The illustrious grunge outfit strips down for an intimate evening in Brooklyn."},"isCompilation":false}},{"id":"190808912","type":"albums","href":"/v1/catalog/us/albums/190808912?l=en-US","attributes":{"artwork":{"width":600,"height":600,"url":"https://is3-ssl.mzstatic.com/image/thumb/Music/ee/8c/ed/mzi.qrsardza.jpg/{w}x{h}bb.jpeg","bgColor":"03190c","textColor1":"c2e0ae","textColor2":"b1cf99","textColor3":"9cb88e","textColor4":"8eab7d"},"artistName":"Alice In Chains","isSingle":false,"url":"https://music.apple.com/us/album/greatest-hits/190808912","isComplete":true,"genreNames":["Hard Rock","Music","Rock","Adult Alternative","Metal","Alternative","Grunge"],"trackCount":10,"isMasteredForItunes":false,"releaseDate":"2001-07-24","name":"Greatest Hits","recordLabel":"Columbia","editorialArtwork":{},"copyright":"℗ 1990, 1992, 1993, 1995 Sony Music Entertainment Inc.","playParams":{"id":"190808912","kind":"album"},"editorialNotes":{"standard":"Alice In Chains put a darker spin on '80s hard rock, wielding a bubbling-tar grunge sound that anchored the '90s alternative movement. “Would?” is rattled by guttural guitars and a shuddering bassline, while the psychedelic taffy-pull of \"Grind\" churns like a cement mixer. 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He croons, “Seek out another road 'cause this one has ended abrupt”.","short":"A retrospective captures the late grunge rocker's poetic verse."},"isCompilation":false,"contentRating":"explicit"}},{"id":"1440885542","type":"albums","href":"/v1/catalog/us/albums/1440885542?l=en-US","attributes":{"artwork":{"width":3000,"height":3000,"url":"https://is2-ssl.mzstatic.com/image/thumb/Music128/v4/ea/92/13/ea9213b3-c00b-dc15-c201-4c5ca9d04807/00602557233308.rgb.jpg/{w}x{h}bb.jpeg","bgColor":"010101","textColor1":"ffffff","textColor2":"cfcfcf","textColor3":"cccccc","textColor4":"a6a6a6"},"artistName":"Soundgarden","isSingle":false,"url":"https://music.apple.com/us/album/badmotorfinger-super-deluxe-edition/1440885542","isComplete":true,"genreNames":["Hard Rock","Music","Rock","Metal","Alternative","Grunge","Adult Alternative"],"trackCount":47,"isMasteredForItunes":true,"releaseDate":"1991-10-08","name":"Badmotorfinger (Super Deluxe Edition)","recordLabel":"Geffen","editorialArtwork":{"storeFlowcase":{"width":4320,"height":1080,"url":"https://is3-ssl.mzstatic.com/image/thumb/Features62/v4/7f/f2/c4/7ff2c460-78e6-4348-eb47-9043afe40c7c/source/{w}x{h}bb.jpeg","bgColor":"0e0c0f","textColor1":"ffffff","textColor2":"f1f1ef","textColor3":"cecece","textColor4":"c4c3c2"}},"copyright":"This Compilation ℗ 2016 A&M Records","playParams":{"id":"1440885542","kind":"album"},"editorialNotes":{"standard":"Soundgarden’s third album found them making a bid for the mainstream. Though often lumped in with other Seattle bands that broke during the early '90s, Soundgarden was always unabashedly classic rock—less a departure from The Doors and Led Zeppelin than a post-punky extension of them, carried in part by the wail of singer Chris Cornell. Poised between the heavy-metal leanings of their earlier albums and their dark commercial peak (1994’s Superunknown), Badmotorfinger found the band sharpening their songs and clarifying their sound, turning piles of sludge and grit into viable radio hits (like “Outshined” and “Rusty Cage”). Here, a remastered edition of the album joins a spate of demos and outtakes, as well as a blistering 1992 live set previously released only on VHS.","short":"Grunge's underdogs claw their way to the surface."},"isCompilation":false,"contentRating":"explicit"}},{"id":"1440826360","type":"albums","href":"/v1/catalog/us/albums/1440826360?l=en-US","attributes":{"artwork":{"width":1500,"height":1500,"url":"https://is4-ssl.mzstatic.com/image/thumb/Music118/v4/01/9b/b3/019bb363-5a63-7404-c169-190b6365ab94/00602537787463.rgb.jpg/{w}x{h}bb.jpeg","bgColor":"221e1f","textColor1":"e9e9e9","textColor2":"fb8c23","textColor3":"c1c0c0","textColor4":"cf7622"},"artistName":"Soundgarden","isSingle":false,"url":"https://music.apple.com/us/album/superunknown-20th-anniversary-super-deluxe/1440826360","isComplete":true,"genreNames":["Hard Rock","Music","Rock"],"trackCount":55,"isMasteredForItunes":false,"releaseDate":"1994-03-08","name":"Superunknown (20th Anniversary Super Deluxe)","recordLabel":"Geffen","editorialArtwork":{"originalFlowcaseBrick":{"width":1778,"height":600,"url":"https://is5-ssl.mzstatic.com/image/thumb/Features/v4/cd/c5/76/cdc57619-50c0-5ecb-db98-bb403480f973/source/{w}x{h}bb.jpeg","bgColor":"181713","textColor1":"e4dad2","textColor2":"f68b2d","textColor3":"bbb3ac","textColor4":"c97428"}},"copyright":"This Compilation ℗ 2014 A&M Records","playParams":{"id":"1440826360","kind":"album"},"editorialNotes":{"standard":"With Superunknown, Soundgarden left grunge behind for good. Arriving just as Nirvana were in their death throes and Pearl Jam were becoming increasingly weary of life in the spotlight, Soundgarden’s fourth album eagerly seized the mantle for arena-ready alternative rock. From the bone-cracking thrust of “My Wave” to the Beatlesesque power ballad “Black Hole Sun” to the doomy metallic monster “4th of July,” Superunknown blew Soundgarden’s musical scope wide open and foregrounded their latent pop sensibility—but not at the expense of the band’s essential, mosh-pit-baiting heaviosity.","short":"The epic album that made these Seattle grunge pioneers super well-known."