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Born July 3, 1960, in South Woodford, England, Clarke was raised in nearby Basildon, initially studying the violin before moving on to piano. In 1976, he teamed with schoolmate Andrew Fletcher to form No Romance in China; the duo proved short-lived and by 1979, Clarke had formed French Look, another two-piece featuring guitarist/keyboardist Martin L. Gore. Fletcher soon signed on and the group rechristened itself Composition of Sound; although Clarke initially handled vocal chores, in 1980 singer David Gahan was brought in to complete the lineup and after one final name change to Depeche Mode, the quartet jettisoned all instruments, excluding their synthesizers, honing a slick, techno-based sound to showcase Clarke's catchy melodies. Although Depeche Mode's 1981 debut LP Speak and Spell became a major hit, buoyed by the single \"Just Can't Get Enough,\" Clarke left the lineup soon after the record's release; in his absence, Gore assumed songwriting duties and the group slowly achieved international stardom in the years to follow. \r\nClarke, meanwhile, formed Yazoo (shortened to simply Yaz for U.S. consumption) with singer Alison Moyet; the duo's 1982 debut Upstairs at Eric's reached the number two spot on the U.K. charts while the follow-up, You and Me Both, hit number one. However, after just a year and half together, Clarke and Moyet parted ways, with the latter pursuing a solo career; Clarke then teamed with ex-Undertones frontman Feargal Sharkey just long enough to issue the single \"Never Never\" as the Assembly, followed by a collaboration with Paul Quinn for the 1985 single \"One Day.\" That same year, Clarke placed a blind ad for a singer in a British music weekly; Andy Bell was selected from a pool of over 40 applicants and Erasure was born. The duo proved the most enduring of Clarke's projects, although their 1986 debut Wonderland was a commercial and critical disappointment. With 1988's The Innocents, Erasure scored a pair of American pop hits, \"Chains of Love\" and \"A Little Respect.\" While both 1989's Wild! and 1991's Chorus topped the British charts, the advent of grunge minimized dance-pop's immediate appeal and subsequent outings appeared to little notice. In 1999, Clarke teamed with fellow synth pop pioneer Martyn Ware as the Clarke & Ware Experiment, issuing the album Pretentious. Erasure's Vince Clarke followed two years later. A collaborative effort with Heaven 17's Martyn Ware, Spectrum Pursuit Vehicle, appeared in spring 2001. ~ Jason Ankeny"}},{"id":"1095335301","type":"artists","href":"/v1/catalog/us/artists/1095335301?l=en-US","attributes":{"genreNames":["Electronic"],"editorialArtwork":{},"name":"Clarke:Hartnoll","hero":[],"artwork":{"width":1400,"url":"https://is3-ssl.mzstatic.com/image/thumb/Music49/v4/71/39/74/71397470-63dc-066a-6874-ff2169209cbe/190394392741.jpg/{w}x{h}ac.{f}","height":1400,"textColor3":"dcceda","textColor2":"ff6d00","textColor4":"dc590e","textColor1":"ffffff","bgColor":"510c48","hasP3":false},"url":"https://music.apple.com/us/artist/clarke-hartnoll/1095335301"}},{"id":"528159751","type":"artists","href":"/v1/catalog/us/artists/528159751?l=en-US","attributes":{"genreNames":["Pop"],"editorialArtwork":{},"name":"Shelter","hero":[{"content":[{"artwork":{"width":2904,"url":"https://is2-ssl.mzstatic.com/image/thumb/Features125/v4/e3/cd/cc/e3cdcc50-f852-0da6-ce38-4aaac3fc4fd4/pr_source.png/{w}x{h}bb.{f}","height":2904,"textColor3":"b99ea4","textColor2":"dac3be","textColor4":"b1a09d","textColor1":"e3c1c7","bgColor":"111319","recommendedCropCodes":["va","vb","vc"],"hasP3":false}}]}],"artwork":{"width":2904,"url":"https://is2-ssl.mzstatic.com/image/thumb/Features125/v4/e3/cd/cc/e3cdcc50-f852-0da6-ce38-4aaac3fc4fd4/pr_source.png/{w}x{h}bb.{f}","height":2904,"textColor3":"b99ea4","textColor2":"dac3be","textColor4":"b1a09d","textColor1":"e3c1c7","bgColor":"111319","hasP3":false},"url":"https://music.apple.com/us/artist/shelter/528159751"}},{"id":"804741566","type":"artists","href":"/v1/catalog/us/artists/804741566?l=en-US","attributes":{"genreNames":["Electronic"],"editorialArtwork":{},"name":"Empathy Test","hero":[],"artwork":{"width":3000,"url":"https://is4-ssl.mzstatic.com/image/thumb/Music123/v4/63/13/2b/63132b47-c35f-62c6-8af1-ad56615a189f/5054526723436_1.jpg/{w}x{h}ac.