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Yet at the end of the day, the format definitely relies heaviest on thunderous hard-rock anthems perfect for Friday night parties or powering you through your workday.","short":"Immortal radio smashes spanning the ’60s all the way to the '90s."},"description":{"standard":"We have terrestrial radio to thank for inventing classic rock. Conceived as a programming format, it emerged in the ’80s when stations around the U.S. began devoting heavy airtime to a mix of beloved titans from the ’60s and ’70s (The Rolling Stones, Led Zeppelin, Bob Seger) and then-current hitmakers (Tom Petty, The Police, John Mellencamp) whose music contains heavy echoes of the vintage stuff. Even when classic rock opens its ranks to ’90s alt-rockers such as Soundgarden, it’s because they sound old-school. In terms of stylistic variety, the format boasts considerable leg room. Classic rock rotation can and does include soaring ballads from Pink Floyd, The Beatles, and Elton John, and even the occasional glam nugget from David Bowie. Yet at the end of the day, the format definitely relies heaviest on thunderous hard-rock anthems perfect for Friday night parties or powering you through your workday.","short":"Immortal radio smashes spanning the ’60s all the way to the '90s."}}},{"id":"pl.1745c21b5f084936ad637b4cd5cbd99a","type":"playlists","href":"/v1/catalog/us/playlists/pl.1745c21b5f084936ad637b4cd5cbd99a?l=en-US","attributes":{"artwork":{"width":4320,"height":1080,"url":"https://is3-ssl.mzstatic.com/image/thumb/Features123/v4/6d/8f/f6/6d8ff608-f043-885f-2f91-8621d45c06b7/source/{w}x{h}cc.jpeg","bgColor":"bb1aa6","textColor1":"ffffff","textColor2":"e5e4e4","textColor3":"f1d1ed","textColor4":"ddbcd8"},"isChart":false,"url":"https://music.apple.com/us/playlist/70s-hits-essentials/pl.1745c21b5f084936ad637b4cd5cbd99a","lastModifiedDate":"2020-02-25T19:42:09Z","name":"’70s Hits Essentials","playlistType":"editorial","curatorName":"Apple Music Pop","playParams":{"id":"pl.1745c21b5f084936ad637b4cd5cbd99a","kind":"playlist"},"editorialNotes":{"name":"’70s Hits Essentials","standard":"Rediscover the decade's chart-toppers, classics, and lost favorites. Our editors regularly update this playlist—if you hear something you like, add it to your library.","short":"Rediscover the decade's chart-toppers, classics, and lost favorites."},"description":{"standard":"Rediscover the decade's chart-toppers, classics, and lost favorites. 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Distinctions between musical styles stopped mattering as fans began rallying behind any song they liked, regardless of genre. The radio might play an R&B song right after a surfer tune, as long as they were both popular. This was the birth of pop as we know it, and it saw the rise of acts like The Monkees, Dusty Springfield, and Neil Diamond.","short":"Hear the songs that defined pop as we know it."},"description":{"standard":"A revolution happened in music during the ‘60s. Distinctions between musical styles stopped mattering as fans began rallying behind any song they liked, regardless of genre. The radio might play an R&B song right after a surfer tune, as long as they were both popular. This was the birth of pop as we know it, and it saw the rise of acts like The Monkees, Dusty Springfield, and Neil Diamond.","short":"Hear the songs that defined pop as we know it."