},"isCompilation":false}},{"id":"1440869180","type":"albums","href":"/v1/catalog/us/albums/1440869180?l=en-US","attributes":{"artwork":{"width":3000,"height":3000,"url":"https://is2-ssl.mzstatic.com/image/thumb/Music128/v4/7f/17/4f/7f174f0c-4762-8298-e84f-568ec680d4c2/00602557008388.rgb.jpg/{w}x{h}bb.jpeg","bgColor":"010206","textColor1":"e9eaed","textColor2":"febe11","textColor3":"bbbcbe","textColor4":"cb990e"},"artistName":"Soundgarden","isSingle":false,"url":"https://music.apple.com/us/album/louder-than-love/1440869180","isComplete":true,"genreNames":["Hard Rock","Music","Rock","Alternative","Grunge","Adult Alternative","Metal"],"trackCount":12,"isMasteredForItunes":true,"releaseDate":"1989-09-05","name":"Louder Than Love","recordLabel":"A&M","editorialArtwork":{"subscriptionHero":{"width":4320,"height":1080,"url":"https://is5-ssl.mzstatic.com/image/thumb/Features123/v4/24/c1/71/24c17118-d7a1-8949-fd08-e0f96f1d8144/source/{w}x{h}bb.jpeg","bgColor":"000000","textColor1":"f5f5f5","textColor2":"d6d6d6","textColor3":"c4c4c4","textColor4":"ababab"}},"copyright":"℗ 2016 A&M Records","playParams":{"id":"1440869180","kind":"album"},"editorialNotes":{"standard":"In some ways, 1989’s Louder Than Love is the moment Soundgarden became Soundgarden: the sludgy riffs, the multi-octave wailing, the weird mix of the visceral and ethereal that made albums like Badmotorfinger and Superunknown so epochal. You can still hear that the band was coming from punk (“Full On Kevin’s Mom”), but they were also tilting more earnestly toward blues, metal, and psychedelia, creating strange amalgams of heaviness that didn’t quite fit with mainstream hard rock or the evolving indie scene. (The piggish butt-rock send-up “Big Dumb Sex” caused a stir at the time in part because nobody could figure out whether or not they were joking; that they ended up on tour with the hair-metal band Skid Row a couple of years later didn’t clarify things.)
\n“Louder Than Love might have been maybe a little bit grittier or more aggressive, I think, [where] Superunknown might have some more nuance to it,” guitarist Kim Thayil tells Apple Music on the album’s 30th birthday. “There’s a roughness…a slashing, fist-like style to the way I was playing guitar on those earlier records. Louder Than Love might’ve been the last time, and maybe a little bit of [1991’s] Badmotorfinger. Then that kind of style—that more aggressive banging-the-guitar style—kind of went away.”
\nStill, as brutal as it could be (“Gun” being the nastiest), LTL could be surprisingly pretty, too: Listen to the plumes of feedback on the beginning of “Loud Love,” for example, or the middle section of “Ugly Truth”—sweet-and-sour combinations that set the course for what the band became. “When I think about that album, I think about the working relationship with [producer] Terry [Date], and getting used to a larger budget,” Thayil says. “Trying to get that live feel that we were acquainted with and at the same time utilizing the technology and the abilities of the producer in the studio was a weird kind of balance.”
\nMostly, though, he remembers it as a learning experience, a moment when the band stepped into bigger shoes and tried to find their footing. “Usually when we’re done [with a record], we always think, ‘We could’ve done this better, do that better,’” he said. “Then, given time, it comes to rest, and you have a perspective on it that’s less self-critical. And now, I listen back to [Louder Than Love] and think, ‘Wow, that’s way better than I remembered it being at the time.’”","short":"Celebrating 30 years of the defining step in the hard-rock band’s evolution."