{f}","height":3000,"textColor3":"373035","textColor2":"120b1b","textColor4":"3b3337","textColor1":"0d0819","bgColor":"dfd2a5","hasP3":false},"isGroup":true,"url":"https://music.apple.com/us/artist/empathy-test/804741566","artistBio":""}},{"id":"14813854","type":"artists","href":"/v1/catalog/us/artists/14813854?l=en-US","attributes":{"genreNames":["Pop"],"editorialArtwork":{},"origin":"Okinawa, Japan","name":"Caroline","hero":[{"content":[{"artwork":{"width":1200,"url":"https://is3-ssl.mzstatic.com/image/thumb/Features/v4/00/73/0f/00730f68-723d-4d26-7c8f-933f804ea237/mzl.hgunhpdd.jpg/{w}x{h}bb.{f}","height":1200,"textColor3":"c2d0cc","textColor2":"f3f8fc","textColor4":"c9ccd0","textColor1":"eafdf7","bgColor":"201a1e","recommendedCropCodes":["va","vb"],"hasP3":false}}]}],"artwork":{"width":1200,"url":"https://is3-ssl.mzstatic.com/image/thumb/Features/v4/00/73/0f/00730f68-723d-4d26-7c8f-933f804ea237/mzl.hgunhpdd.jpg/{w}x{h}bb.{f}","height":1200,"textColor3":"c2d0cc","textColor2":"f3f8fc","textColor4":"c9ccd0","textColor1":"eafdf7","bgColor":"201a1e","hasP3":false},"isGroup":false,"url":"https://music.apple.com/us/artist/caroline/14813854","artistBio":"Solo experimental electronic pop artist Caroline Lufkin sings delicate vocal melodies over glitched IDM beats and dreamy, understated sound beds. Born in Okinawa, Japan, she was inspired to write songs by her older sister, Olivia, who had made a name for herself as a J-pop singer. In 2003, Caroline graduated from the Berklee School of Music in Boston and moved to Los Angeles to pursue music as a full-time career. In 2006, Temporary Residence Limited released her debut, Murmurs, an album of electronic ambient pop ballads built from the ground up using pianos, guitars, harps, bells, guitars, and strings. That content was remixed for 2008’s Murmurs Mixes, before Verdugo Hills was released in 2010. ~ Jason Lymangrover"}},{"id":"79113121","type":"artists","href":"/v1/catalog/us/artists/79113121?l=en-US","attributes":{"genreNames":["Dance"],"editorialArtwork":{},"origin":"Los Angeles, CA","name":"Dave Audé","hero":[{"content":[{"artwork":{"width":2079,"url":"https://is3-ssl.mzstatic.com/image/thumb/Features125/v4/32/df/2f/32df2ff7-2ecb-e076-0855-e79f2579a1c9/pr_source.png/{w}x{h}bb.{f}","height":2079,"textColor3":"98b2bf","textColor2":"9dc7e5","textColor4":"85a6bd","textColor1":"b4d5e8","bgColor":"27241f","recommendedCropCodes":["va","vb"],"hasP3":false}}]}],"artwork":{"width":2079,"url":"https://is3-ssl.mzstatic.com/image/thumb/Features125/v4/32/df/2f/32df2ff7-2ecb-e076-0855-e79f2579a1c9/pr_source.png/{w}x{h}bb.{f}","height":2079,"textColor3":"98b2bf","textColor2":"9dc7e5","textColor4":"85a6bd","textColor1":"b4d5e8","bgColor":"27241f","hasP3":false},"isGroup":false,"url":"https://music.apple.com/us/artist/dave-aud%C3%A9/79113121","artistBio":"Grammy-winning producer, remixer, and DJ Dave Audé's contributions span the boundaries of music. He has produced for a diverse range of artists including U2, Beyoncé, Lady Gaga, Katy Perry, Rihanna, Britney Spears, Korn, Coldplay, Chris Brown, and Selena Gomez, among others. Audé began experimenting with synths, sequencers, and drum machines as a teenager and kicked off his professional career as a MIDI instructor at the Los Angeles Recording Workshop. In the early '90s, Audé befriended club owner Steve Levy. The pair later formed the group Lunatic Fringe, which led to the founding of the Moonshine Music label. After constructing a Hollywood studio, Audé developed artists signed with Moonshine. His productions and remixes would consistently appear on the Billboard dance charts in the years that followed. In 2006, Audé started his own label, Audacious Records, which he not only used to foster young artists like Luciana, Sisely Treasure, and VASSY, but also to release his Audacious mix series. Over the decade, in addition to five Audacious mixes, Aude amassed over 100 Billboard dance chart entries. In 2016, Audé scored a Top 50 hit with Selena Gomez on her single \"Kill Em with Kindness.\" That same year, he won a Grammy for his remix of Mark Ronson and Bruno Mars' \"Uptown Funk.