Editors’ Notes On Patch the Sky, veteran noisemaker Bob Mould once again marries light with dark, crafting catchy, seductive melodies and igniting them in a furious six-string squall. There’s driving, doomy, and dramatic alt-rock (“Hold On”); dangerous, pit-ready punk (“Losing Time”); and endless oceans of gorgeous, overdriven guitar (“Black Confetti”). "Lucifer and God" pulls heaven and hell together, mixing dreamy vocal parts with a blistering '90s-inspired din. By the time you reach the massive swell of the closing “Monument”—with its pounding, slow-burn crescendo—you’ll be shaken physically and emotionally.

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