},"isCompilation":false,"contentRating":"explicit"}},{"id":"1469585531","type":"albums","href":"/v1/catalog/us/albums/1469585531?l=en-US","attributes":{"artwork":{"width":1500,"height":1500,"url":"https://is2-ssl.mzstatic.com/image/thumb/Music123/v4/33/a5/09/33a509f5-2bea-9526-bd05-1ff30a1b1eff/12UMGIM52994.rgb.jpg/{w}x{h}bb.jpeg","bgColor":"dad4c6","textColor1":"140b09","textColor2":"2a231b","textColor3":"3c332f","textColor4":"4d463d"},"artistName":"Soundgarden","isSingle":false,"url":"https://music.apple.com/us/album/king-animal-deluxe-version/1469585531","isComplete":true,"genreNames":["Hard Rock","Music","Rock","Adult Alternative","Alternative","Grunge","Metal","World"],"trackCount":17,"isMasteredForItunes":true,"releaseDate":"2012-01-01","name":"King Animal (Deluxe Version)","recordLabel":"Loma Vista / Republic","editorialArtwork":{},"copyright":"℗ 2012 Soundgarden Recordings, LLC, under exclusive license to Mercury Records UK, a Division of Universal Music Operations Limited","playParams":{"id":"1469585531","kind":"album"},"isCompilation":false}},{"id":"1440855214","type":"albums","href":"/v1/catalog/us/albums/1440855214?l=en-US","attributes":{"artwork":{"width":1500,"height":1500,"url":"https://is4-ssl.mzstatic.com/image/thumb/Music118/v4/f3/ef/7c/f3ef7cf0-64ac-7fb4-ae89-2a45a3ffc545/00602537879830.rgb.jpg/{w}x{h}bb.jpeg","bgColor":"060609","textColor1":"dddcd9","textColor2":"f45e2c","textColor3":"b2b1af","textColor4":"c44d25"},"artistName":"Soundgarden","isSingle":false,"url":"https://music.apple.com/us/album/superunknown-deluxe-edition/1440855214","isComplete":true,"genreNames":["Hard Rock","Music","Rock","Adult Alternative","Alternative","Grunge","Electronic","Metal"],"trackCount":32,"isMasteredForItunes":false,"releaseDate":"1994-03-08","name":"Superunknown (Deluxe Edition)","recordLabel":"Geffen","editorialArtwork":{},"copyright":"This Compilation ℗ 2014 A&M Records","playParams":{"id":"1440855214","kind":"album"},"editorialNotes":{"standard":"With Superunknown, Soundgarden left grunge behind for good. Arriving just as Nirvana were in their death throes and Pearl Jam were becoming increasingly weary of life in the spotlight, Soundgarden’s fourth album eagerly seized the mantle for arena-ready alternative rock. From the bone-cracking thrust of “My Wave” to the Beatlesesque power ballad “Black Hole Sun” to the doomy metallic monster “4th of July,” Superunknown blew Soundgarden’s musical scope wide open and foregrounded their latent pop sensibility—but not at the expense of the band’s essential, mosh-pit-baiting heaviosity.","short":"The epic album that made these Seattle grunge pioneers super well-known."},"isCompilation":false}},{"id":"1440744691","type":"albums","href":"/v1/catalog/us/albums/1440744691?l=en-US","attributes":{"artwork":{"width":1500,"height":1500,"url":"https://is3-ssl.mzstatic.com/image/thumb/Music128/v4/c5/21/0b/c5210ba7-4017-5039-a108-9a41af373010/00602527923710.rgb.jpg/{w}x{h}bb.jpeg","bgColor":"0f231a","textColor1":"f5fffe","textColor2":"e0ad7b","textColor3":"c6d2d0","textColor4":"b69167"},"artistName":"Soundgarden","isSingle":false,"url":"https://music.apple.com/us/album/telephantasm/1440744691","isComplete":true,"genreNames":["Hard Rock","Music","Rock","Alternative","Grunge","Metal","Adult Alternative"],"trackCount":12,"isMasteredForItunes":true,"releaseDate":"2010-09-23","name":"Telephantasm","recordLabel":"Geffen","editorialArtwork":{},"copyright":"This Compilation ℗ 2011 A&M Records","playParams":{"id":"1440744691","kind":"album"},"isCompilation":false}},{"id":"723132583","type":"albums","href":"/v1/catalog/us/albums/723132583?l=en-US","attributes":{"artwork":{"width":1450,"height":1450,"url":"https://is2-ssl.mzstatic.com/image/thumb/Music6/v4/1d/c5/ff/1dc5ffce-f0f2-0266-8e46-15c84a6064cf/Soundgarden_ScreamingLife_2013_1450.jpg/{w}x{h}bb.jpeg","bgColor":"170c08","textColor1":"d7c3b2","textColor2":"c8b09a","textColor3":"b19e90","textColor4":"a58f7c"},"artistName":"Soundgarden","isSingle":false,"url":"https://music.apple.com/us/album/screaming-life-fopp/723132583","isComplete":true,"genreNames":["Hard Rock","Music","Rock","Alternative","Grunge","Adult Alternative","Metal"],"trackCount":11,"isMasteredForItunes":false,"releaseDate":"1987-10-01","name":"Screaming Life / Fopp","recordLabel":"Sub Pop Records","editorialArtwork":{"originalFlowcaseBrick":{"width":1778,"height":600,"url":"https://is3-ssl.mzstatic.com/image/thumb/Features/v4/5e/43/dc/5e43dc17-875e-4dce-6378-28e6c23de608/source/{w}x{h}bb.jpeg","bgColor":"010100","textColor1":"d8cbbc","textColor2":"c7c7c7","textColor3":"ada396","textColor4":"9f9f9f"}},"copyright":"℗ 2013 Sub Pop Records","playParams":{"id":"723132583","kind":"album"},"editorialNotes":{"standard":"Upon its 1987 appearance, Screaming Life, Soundgarden's first EP, made it apparent that the alternative scene—which had started with punk and new wave and from there rallied against arena rock and classic rock—had come full circle and was now the breeding ground for a band openly influenced by Led Zeppelin. Chris Cornell’s shirtless postures and vocal wails were closer to Robert Plant than to Joe Strummer or Henry Rollins, and the waves of guitar driving “Hunted Down,” “Entering,\" and “Nothing to Say” were jammed with riffs from ‘70s hard rock bands. 1988’s Fopp cleaved closer toward the grunge that their label Sub Pop was becoming known for, with covers of Green River’s “Swallow My Pride” and The Ohio Players’ “Fopp” and the rough ’n’ randy “Kingdom of Come.” “Sub Pop Rock City” appeared on Sub Pop 200 but never quite became the anthem it sounds like."