
18 Songs, 59 Minutes

Philip Glass: A Descent into the Maelstrom Arctic Philharmonic
EDITORS’ NOTES
In 1986, Philip Glass wrote a substantial chamber score for a theatrical adaptation of an Edgar Allen Poe short story. A Descent Into the Maelstrom, set in the Norwegian Arctic, tells of a man’s battle to survive an ocean whirlpool. This new version for full symphony orchestra, voice, and synthesizer, performed stunningly by, appropriately, the Arctic Philharmonic, lends Glass’ music a greater intensity and a fresh appeal. The composer’s hectic arpeggios, keening melodies, and pulsating chords are doubly transfixing in their new guise, Poe’s nightmarish story adopting a cinematic aura. The dazzling opening preludes some of Glass’ most exciting, evocative music—including the beautiful, unsettling movement “Tranquility” and a truly awesome finale. An inspired, brilliantly conceived idea.
TITLE | TIME | ||
---|---|---|---|
Vertigo
|
|||
He Is Coerced to Look
|
|||
The Engagement
|
|||
The Naming
|
|||
Tranquility
|
|||
The Beggin
|
|||
The Strategem
|
|||
On My Watch and Caught
|
|||
The Hurricane and Recognition of Death
|
|||
The Entrance of the Moon
|
|||
The Sighting
|
|||
The Enter the Stream
|
|||
Abandonment
|
|||
The Brother Becomes a Maniac
|
|||
The First Mad Rush
|
|||
Second Perception of Light, Moon, Mist, and Rainbow
|
|||
The Maelstrom
|
|||
Hour of the Slack or Escape
|