}}},{"id":"pl.a3b8f1e892de4c9ab06904b43db231b6","type":"playlists","href":"/v1/catalog/us/playlists/pl.a3b8f1e892de4c9ab06904b43db231b6?l=en-US","attributes":{"artwork":{"width":4320,"height":1080,"url":"https://is3-ssl.mzstatic.com/image/thumb/Features118/v4/aa/6f/b9/aa6fb987-8613-c4fc-b976-31303f1cf651/source/{w}x{h}cc.jpeg","bgColor":"e4e4e4","textColor1":"0a0a0a","textColor2":"2f2f2f","textColor3":"353535","textColor4":"535353"},"isChart":false,"url":"https://music.apple.com/us/playlist/the-rolling-stones-essentials/pl.a3b8f1e892de4c9ab06904b43db231b6","lastModifiedDate":"2020-09-14T20:19:43Z","name":"The Rolling Stones Essentials","playlistType":"editorial","curatorName":"Apple Music Classic Rock","playParams":{"id":"pl.a3b8f1e892de4c9ab06904b43db231b6","kind":"playlist"},"editorialNotes":{"name":"The Rolling Stones Essentials","standard":"Exploding out of the ‘60s rock scene, The Rolling Stones personified the sexy and rebellious side of the British Invasion. The boisterous group built their rip-roaring sound around the swinging, syncopated rhythms of American blues. Soon, they became as well known for the bad boy antics of swaggering frontman Mick Jagger and hard partying lead guitarist Keith Richards as for their unending stream of infectious hits. The Stones would remain prolific for decades, releasing albums well into the ‘00. Impressively, each of their two dozen-plus studio albums has become certified Gold or Platinum.","short":"Begin your love affair with The Stones right here."},"description":{"standard":"Exploding out of the ‘60s rock scene, The Rolling Stones personified the sexy and rebellious side of the British Invasion. The boisterous group built their rip-roaring sound around the swinging, syncopated rhythms of American blues. Soon, they became as well known for the bad boy antics of swaggering frontman Mick Jagger and hard partying lead guitarist Keith Richards as for their unending stream of infectious hits. The Stones would remain prolific for decades, releasing albums well into the ‘00. Impressively, each of their two dozen-plus studio albums has become certified Gold or Platinum.","short":"Begin your love affair with The Stones right here."}}},{"id":"pl.ae12fec18a8b471788ee5956ac67b95a","type":"playlists","href":"/v1/catalog/us/playlists/pl.ae12fec18a8b471788ee5956ac67b95a?l=en-US","attributes":{"artwork":{"width":4320,"height":1080,"url":"https://is2-ssl.mzstatic.com/image/thumb/Features118/v4/d8/94/18/d8941820-e5ea-76b1-7f01-37262763ae08/source/{w}x{h}cc.jpeg","bgColor":"221f20","textColor1":"ffffff","textColor2":"c5c2c4","textColor3":"d2d2d2","textColor4":"a5a2a3"},"isChart":false,"url":"https://music.apple.com/us/playlist/rock-classics/pl.ae12fec18a8b471788ee5956ac67b95a","lastModifiedDate":"2020-09-17T23:02:35Z","name":"Rock Classics","playlistType":"editorial","curatorName":"Apple Music","playParams":{"id":"pl.ae12fec18a8b471788ee5956ac67b95a","kind":"playlist"},"editorialNotes":{"name":"Rock Classics","standard":"The sound of rock has changed a hundred times since the late '60s, but its essence—cranking it up and finding salvation through sound—is pretty much the same. From the freedom salvos of the Summer of Love through the alternative revolution to now, what follows is rock chiseled to weather the winds of time, guitar firmly at its center. We regularly update this playlist. If you like a song, add it to your library.","short":"Freedom sounds, from the late '60s on."},"description":{"standard":"The sound of rock has changed a hundred times since the late '60s, but its essence—cranking it up and finding salvation through sound—is pretty much the same. From the freedom salvos of the Summer of Love through the alternative revolution to now, what follows is rock chiseled to weather the winds of time, guitar firmly at its center. We regularly update this playlist. If you like a song, add it to your library.","short":"Freedom sounds, from the late '60s on."