},"isCompilation":false}},{"id":"1423646032","type":"albums","href":"/v1/catalog/us/albums/1423646032?l=en-US","attributes":{"artwork":{"width":1500,"height":1500,"url":"https://is2-ssl.mzstatic.com/image/thumb/Music118/v4/93/d7/9d/93d79d89-2eb6-3d98-f1d2-aaa1194fec02/00602527499116.rgb.jpg/{w}x{h}bb.jpeg","bgColor":"1d1f1a","textColor1":"deb596","textColor2":"e1997d","textColor3":"b7977d","textColor4":"ba8169"},"artistName":"Soundgarden","isSingle":false,"url":"https://music.apple.com/us/album/telephantasm-deluxe-version/1423646032","isComplete":false,"genreNames":["Rock","Music","Adult Alternative","Hard Rock","Metal","Alternative","Grunge"],"trackCount":29,"isMasteredForItunes":false,"releaseDate":"2010-01-01","name":"Telephantasm (Deluxe Version)","recordLabel":"Geffen","editorialArtwork":{},"copyright":"This Compilation ℗ 2010 A&M Records","playParams":{"id":"1423646032","kind":"album"},"isCompilation":false,"contentRating":"explicit"}},{"id":"1440923020","type":"albums","href":"/v1/catalog/us/albums/1440923020?l=en-US","attributes":{"artwork":{"width":1435,"height":1418,"url":"https://is3-ssl.mzstatic.com/image/thumb/Music118/v4/14/2c/a2/142ca227-595c-6ae0-3f5c-7a42118c50b9/00731454052627.rgb.jpg/{w}x{h}bb.jpeg","bgColor":"1a120f","textColor1":"e3db42","textColor2":"e28d54","textColor3":"bbb338","textColor4":"ba7446"},"artistName":"Soundgarden","isSingle":false,"url":"https://music.apple.com/us/album/down-on-the-upside/1440923020","isComplete":true,"genreNames":["Hard Rock","Music","Rock","Adult Alternative","Alternative","Grunge","Metal"],"trackCount":16,"isMasteredForItunes":false,"releaseDate":"1996-05-21","name":"Down On the Upside","recordLabel":"A&M","editorialArtwork":{},"copyright":"℗ 1996 UMG Recordings, Inc.","playParams":{"id":"1440923020","kind":"album"},"editorialNotes":{"standard":"After the huge commercial breakthrough of Superunknown—where Soundgarden expanded its attack to include pop hooks, psychedelic riffage, and production values—the foursome decided to work harder at rocking harder. From the opening chords of \"Pretty Noose,\" the group brings out the brawny guitars and slightly leavens them with sweet harmonies. With \"Rhinosaur,\" Kim Thayil churns out more guitar-hero riffs for young America to master. \"Zero Chance\" turns to the quiet side as Chris Cornell ruminates in a depressive mood: \"Born without a friend/And bound to die alone.\" \"Ty Cobb\" floors the acceleration with no brakes. Robin Trower's \"Bridge of Sighs\" is evoked within \"Tighten & Tighter,\" while \"No Attention\" ventures toward Rocks-era Aerosmith, an occasional Soundgarden touchstone. The album's obvious centerpiece, however, is \"Blow Up the Outside World,\" with its mix of acoustic and electric guitars; it builds toward a cathartic chorus that rings true of everything Soundgarden could ever be. 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The cover of the Beatles’ “Helter Skelter” is shockingly sedate and seductive and much like the rest of this live album is surprisingly cautious for a hard-rock band. But Soundgarden were never completely comfortable with being put atop the hard-rock mantle and if there’s a slight reluctance in the anthemic power of their hit “Fell on Black Days”, it’s one that makes their music that much richer, since the band thrives on nuance. Even the cover of Iggy & The Stooges’ “Search and Destroy” has a slightly measured approach that allows the song to breathe in ways not previously understood. The band lets loose more on the recent material. “Ty Cobb”, for example, has fresh anger running through its assault. 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\nBut it’s the album’s biggest hits that would seal the band’s rock-god fate. “Sex Type Thing” thumps and thrashes as Weiland mocks machismo, his sinister sneer so convincing critics thought he was singing in first person. Meanwhile, “Wicked Garden” ruminates on lost innocence over a relentlessly brutal chug of guitars, “Creep” slows things down with its introspective angst, and “Plush” tells the haunting story of a woman found dead via one of the decade’s catchiest riffs. The deeper cuts let their wilder ideas loose, like the wicked-fast, warped funk of “Naked Sunday” and the blistering guitar solo on “Piece of Pie,” in which Weiland pulls out his freakiest Jim Morrison. With Core, STP didn’t bow down to grunge—they demolished it, then redefined it.","short":"The SoCal band redefines grunge with rock-god swagger."