\" ~ Diana Potts & Neil Z. Yeung"}},{"id":"77213032","type":"artists","href":"/v1/catalog/us/artists/77213032?l=en-US","attributes":{"genreNames":["Electronic"],"editorialArtwork":{},"origin":"Glasgow, Scotland","name":"Marnie","hero":[],"artwork":{"width":1659,"url":"https://is1-ssl.mzstatic.com/image/thumb/Music115/v4/17/81/6c/17816cd8-0352-01d7-1b67-ca32ae4d0f5e/CrytalWorld_Cover.jpg/{w}x{h}ac.{f}","height":1478,"textColor3":"3b3b3a","textColor2":"333334","textColor4":"5b5b5b","textColor1":"0c0c0b","bgColor":"f9f8f6","hasP3":false},"isGroup":false,"url":"https://music.apple.com/us/artist/marnie/77213032","artistBio":"Along with her duties as a keyboardist and lead vocalist for Ladytron, Helen Marnie makes thoughtful synth pop as Marnie. Born and raised in Glasgow, Marnie grew up listening to '80s pop stars such as Madonna, Whitney Houston, Michael Jackson, and the Bangles as well as artists like Joni Mitchell, Kate Bush, and Maria Callas. She studied classical piano at the Royal Scottish Academy of Music and Drama and earned a B.A. in pop music from the University of Liverpool in 1999. That year, she formed Ladytron with Daniel Hunt, Reuben Wu, and Mira Aroyo; when the band went on hiatus in 2011 after releasing five albums, Marnie began her solo career. Working with Hunt and Bang Gang's Barði Jóhannsson in Reykjavik, Iceland, she recorded her debut album, Crystal World, which Les Disques du Crépuscule released in 2013. The following year, The Hunter Remixed single, which featured remixes by Stephen Morris, Mark Reeder, and Roman Nose, arrived on Record Store Day. Another single, \"Wolves,\" appeared that September (a limited edition of the single with a Marsheaux remix was issued as a Record Store Day release in 2015). Following collaborations with Bang Gang and RM Hubbert, Marnie returned in 2017 with her second full-length, Strange Words and Weird Wars, which Disco Pinata released that June. ~ Heather Phares"}},{"id":"153089","type":"artists","href":"/v1/catalog/us/artists/153089?l=en-US","attributes":{"bornOrFormed":"1985","genreNames":["Pop"],"editorialArtwork":{},"origin":"London, England","name":"Erasure","hero":[{"content":[{"artwork":{"width":863,"url":"https://is3-ssl.mzstatic.com/image/thumb/Features115/v4/a2/e8/d8/a2e8d87a-dcb3-a22e-6e82-fa8f51edcfce/pr_source.png/{w}x{h}bb.{f}","height":863,"textColor3":"cd7b99","textColor2":"f0615b","textColor4":"cb504d","textColor1":"f396ba","bgColor":"361016","recommendedCropCodes":["va","vb"],"hasP3":false}}]}],"artwork":{"width":863,"url":"https://is3-ssl.mzstatic.com/image/thumb/Features115/v4/a2/e8/d8/a2e8d87a-dcb3-a22e-6e82-fa8f51edcfce/pr_source.png/{w}x{h}bb.{f}","height":863,"textColor3":"cd7b99","textColor2":"f0615b","textColor4":"cb504d","textColor1":"f396ba","bgColor":"361016","hasP3":false},"isGroup":true,"url":"https://music.apple.com/us/artist/erasure/153089","artistBio":"Synth-pop duo Erasure were one of the most successful British acts of the late 1980s and early ’90s, with four consecutive chart-topping albums and 33 Top 40 singles.\n\n• Erasure co-founder Vince Clarke was also a founding member of Depeche Mode and, after he left that group in 1981, half of the synth-pop duo Yazoo (Yaz, in the US), with Alison Moyet. When Yazoo split, Clarke formed Erasure after Andy Bell responded to an ad that Clarke had placed in the British music magazine Melody Maker.\n• Though Erasure’s first three singles sputtered out in the upper half of the British singles chart, the fourth, 1986’s “Sometimes,” zoomed to No. 2—the first of 23 consecutive Top 20 hits.\n• The band’s third LP, 1988’s The Innocents, became Erasure’s first No. 1 UK album on the strength of the singles “Ship of Fools,” “A Little Respect,” and “Chains of Love.” The latter two singles were the band’s biggest US hits, charting at No. 14 and 12, respectively.\n• After Erasure’s fourth straight No. 1, 1994’s I Say I Say I Say, the band took a more experimental tack on their introspective self-titled seventh album in 1995. Erasure peaked at No. 14.\n• Following middling commercial success through much of the 2000s, Erasure returned to the upper reaches of the UK charts with World Be Gone in 2017 (No. 6) and The Neon in 2020 (No. 4). 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