Editors’ Notes Had he been making music a few decades ago, Daniel Lopatin, a.k.a. Oneohtrix Point Never, could’ve scored everything from Dune to Blade Runner. On Good Time, he tingles spines with unsettling, echo-chamber ambience (“6th Floor”), throws in some winking '80s nostalgia (cheesy electric-guitar sounds on “Bail Bonds”), and keeps you riveted with all kinds of buzzing synths and abrasive textures. But it's most rewarding when Lopatin honors his sci-fi/thriller-scoring forebears: The title track revels in the sort of arpeggiated, tension-ratcheting keys that would make Giorgio Moroder and Vangelis proud.

1
6:52
 
2
2:24
 
3
1:16
 
4
4:11
 
5
3:50
 
6
2:25
 
7
3:24
 
8
0:59
 
9
2:13
 
10
3:44
 
11
5:13
 
12
5:03
 
13
4:29
 

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