},"isCompilation":false,"contentRating":"explicit"}},{"id":"302225725","type":"albums","href":"/v1/catalog/us/albums/302225725?l=en-US","attributes":{"artwork":{"width":1425,"height":1425,"url":"https://is5-ssl.mzstatic.com/image/thumb/Music/cb/ac/1a/mzi.ygqxrssz.jpg/{w}x{h}bb.jpeg","bgColor":"cdc197","textColor1":"070b0d","textColor2":"1a260a","textColor3":"2e2f29","textColor4":"3e4526"},"artistName":"Stone Temple Pilots","isSingle":false,"url":"https://music.apple.com/us/album/tiny-music-songs-from-the-vatican-gift-shop/302225725","isComplete":true,"genreNames":["Alternative","Music","Rock","Adult Alternative","Hard Rock","Grunge"],"trackCount":12,"isMasteredForItunes":false,"releaseDate":"1996-03-26","name":"Tiny Music...Songs from the Vatican Gift Shop","recordLabel":"Atlantic Records","editorialArtwork":{},"copyright":"℗ 1996 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States","playParams":{"id":"302225725","kind":"album"},"isCompilation":false}},{"id":"1340481443","type":"albums","href":"/v1/catalog/us/albums/1340481443?l=en-US","attributes":{"artwork":{"width":2400,"height":2400,"url":"https://is5-ssl.mzstatic.com/image/thumb/Music118/v4/18/51/dc/1851dcb3-dc6f-b63e-2981-349cdb99dc92/603497861552.jpg/{w}x{h}bb.jpeg","bgColor":"eeeeee","textColor1":"0d0c0c","textColor2":"282726","textColor3":"3a3939","textColor4":"4f4f4e"},"artistName":"Stone Temple Pilots","isSingle":false,"url":"https://music.apple.com/us/album/stone-temple-pilots-2018/1340481443","isComplete":true,"genreNames":["Rock","Music","Alternative","Adult Alternative","Pop","Pop/Rock"],"trackCount":12,"isMasteredForItunes":false,"releaseDate":"2018-03-16","name":"Stone Temple Pilots (2018)","recordLabel":"Rhino","editorialArtwork":{"storeFlowcase":{"width":4320,"height":1080,"url":"https://is3-ssl.mzstatic.com/image/thumb/Features128/v4/44/aa/90/44aa906f-0b21-76a1-54e8-68c9aeb9c4a6/source/{w}x{h}bb.jpeg","bgColor":"e6e5e1","textColor1":"0f0d0e","textColor2":"4c0e13","textColor3":"3a3838","textColor4":"6a393c"},"subscriptionHero":{"width":4320,"height":1080,"url":"https://is4-ssl.mzstatic.com/image/thumb/Features128/v4/f0/12/e0/f012e030-7539-b0a2-8cb8-768597969c4e/source/{w}x{h}bb.jpeg","bgColor":"000000","textColor1":"c4dfea","textColor2":"df9e7c","textColor3":"9cb2bb","textColor4":"b37f63"}},"copyright":"℗ 2018 Play Pen Music LLC under exclusive license to Rhino Entertainment Company, a Warner Music Group Company.","playParams":{"id":"1340481443","kind":"album"},"editorialNotes":{"standard":"After shifting vocal duties over the years, rock legends Stone Temple Pilots have settled on a fresh direction after landing Jeff Gutt (of The X Factor USA fame) as their new leading man. Their powerful, self-titled seventh studio album—their first major release since 2013’s High Rise—delivers more of the turbulent, driving rock the band are known for, most notably on tracks “Roll Me Under” and “Meadow”. It’s not all in-your-face riffs, though—STP strip things back beautifully too, making way for the brilliant ballads “The Art of Letting Go” and “Thought She’d Be Mine”.","short":"Enter vocalist Jeff Gutt as the rockers mark a new era.\n"},"isCompilation":false}},{"id":"300205975","type":"albums","href":"/v1/catalog/us/albums/300205975?l=en-US","attributes":{"artwork":{"width":1425,"height":1425,"url":"https://is1-ssl.mzstatic.com/image/thumb/Music/a8/cc/72/mzi.zhagthob.jpg/{w}x{h}bb.jpeg","bgColor":"000000","textColor1":"ffffff","textColor2":"e3e3e3","textColor3":"cbcbcb","textColor4":"b5b5b5"},"artistName":"Stone Temple Pilots","isSingle":false,"url":"https://music.apple.com/us/album/no-4/300205975","isComplete":true,"genreNames":["Pop","Music","Rock","Adult Alternative","Pop/Rock","Alternative","Grunge","Hard Rock"],"trackCount":11,"isMasteredForItunes":false,"releaseDate":"1999-10-26","name":"No. 4","recordLabel":"Atlantic Records","editorialArtwork":{},"copyright":"℗ 1999 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.","playParams":{"id":"300205975","kind":"album"},"isCompilation":false,"contentRating":"explicit"}},{"id":"1483792702","type":"albums","href":"/v1/catalog/us/albums/1483792702?l=en-US","attributes":{"artwork":{"width":2400,"height":2400,"url":"https://is1-ssl.mzstatic.com/image/thumb/Music123/v4/e8/aa/77/e8aa77a5-c86b-62ce-8e28-0da75500bed8/603497849376.jpg/{w}x{h}bb.jpeg","bgColor":"909790","textColor1":"160707","textColor2":"281908","textColor3":"2f2422","textColor4":"3d3223"},"artistName":"Stone Temple Pilots","isSingle":false,"url":"https://music.apple.com/us/album/purple-2019-remaster/1483792702","isComplete":true,"genreNames":["Rock","Music","Alternative"],"trackCount":11,"isMasteredForItunes":true,"releaseDate":"1994-06-07","name":"Purple (2019 Remaster)","recordLabel":"Rhino Atlantic","editorialArtwork":{},"copyright":"℗ 2019 Atlantic Recoding Corporation, Marketed by Rhino Entertainment Company, a Warner Music Group