}}},{"id":"pl.b734256d1aff4569a8f24b8333e10888","type":"playlists","href":"/v1/catalog/us/playlists/pl.b734256d1aff4569a8f24b8333e10888?l=en-US","attributes":{"artwork":{"width":4320,"height":1080,"url":"https://is1-ssl.mzstatic.com/image/thumb/Features113/v4/cc/2a/3a/cc2a3acf-200b-d8a0-f93a-aaee5ac4a4da/source/{w}x{h}cc.jpeg","bgColor":"63d8de","textColor1":"09253b","textColor2":"0e293f","textColor3":"1b495c","textColor4":"1f4c5f"},"isChart":false,"url":"https://music.apple.com/us/playlist/60s-rock-essentials/pl.b734256d1aff4569a8f24b8333e10888","lastModifiedDate":"2020-09-03T19:38:25Z","name":"60s Rock Essentials","playlistType":"editorial","curatorName":"Apple Music Classic Rock","playParams":{"id":"pl.b734256d1aff4569a8f24b8333e10888","kind":"playlist"},"editorialNotes":{"name":"60s Rock Essentials","standard":"Rock ’n’ roll may have been born in the ’50s, but it was in the ’60s that it reached its zenith as the voice of youth culture. After all, the decade produced many of the music’s most iconic artists, beginning with The Beatles, who along with the rest of the British Invasion (The Rolling Stones, The Who, The Kinks) delivered refreshingly new sounds to a United States reeling from the assassination of President John F. Kennedy. Yet rock in the ’60s wasn’t solely a pick-me-up; it also reflected the turmoil of a generation questioning war, racism, even consciousness itself. Bob Dylan, serving as a bridge between topical folk music and snarling rock ’n’ roll, delivered a string of fiery protest anthems; Jimi Hendrix unleashed a mind-bending soundtrack for hippies exploring psychedelia; and, at decade’s end, Led Zeppelin invented heavy metal with a crushing, blues-informed style as loud as bombs.","short":"Iconic music born in an exciting and profoundly turbulent decade."},"description":{"standard":"Rock ’n’ roll may have been born in the ’50s, but it was in the ’60s that it reached its zenith as the voice of youth culture. After all, the decade produced many of the music’s most iconic artists, beginning with The Beatles, who along with the rest of the British Invasion (The Rolling Stones, The Who, The Kinks) delivered refreshingly new sounds to a United States reeling from the assassination of President John F. Kennedy. Yet rock in the ’60s wasn’t solely a pick-me-up; it also reflected the turmoil of a generation questioning war, racism, even consciousness itself. Bob Dylan, serving as a bridge between topical folk music and snarling rock ’n’ roll, delivered a string of fiery protest anthems; Jimi Hendrix unleashed a mind-bending soundtrack for hippies exploring psychedelia; and, at decade’s end, Led Zeppelin invented heavy metal with a crushing, blues-informed style as loud as bombs.","short":"Iconic music born in an exciting and profoundly turbulent decade."}}},{"id":"pl.048e966cda9340fe9ce76efa890bf055","type":"playlists","href":"/v1/catalog/us/playlists/pl.048e966cda9340fe9ce76efa890bf055?l=en-US","attributes":{"artwork":{"width":4320,"height":1080,"url":"https://is1-ssl.mzstatic.com/image/thumb/Features113/v4/97/57/aa/9757aaae-d5cc-e830-bb39-77e37f4aae1b/source/{w}x{h}cc.jpeg","bgColor":"c22035","textColor1":"ffffff","textColor2":"e5d9d9","textColor3":"f2d2d6","textColor4":"deb4b8"},"isChart":false,"url":"https://music.apple.com/us/playlist/60s-love-song-essentials/pl.048e966cda9340fe9ce76efa890bf055","lastModifiedDate":"2020-09-03T19:54:29Z","name":"’60s Love Song Essentials","playlistType":"editorial","curatorName":"Apple Music Oldies","playParams":{"id":"pl.048e966cda9340fe9ce76efa890bf055","kind":"playlist"},"editorialNotes":{"name":"’60s Love Song Essentials","standard":"The ‘60s may have peaked with the Summer of Love, but the surrounding years were not wanting on the romantic music front. From teen stars' first-blush testimonials to pop giants' gentle affirmations, and from soul-baring confessionals to sweet duets, these love songs still pull at heartstrings decades later.","short":"Fall into the arms of these classics."