11 Songs, 52 Minutes


Ratings and Reviews

5.0 out of 5
3 Ratings

3 Ratings

KathyPiano7 ,

From MainlyPiano

Pianist/composer/arranger Christine Brown has often included wonderful medleys on her albums, most notably on "A Classic Christmas" (2012) where she ingeniously combined holiday favorites with classical music with jaw-dropping ease. Medleys of songs aren’t anything new, but Christine Brown has taken a very unconventional assortment of favorite classical pieces and pop/rock songs and “seamlessly” woven them into something new and surprising. Led Zeppelin and Beethoven? Chopin, The Eagles, and The Mamas and the Papas? Adele and Bach? These unlikely combinations become beautiful, soulful piano solos that will be a treat to any music lover’s ears. Brown’s previous release, "Souvenirs" (2014) was awarded Album of the Year by Whisperings Solo Piano Radio and I would expect "Seamless" to receive similar accolades. It is certain to be on my list of Favorites for 2016! "Seamless" is Brown’s eleventh album and easily proves once again why she is one of my favorite artists.

"Seamless" begins with the very familiar opening notes of Beethoven’s “Fur Elise” but quickly becomes Led Zeppelin’s “Stairway to Heaven,” merging to become “Beethoven’s Stairway.” How is that even possible? And yet it’s an elegant pairing that is graceful as well as soul-stirring. “The Police Trilogy” is a medley of three of Brown’s favorite compositions by Sting (for the youngsters out there, The Police was Sting’s rock group before going solo): “Wrapped Around Your Finger,” “Fields of Gold” and “Every Breath You Take” - awesome! “Hello Someone” is a medley of Adele’s “Hello” and “Someone Like You” with the addition of JS Bach’s Prelude to the Cello Suite #1. Intrigued yet? If not, check out “Moonlight Hallelujah,” a mix of Beethoven’s sonata and Leonard Cohen’s classic song. Poignant and achingly beautiful, I can’t wait for the sheet music for this one - my favorite on the album. “Happy Together” combines The Turtles’ classic song with Enrique Granados’ “Valses Poeticos #3” to make a darkly haunting bit of musical magic. “Love, Elvis” pairs two of Elvis Presley’s most enduring love songs, “Can’t Help Falling in Love” and “Love Me Tender” into one romantic piano solo. Another wonderful surprise is the combo of “California Dreamin’,” “Hotel California” and Chopin’s C Minor Prelude (Op 28 #20). These very different pieces combine together effortlessly and effectively in Christine Brown’s amazing hands and imagination. I love this entire album, but this is my other favorite medley. “Rainbow Smile” combines the nostalgic songs “Smile” and “Over the Rainbow,” to create and warm and wistful closing to one of the best albums of the year.

I’m here in my office with my two cats giving Christine Brown a standing ovation! "Seamless" is incredible from the first note to the last. These medleys are all heartfelt and meaningful as well as gorgeous and I give this album my highest recommendation.

sieversjr ,

Talented Composer/Artist

Christine Brown is a very talented pianist/composer/artist and as a fan I have enjoyed all of her albums throughout the years and this latest release of Seamless is beautiful. Listening to first track, "Beethoven's Stairway", it is impressive how well the melodies have been fused together into a unique single piece of music. Her skill as a composer/arranger really shines throughout the entire album and draws you in to listen carefully for the changes. The solo piano is capable of such incredible sound and in the hands of a talented artist like Christine she has delivered a new listening experience for everyone to enjoy!

MDiamond ,

Review excerpt from Music and Media Focus

“Seamless” is the perfect title for the eleventh release by solo pianist Christine Brown. In one of the coolest and most unique albums I’ve heard in a while, instrumental renditions of pop cover tunes, both old and new, segue in and out of classical compositions by the great composers. Beethoven intertwines with Led Zeppelin, Adele with Bach, and The Mama’s and Papa’s with The Eagles and Chopin, just to name a few. Christine Brown has taken the popular concept of a “mash-up” to a new level with her imaginative fusions played with impeccable style and grace. While Christine’s previous music has been highly regarded in the new age category, “Seamless” should appeal to a wide audience across a number of genres.

The album opens with an intro featuring the recognizable classical piece "Fur Elise" by Beethoven. Shortly thereafter, it segues oh so smoothly into, what is for me, one of the most epic rock songs ever, “Stairway To Heaven” by Led Zeppelin. Throughout the track, the two melodies intertwine exquisitely and I was so moved by this performance that I almost felt like standing up and applauding at the end. From there we progress into a medley of three well-known pop songs called “The Police Trilogy” featuring ‘’Wrapped Around My Finger,’’ ‘‘Fields of Gold,’’ and ‘‘Every Breath You Take.” I found it fascinating to experience these songs in a different light, purely as melodies without the lyrics and accompaniment, and from a classical perspective. Moving ahead (and back) in time is “Hello Someone” featuring two songs by Adele, “Hello” and “Someone Like You” paired with a piano version of Bach's “Prelude Suite No.1 for Cello.”

A pair of well-loved songs join in “Bridge of Grace” as Simon and Garfunkel’s “Bridge Over Troubled Water” crosses over into the beautiful hymn, “Amazing Grace.” My second favorite song on the album, after the opening track was “Hotel California Dreaming,” which interweaves The Mamas and The Papas “California Dreaming,” The Eagles’ “Hotel California,” and Chopin’s “Prelude Op. 28 No. 20.” The album’s last track provides a warm nostalgic glow in it’s fusing of Charlie Chaplin’s “Smile” with the classic “Wizard Of Oz” favorite, “Somewhere Over The Rainbow,” and makes for a perfect ending to an album full of surprises.

While, for someone like myself, a member of the Woodstock generation, hearing the tunes by Led Zeppelin, Simon & Garfunkel, The Eagles, etc. brought back lots of memories, I also appreciated that Christine also drew from more contemporary sources like Adele, Sia, Sam Smith, and others, as well of course as the classical composers such as Beethoven, Chopin, and more – in essence providing something for everybody. The range of this album is astounding and the execution of it is brilliant, highlighting Christine Brown as one of the most imaginative artists in the solo piano genre today. I absolutely love this album and can’t wait to hear Christine’s next round of artistic alchemy.

To read a full-length feature article on this album, as well as others, please visit: MichaelDiamondMusic.com

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