Company.","playParams":{"id":"1483792702","kind":"album"},"isCompilation":false,"contentRating":"explicit"}},{"id":"1488999865","type":"albums","href":"/v1/catalog/us/albums/1488999865?l=en-US","attributes":{"artwork":{"width":4000,"height":4000,"url":"https://is2-ssl.mzstatic.com/image/thumb/Music123/v4/8e/46/37/8e463765-ff3e-2ecc-dd2a-ba8033d9cda4/603497853489.jpg/{w}x{h}bb.jpeg","bgColor":"beb499","textColor1":"161510","textColor2":"1a1715","textColor3":"38342b","textColor4":"3a372f"},"artistName":"Stone Temple Pilots","isSingle":false,"url":"https://music.apple.com/us/album/perdida/1488999865","isComplete":true,"genreNames":["Rock","Music"],"trackCount":10,"isMasteredForItunes":true,"releaseDate":"2020-02-07","name":"Perdida","recordLabel":"Rhino","editorialArtwork":{"storeFlowcase":{"width":4320,"height":1080,"url":"https://is3-ssl.mzstatic.com/image/thumb/Features123/v4/1e/cd/73/1ecd73a6-0c55-50fd-09d6-02561df1889d/source/{w}x{h}bb.jpeg","bgColor":"a29885","textColor1":"060504","textColor2":"14110e","textColor3":"25221e","textColor4":"302c26"},"subscriptionHero":{"width":4320,"height":1080,"url":"https://is4-ssl.mzstatic.com/image/thumb/Features123/v4/e7/96/7a/e7967abc-510e-739c-6775-65898f7cde34/source/{w}x{h}bb.jpeg","bgColor":"0f0f11","textColor1":"d4bc8c","textColor2":"cbb484","textColor3":"ad9a73","textColor4":"a5936d"}},"copyright":"℗ 2020 Play Pen Music LLC under exclusive license to Rhino Entertainment Company, a Warner Music Group Company.","playParams":{"id":"1488999865","kind":"album"},"isCompilation":false}},{"id":"300206102","type":"albums","href":"/v1/catalog/us/albums/300206102?l=en-US","attributes":{"artwork":{"width":1444,"height":1444,"url":"https://is4-ssl.mzstatic.com/image/thumb/Music/93/7b/d7/mzi.rceinowh.jpg/{w}x{h}bb.jpeg","bgColor":"9e4515","textColor1":"faf3c6","textColor2":"f8e691","textColor3":"e8d0a3","textColor4":"e6c678"},"artistName":"Stone Temple Pilots","isSingle":false,"url":"https://music.apple.com/us/album/shangri-la-dee-da/300206102","isComplete":true,"genreNames":["Alternative","Music","Rock","Adult Alternative","Pop","Pop/Rock","Grunge","Hard Rock"],"trackCount":13,"isMasteredForItunes":false,"releaseDate":"2001-06-19","name":"Shangri-La Dee Da","recordLabel":"Atlantic Records","editorialArtwork":{},"copyright":"℗ 2001 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States excluding Australia and New Zealand.","playParams":{"id":"300206102","kind":"album"},"editorialNotes":{"name":"Shangri La-Dee Da","standard":"Stone Temple Pilots use their fifth studio album to again prove their singular ability to balance ridiculously heavy rock with dreamy psychedelia. After unloading two of the classic lineup’s most devastating grooves in “Dumb Love” and “Coma,” they entrance listeners with “Wonderful,” a trippy love ballad of unabashed beauty. No stranger to communing with his myriad demons, Weiland reveals some of his darkest poetry on “Bi-Polar Bear,” a brutal portrait of mental disorder wrapped inside ’70s-style pop that would make Harry Nilsson envious.","short":"The band’s fifth studio album balances heavy grooves with harrowing emotion."},"isCompilation":false,"contentRating":"explicit"}},{"id":"1466652597","type":"albums","href":"/v1/catalog/us/albums/1466652597?l=en-US","attributes":{"artwork":{"width":2400,"height":2400,"url":"https://is2-ssl.mzstatic.com/image/thumb/Music113/v4/d7/15/cc/d715cc36-0741-14b3-39b5-1f1f5ac88dd2/603497851553.jpg/{w}x{h}bb.jpeg","bgColor":"909790","textColor1":"160707","textColor2":"281908","textColor3":"2f2422","textColor4":"3d3223"},"artistName":"Stone Temple Pilots","isSingle":false,"url":"https://music.apple.com/us/album/purple-super-deluxe-remaster/1466652597","isComplete":true,"genreNames":["Rock","Music","Alternative"],"trackCount":40,"isMasteredForItunes":true,"releaseDate":"1994-06-07","name":"Purple (Super Deluxe) [Remaster]","recordLabel":"Rhino Atlantic","editorialArtwork":{},"copyright":"℗ 2019 Atlantic Recording Corporation, a Warner Music Group Company. All Rights Reserved. Manufactured for & Marketed by Rhino Entertainment Company.","playParams":{"id":"1466652597","kind":"album"},"isCompilation":false,"contentRating":"explicit"}},{"id":"701431695","type":"albums","href":"/v1/catalog/us/albums/701431695?l=en-US","attributes":{"artwork":{"width":1425,"height":1425,"url":"https://is3-ssl.mzstatic.com/image/thumb/Music6/v4/9b/69/d1/9b69d147-8652-8936-c5f1-ac4662b0e4dc/851591005062.jpg/{w}x{h}bb.jpeg","bgColor":"403a2c","textColor1":"e5d384","textColor2":"e1b133","textColor3":"c4b572","textColor4":"c19931"},"artistName":"Stone Temple Pilots","isSingle":false,"url":"https://music.apple.com/us/album/high-rise-with-chester-bennington-ep/701431695","isComplete":true,"genreNames":["Rock","Music","Alternative"],"trackCount":5,"isMasteredForItunes":true,"releaseDate":"2013-10-08","name":"High Rise (with Chester Bennington) - EP","recordLabel":"Play Pen LLC","editorialArtwork":{"originalFlowcaseBrick":{"width":1778,"height":600,"url":"https://is1-ssl.mzstatic.com/image/thumb/Features6/v4/68/68/e2/6868e27a-7c8e-cbe6-3195-6f9b64c3ab33/source/{w}x{h}bb.jpeg","bgColor":"685a41","textColor1":"fae59e","textColor2":"fbdf8a","textColor3":"ddc98c","textColor4":"ddc47b"}},"copyright":"℗ 