},"description":{"standard":"The ‘60s may have peaked with the Summer of Love, but the surrounding years were not wanting on the romantic music front. From teen stars' first-blush testimonials to pop giants' gentle affirmations, and from soul-baring confessionals to sweet duets, these love songs still pull at heartstrings decades later.","short":"Fall into the arms of these classics."}}},{"id":"pl.38a5a6949d5645528d30be69210a6197","type":"playlists","href":"/v1/catalog/us/playlists/pl.38a5a6949d5645528d30be69210a6197?l=en-US","attributes":{"artwork":{"width":4320,"height":1080,"url":"https://is5-ssl.mzstatic.com/image/thumb/Features128/v4/7f/5b/db/7f5bdb75-86ee-e466-74c3-40b1f86d70dc/source/{w}x{h}cc.jpeg","bgColor":"f8f3ec","textColor1":"0a0a0a","textColor2":"1d1c1c","textColor3":"3a3937","textColor4":"494745"},"isChart":false,"url":"https://music.apple.com/us/playlist/open-road-essentials/pl.38a5a6949d5645528d30be69210a6197","lastModifiedDate":"2020-09-24T20:48:07Z","name":"Open-Road Essentials","playlistType":"editorial","curatorName":"Apple Music Rock","playParams":{"id":"pl.38a5a6949d5645528d30be69210a6197","kind":"playlist"},"editorialNotes":{"standard":"Cars and rock music are twins of a particular American ideal—the search for personal freedom rendered in speed, sound, and muscle. In that spirit, here’s a playlist of the most spirited, freewheeling rock classics of all time, with a few more crucial contemporary tracks mixed in—songs that aren’t just perfect for the open road, but that evoke the feeling of the open road itself: Fast, carefree, a little dangerous, and crackling with possibility.","short":"Get out on the highway."},"description":{"standard":"Cars and rock music are twins of a particular American ideal—the search for personal freedom rendered in speed, sound, and muscle. In that spirit, here’s a playlist of the most spirited, freewheeling rock classics of all time, with a few more crucial contemporary tracks mixed in—songs that aren’t just perfect for the open road, but that evoke the feeling of the open road itself: Fast, carefree, a little dangerous, and crackling with possibility.","short":"Get out on the highway."}}},{"id":"pl.bd88887b64114348ab9d278a23a8c57d","type":"playlists","href":"/v1/catalog/us/playlists/pl.bd88887b64114348ab9d278a23a8c57d?l=en-US","attributes":{"artwork":{"width":4320,"height":1080,"url":"https://is5-ssl.mzstatic.com/image/thumb/Features123/v4/d4/93/07/d4930708-9bff-d84e-72be-656d5802cbce/source/{w}x{h}cc.jpeg","bgColor":"9b17c9","textColor1":"ffffff","textColor2":"e4e4e4","textColor3":"ebd0f4","textColor4":"d5bbdf"},"isChart":false,"url":"https://music.apple.com/us/playlist/70s-love-song-essentials/pl.bd88887b64114348ab9d278a23a8c57d","lastModifiedDate":"2020-09-17T19:52:12Z","name":"’70s Love Song Essentials","playlistType":"editorial","curatorName":"70s","playParams":{"id":"pl.bd88887b64114348ab9d278a23a8c57d","kind":"playlist"},"editorialNotes":{"name":"’70s Love Song Essentials","standard":"The ‘70s: a decadent decade of rock and disco excess. But in amongst the madness, a catalog of beautiful odes to love. And no genre was safe from falling hard. There's open-hearted country, sensual disco, stylish soul and widescreen rock ballads. All still as soppy as the day they were written.","short":"From Dolly to disco, the ‘70s opens its heart."