Ronnie Dunn’s sly cover of Ariana Grande’s “Tattooed Heart” turns a teenage flirtation into an expression of yearning and regret—just one of the ways that this album bridges classic country with Nashville's current youth-oriented pop. “That’s Why They Make Jack Daniels” has swagger equal to anything by Florida Georgia Line, but none of Dunn’s juniors could match the plaintive country craftwork of “She Don’t Honky Tonk No More.”