2013 Play Pen, LLC","playParams":{"id":"701431695","kind":"album"},"isCompilation":false}},{"id":"372011217","type":"albums","href":"/v1/catalog/us/albums/372011217?l=en-US","attributes":{"artwork":{"width":1425,"height":1425,"url":"https://is4-ssl.mzstatic.com/image/thumb/Music/20/07/8b/mzi.xgqsfzrt.jpg/{w}x{h}bb.jpeg","bgColor":"930708","textColor1":"fcbe30","textColor2":"f6b250","textColor3":"e79928","textColor4":"e28f41"},"artistName":"Stone Temple Pilots","isSingle":false,"url":"https://music.apple.com/us/album/stone-temple-pilots-deluxe-version/372011217","isComplete":true,"genreNames":["Alternative","Music","Rock","Pop","Pop/Rock","Adult Alternative"],"trackCount":18,"isMasteredForItunes":false,"releaseDate":"2010-05-21","name":"Stone Temple Pilots (Deluxe Version)","recordLabel":"Atlantic Records","editorialArtwork":{},"copyright":"℗ 2010 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States. All Rights Reserved.","playParams":{"id":"372011217","kind":"album"},"isCompilation":false}},{"id":"365147150","type":"albums","href":"/v1/catalog/us/albums/365147150?l=en-US","attributes":{"artwork":{"width":1425,"height":1425,"url":"https://is5-ssl.mzstatic.com/image/thumb/Features/75/6b/00/dj.cwanybrj.jpg/{w}x{h}bb.jpeg","bgColor":"930708","textColor1":"fcbd2e","textColor2":"f6b445","textColor3":"e79926","textColor4":"e29139"},"artistName":"Stone Temple Pilots","isSingle":false,"url":"https://music.apple.com/us/album/stone-temple-pilots/365147150","isComplete":true,"genreNames":["Alternative","Music","Rock","Pop","Pop/Rock","Grunge","Adult Alternative"],"trackCount":13,"isMasteredForItunes":false,"releaseDate":"2010-05-24","name":"Stone Temple Pilots","recordLabel":"Atlantic Records","editorialArtwork":{},"copyright":"℗ 2010 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States. All Rights Reserved.","playParams":{"id":"365147150","kind":"album"},"editorialNotes":{"standard":"Stone Temple Pilots initially angered the grunge elite for finding ways to turn the angst into surefire radio hits. The group’s pop appeal while maintaining its harder edges made them that rarest of groups in the ‘90s: one that embraced the rock stardom that other bands professed to hate. Reunited after years of estrangement, STP sound like the perfect hard rock unit. Singer Scott Weiland can punch forth like the rock frontman he so naturally is and the DeLeo brothers provide him with his strongest backing in years. Whether it’s the brash attack of “Between the Lines” or the retro-boogie of “Huckleberry Crumble” and “Hazy Daze,” STP are practically a course in classic-rock history. “Dare If You Dare” has power-ballad scripted onto its pounding sorrow. “Bagman” sounds like a power-pop band turning the amps way up. “Fast As I Can” rocks out like Bad Company and Aerosmith finding their way down the L.A. Freeway. The deluxe edition includes several bonus cuts, including live versions of tracks from the new album and their classic hit “Vasoline.”"},"isCompilation":false}},{"id":"1285806791","type":"albums","href":"/v1/catalog/us/albums/1285806791?l=en-US","attributes":{"artwork":{"width":2400,"height":2400,"url":"https://is5-ssl.mzstatic.com/image/thumb/Music128/v4/9c/c1/4d/9cc14ddd-fc63-58eb-d911-98de74825324/603497869275.jpg/{w}x{h}bb.jpeg","bgColor":"030005","textColor1":"ee545c","textColor2":"f63522","textColor3":"bf434b","textColor4":"c52a1c"},"artistName":"Stone Temple Pilots","isSingle":false,"url":"https://music.apple.com/us/album/core-remastered/1285806791","isComplete":true,"genreNames":["Alternative","Music","Rock","Adult Alternative","Hard Rock","Pop","Pop/Rock","Grunge"],"trackCount":12,"isMasteredForItunes":true,"releaseDate":"1992-09-29","name":"Core (Remastered)","recordLabel":"Rhino Atlantic","editorialArtwork":{},"copyright":"℗ 1992 Atlantic Recording Corporation. All Rights Reserved. Marketed by Rhino Entertainment Company.","isCompilation":false}},{"id":"298710398","type":"albums","href":"/v1/catalog/us/albums/298710398?l=en-US","attributes":{"artwork":{"width":1425,"height":1425,"url":"https://is4-ssl.mzstatic.com/image/thumb/Music/ab/f4/ea/mzi.qdvijien.jpg/{w}x{h}bb.jpeg","bgColor":"050505","textColor1":"e5e7f5","textColor2":"dcb2e9","textColor3":"b8bac5","textColor4":"b18fbb"},"artistName":"Stone Temple Pilots","isSingle":true,"url":"https://music.apple.com/us/album/revolution-single/298710398","isComplete":true,"genreNames":["Rock","Music","Hard Rock","Alternative"],"trackCount":1,"isMasteredForItunes":false,"releaseDate":"2001-11-27","name":"Revolution - Single","recordLabel":"Atlantic Records","editorialArtwork":{},"copyright":"℗ 2001 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States excluding Australia and New