},"description":{"standard":"The ‘70s: a decadent decade of rock and disco excess. But in amongst the madness, a catalog of beautiful odes to love. And no genre was safe from falling hard. There's open-hearted country, sensual disco, stylish soul and widescreen rock ballads. All still as soppy as the day they were written.","short":"From Dolly to disco, the ‘70s opens its heart."}}},{"id":"pl.9a19f272afe24302bf0931447db7456e","type":"playlists","href":"/v1/catalog/us/playlists/pl.9a19f272afe24302bf0931447db7456e?l=en-US","attributes":{"artwork":{"width":4320,"height":1080,"url":"https://is1-ssl.mzstatic.com/image/thumb/Features115/v4/33/90/f6/3390f678-7bfa-e4bf-b6ce-68615d43f026/source/{w}x{h}cc.jpeg","bgColor":"000030","textColor1":"e1e1ec","textColor2":"ef7042","textColor3":"b4b4c6","textColor4":"bf5a3e"},"isChart":false,"url":"https://music.apple.com/us/playlist/rock-hits-1969/pl.9a19f272afe24302bf0931447db7456e","lastModifiedDate":"2020-02-06T23:12:43Z","name":"Rock Hits: 1969","playlistType":"editorial","curatorName":"Apple Music Classic Rock","playParams":{"id":"pl.9a19f272afe24302bf0931447db7456e","kind":"playlist"},"editorialNotes":{"name":"Rock Hits: 1969","standard":"Whipping posts and pinball wizards. This collection brings together great songs from the top of the charts.","short":"Whipping posts and pinball wizards."},"description":{"standard":"Whipping posts and pinball wizards. 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But when the completed album finally appeared in ’71, it showed a wiser band for a new decade—yet it’s still full of exhilarating strut and rumble. They pushed racial boundaries on “Brown Sugar,” while “Sister Morphine” is a fever dream about addiction. “Sway”'s lyrics are buried in one of the band's most battering performances, but they reach for redemption on the stunningly beautiful closer, “Moonlight Mile.\" ","short":"The world’s greatest rock ’n’ roll band embraces addiction, death, and redemption."},"isCompilation":false,"offers":[{"buyParams":"productType=P&price=9990&salableAdamId=1440812661&pricingParameters=PLUS&pg=default","type":"buy","priceFormatted":"$9.99","price":9.99},{"buyParams":"productType=P&price=0&salableAdamId=1440812661&pricingParameters=SUBS&pg=default","type":"subscription","priceFormatted":"$0.00","price":0}]}},{"id":"1500642838","type":"albums","href":"/v1/catalog/us/albums/1500642838?l=en-US","attributes":{"artwork":{"width":3000,"height":3000,"url":"https://is1-ssl.mzstatic.com/image/thumb/Music114/v4/6a/a8/8e/6aa88e02-592e-6106-c339-f37d40f9b794/20UMGIM14087.rgb.jpg/{w}x{h}bb.jpeg","bgColor":"e6d6bf","textColor1":"0d0d0d","textColor2":"151514","textColor3":"383530","textColor4":"3f3b36"},"artistName":"The Rolling Stones","isSingle":false,"url":"https://music.apple.com/us/album/let-it-bleed-remastered/1500642838","isComplete":true,"genreNames":["Rock","Music","Rock & Roll","Pop","Pop/Rock","Blues-Rock","Hard Rock","Arena Rock"],"trackCount":9,"isMasteredForItunes":true,"releaseDate":"1969-11-28","name":"Let It Bleed (Remastered)","recordLabel":"ABKCO Music & Records, Inc.","editorialArtwork":{},"copyright":"℗ 2019 ABKCO Music & Records, Inc.","playParams":{"id":"1500642838","kind":"album"},"editorialNotes":{"standard":"Calling 1969’s Let It Bleed the end of the 1960s ignored the obvious: If you’d been listening to The Rolling Stones, you knew that the ’60s—that mythical, innocent time of sexual liberation and social equity—had been over for years, if it’d existed at all. Yes, the free concert at Altamont Speedway in December—a day after the album’s release—was tragic: four dead, more injured, a moment of collective elation ruptured by panic, violence, and fear. But trace a line from “19th Nervous Breakdown” and “Paint It Black” through “Gimme Shelter” and you could already see a cultural order crumbling: the alienated youth (“Satisfaction”) and their duly alienated parents (“Have You Seen Your Mother, Baby, Standing in the Shadow?”), the retreat into fantasy (Their Satanic Majesties Request) and the harsh boomerang back to earth (Beggars Banquet). As the writer Robert Christgau put it in 1972, people didn’t talk about Altamont because it ended the era, but because it offered a perfect metaphor for how that era’s end played out.
