18 Songs, 1 Hour 14 Minutes

EDITORS’ NOTES

Baroness audaciously moves far beyond the conventional confines of metal on its third album, Yellow & Green. This two-disc set (the latest in a series of color-themed releases from the Georgia quartet) incorporates an amazing array of hard and soft sonic textures as it freely shifts between delicate interludes and harrowingly heavy passages. “Twinkler” and “Cocainium” shimmer with Fleet Foxes–like vocal harmonies, while “Take My Bones Away” and “Board Up the House” flex the group's rock biceps with brutal riffage and slamming drumwork. Baroness knows how to delve into prog-rock complexity (“Psalms Alive”), ride currents of overdrive guitar (“Sea Lungs”), and settle into the misty shoals of melancholy folk (“If I Forget Thee, Lowcountry”). What binds these sprawling tracks together is the lyrics' pervasively ominous mood, hinting at psychic crises and societal chaos with imagery recalling Pink Floyd at its most alienated. Songs like “Eula,” “Collapse," and “The Line Between” lace their darkly surreal visions with undercurrents of irony and spiritual longing.

EDITORS’ NOTES

Baroness audaciously moves far beyond the conventional confines of metal on its third album, Yellow & Green. This two-disc set (the latest in a series of color-themed releases from the Georgia quartet) incorporates an amazing array of hard and soft sonic textures as it freely shifts between delicate interludes and harrowingly heavy passages. “Twinkler” and “Cocainium” shimmer with Fleet Foxes–like vocal harmonies, while “Take My Bones Away” and “Board Up the House” flex the group's rock biceps with brutal riffage and slamming drumwork. Baroness knows how to delve into prog-rock complexity (“Psalms Alive”), ride currents of overdrive guitar (“Sea Lungs”), and settle into the misty shoals of melancholy folk (“If I Forget Thee, Lowcountry”). What binds these sprawling tracks together is the lyrics' pervasively ominous mood, hinting at psychic crises and societal chaos with imagery recalling Pink Floyd at its most alienated. Songs like “Eula,” “Collapse," and “The Line Between” lace their darkly surreal visions with undercurrents of irony and spiritual longing.

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