Zealand.","playParams":{"id":"298710398","kind":"album"},"isCompilation":false}}]}}},{"id":"146191","type":"artists","href":"/v1/catalog/us/artists/146191?l=en-US","attributes":{"name":"Collective Soul","origin":"Stockbridge, GA","editorialArtwork":{},"genreNames":["Rock"],"artwork":{"width":1667,"height":1667,"url":"https://is2-ssl.mzstatic.com/image/thumb/Features62/v4/64/a1/8d/64a18db1-f88d-7da5-271f-ff245ee26f69/mzl.gtrzckzf.jpg/{w}x{h}bb.jpeg","bgColor":"02010c","textColor1":"dcc7ba","textColor2":"cabbaa","textColor3":"b09f97","textColor4":"a2968a"},"url":"https://music.apple.com/us/artist/collective-soul/146191","artistBio":"When Seattle grunge went mainstream, it was only a matter of time before the ripple effect spread to regions other than the Pacific Northwest. The Georgia-based quintet Collective Soul developed the genre into a succinct type of angst, turning the sonic cacophony of grunge into radio-friendly hard rock. After rising to popularity with their debut album, 1994's Hints, Allegations & Things Left Unsaid, the band enjoyed a number of hit singles during the '90s, including \"Shine,\" \"The World I Know,\" and \"December.\" As the nu-metal scene increased in popularity and threatened Collective Soul's audience, the group began experimenting with their sound, but returned to their rockier roots with 2004's Youth. They continued to chart with each album, including 2009's Collective Soul and a pair of albums in the 2010s.\r\nCollective Soul (whose name borrowed from a line in Ayn Rand's book The Fountainhead) were formed in the small town of Stockbridge in the early '90s by principal songwriter Ed Roland (lead vocals/keyboards/guitars), guitarists Dean Roland and Ross Childress, and rhythm section Will Turpin (bass/percussion) and Shane Evans (drums/percussion). Originally released in 1993 on the Atlanta indie label Rising Storm, the debut effort Hints, Allegations & Things Left Unsaid proved popular enough on the local level that it was picked up the following year by Atlantic. Within months of its major-label release, \"Shine\" became a modern rock and MTV staple, and Collective Soul found themselves laden with a platinum debut, an arena tour alongside Aerosmith, and a spot on the roster for Woodstock 1994. \r\nThe bandmates released an eponymous sophomore effort the following year, which spawned five Top Ten hits on the Hot Mainstream Rock charts. Two such singles, \"December\" and the symphonic \"World I Know,\" also charted in the Top 40, demonstrating the band's crossover appeal and gathering multi-platinum sales for the album. Although Collective Soul's fan base began to wane upon the release of 1997's Disciplined Breakdown, the 1999 effort Dosage was a return to form, yielding the hit singles \"Run\" (another crossover hit) and \"Heavy.\" Despite the band's best efforts, however, the post-grunge genre had begun to suffer under the weight of the emerging nu-metal scene, and the band's heyday drew to a slow close. \r\nCollective Soul returned in 2000 with Blender, an image-seeking misfire that saw the group attempting a clean-cut (no facial hair) image while mixing heavily produced AOR with elements of dance-pop, even performing a duet with Elton John. The album nevertheless went gold, and the following year, Collective Soul concluded their contractual obligation to Atlantic with the release of 7even Year Itch: Collective Soul's Greatest Hits 1994-2001. The musicians then returned to their roots in 2004, bringing in new guitar player Joel Kosche and releasing the stripped-down and dynamic album Youth on their own El Music Group imprint. An eight-song EP, From the Ground Up, arrived the following year. In early 2007, it was announced that the band had teamed up with Target, which became the \"exclusive physical retailer\" of the band's next album, Afterwords. One year after its release, the album was reissued at all retail outlets. Collective Soul's eponymous eighth album was released in 2009 on Roadrunner. \r\nThe band toured regularly into the next decade while working on numerous side projects. Kosche and Turpin released solo albums, and Ed Roland & the Sweet Tea Project released a debut LP, among other member ventures. Meanwhile, Johnny Rabb took over on drums, and guitarist Jesse Triplett replaced Kosche before Collective Soul returned with the LP See What You Started by Continuing in autumn 2015 on Vanguard. This lineup of Collective Soul continued on the 2019 album Blood, which was released the year the band celebrated their 25th anniversary. ~ James Christopher Monger","bornOrFormed":"1992"},"relationships":{"station":{"href":"/v1/catalog/us/artists/146191/station?l=en-US","data":[{"id":"ra.146191","type":"stations","href":"/v1/catalog/us/stations/ra.146191?l=en-US","attributes":{"name":"Collective 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