\nFor as much as Let It Bleed is tied to “Gimme Shelter”—the brewing storms, the streets on fire, the portrait of a world at the edge of chaos—the album’s overall mood was sanguine and reassuring. Need someone to bleed on? Bleed on them. Didn’t get what you want? You might just get what you need. The confusion was clear: You could hear it in the sprawling arrangements (“You Can’t Always Get What You Want”), the violent visions (“Midnight Rambler”), in the way Jagger’s slurred voice roiled under the mix, an incoherent guide for incoherent times. Four years earlier, the band had become an emblem for rebellion, for hard stances, for “Satisfaction.” Time moved fast, and broke a few bones in the exchange—leave the real apocalypse to MC5 or The Stooges. You can’t control the ocean, Let It Bleed seemed to say. But you can have a pretty good time if you learn to ride the waves.","short":"Embracing the chaos."},"isCompilation":false,"offers":[{"buyParams":"productType=P&price=8990&salableAdamId=1500642838&pricingParameters=PLUS&pg=default","type":"buy","priceFormatted":"$8.99","price":8.99},{"buyParams":"productType=P&price=0&salableAdamId=1500642838&pricingParameters=SUBS&pg=default","type":"subscription","priceFormatted":"$0.00","price":0}]}},{"id":"1440863936","type":"albums","href":"/v1/catalog/us/albums/1440863936?l=en-US","attributes":{"artwork":{"width":3000,"height":3000,"url":"https://is5-ssl.mzstatic.com/image/thumb/Music128/v4/bb/c5/12/bbc51271-a90d-1ba7-fe56-3c457edab628/00602557170290.rgb.jpg/{w}x{h}bb.jpeg","bgColor":"0a00f4","textColor1":"ffffff","textColor2":"f3eafd","textColor3":"cecbfc","textColor4":"c5bbfb"},"artistName":"The Rolling Stones","isSingle":false,"url":"https://music.apple.com/us/album/blue-lonesome/1440863936","isComplete":true,"genreNames":["Blues","Music","Pop","Pop/Rock","Country Blues","Rock","Blues-Rock","Rock & Roll"],"trackCount":12,"isMasteredForItunes":true,"releaseDate":"2016-12-02","name":"Blue & Lonesome","recordLabel":"Polydor Records","editorialArtwork":{"storeFlowcase":{"width":4320,"height":1080,"url":"https://is1-ssl.mzstatic.com/image/thumb/Features71/v4/40/da/e1/40dae105-4e71-590b-afa7-b0f19398973f/source/{w}x{h}bb.jpeg","bgColor":"0000fe","textColor1":"fcf7f9","textColor2":"e2d1f6","textColor3":"cac6fa","textColor4":"b4a7f8"},"subscriptionHero":{"width":4320,"height":1080,"url":"https://is3-ssl.mzstatic.com/image/thumb/Features19/v4/d1/2e/3f/d12e3f6e-29eb-e593-ce54-1018eee26004/source/{w}x{h}bb.jpeg","bgColor":"191919","textColor1":"efefef","textColor2":"d9d9d9","textColor3":"c4c4c4","textColor4":"b3b3b3"}},"copyright":"℗ 2016 Promotone B.V., under exclusive licence to Universal International Music B.V.","playParams":{"id":"1440863936","kind":"album"},"editorialNotes":{"standard":"American blues has long been part of the Stones’ DNA, and Blue & Lonesome is a greasy, grimy tribute to their blues heroes. Deep cuts by the likes of Jimmy Reed, Howlin’ Wolf, Magic Sam, and Little Walter are delivered with soulful reverence, showing that even rock ‘n’ roll legends are still just music fans at heart.","short":"The Stones got it bad and that’s good."},"isCompilation":false,"offers":[{"buyParams":"productType=P&price=11990&salableAdamId=1440863936&pricingParameters=PLUS&pg=default","type":"buy","priceFormatted":"$11.99","price":11.99},{"buyParams":"productType=P&price=0&salableAdamId=1440863936&pricingParameters=SUBS&pg=default","type":"subscription","priceFormatted":"$0.00","price":0}]}},{"id":"1500643395","type":"albums","href":"/v1/catalog/us/albums/1500643395?l=en-US","attributes":{"artwork":{"width":3000,"height":3000,"url":"https://is3-ssl.mzstatic.com/image/thumb/Music124/v4/7f/dc/6a/7fdc6a98-802c-58db-b0cc-0c00b20fae93/20UMGIM13726.rgb.jpg/{w}x{h}bb.jpeg","bgColor":"bd8f53","textColor1":"04040a","textColor2":"20130e","textColor3":"291f18","textColor4":"3f2c1c"},"artistName":"The Rolling Stones","isSingle":false,"url":"https://music.apple.com/us/album/beggars-banquet-remastered/1500643395","isComplete":true,"genreNames":["Rock","Music"],"trackCount":10,"isMasteredForItunes":true,"releaseDate":"1968-12-06","name":"Beggars Banquet (Remastered)","recordLabel":"ABKCO Music & Records, Inc.","editorialArtwork":{},"copyright":"℗ 2018 ABKCO Music & Records, Inc.","playParams":{"id":"1500643395","kind":"album"},"editorialNotes":{"standard":"After the spacey excess of Their Satanic Majesties Request, 1968’s Beggars Banquet was like cold water in the face. The band sounded lean and angry, their silk caftans traded for workwear that wouldn’t snag in the street. Mick Jagger had shown up to anti-Vietnam protests at Grosvenor Square in London that March, but was even more inspired by the unrest in Paris that May—“because in sleepy London town there’s just no place for a street fighting man,” as he put it on record. That it was “sleepy” London and not “swinging” London was signal enough—one moment was over, and another was already exploding.
\nThe band had never been political per se. Instead, politics had been sublimated in the music, whose punch and swagger suggested violence even if the lyrics didn’t call for it. That Jimmy Miller—their new producer—had been a drummer helped: Even Jagger’s voice sounded like a percussion instrument now, hitting words and syllables (“…but what’s PUZZ-ling you is the NA-ture OF my GA-me,” he says on “Sympathy for the Devil”) like they were detonators. At a time when the culture was acclimating to the reality that the personal would always be political and vice versa, the Stones always remained a little detached, careful not to lay too heavy a hand on any part of the scale. The band weren’t freedom fighters and Beggars Banquet wasn’t a manifesto—they were keen onlookers, and here was the picture from the window.
\nThe marching, charging feet of the “Street Fighting Man,” the stained dress of the “Factory Girl,” and the “Salt of the Earth” so vast they appear numberless: Beggars Banquet belonged to The People. Even the album’s goofs—“Stray Cat Blues” and the country farce of “Dear Doctor,” the spit and the sour bourbon—were real enough to smell. And as though to write themselves into a deeper, longer history to which they were only humble inheritors, the band even dipped back into blues covers—Robert Wilkins’ “Prodigal Son”—for the first time since 1965.","short":"A violent reinvention."},"isCompilation":false,"offers":[{"buyParams":"productType=P&price=9990&salableAdamId=1500643395&pricingParameters=PLUS&pg=default","type":"buy","priceFormatted":"$9.99","price":9.99},{"buyParams":"productType=P&price=0&salableAdamId=1500643395&pricingParameters=SUBS&pg=default","type":"subscription","priceFormatted":"$0.00","price":0}]}},{"id":"1440872228","type":"albums","href":"/v1/catalog/us/albums/1440872228?l=en-US","attributes":{"artwork":{"width":1538,"height":1662,"url":"https://is4-ssl.mzstatic.com/image/thumb/Music128/v4/3f/bb/87/3fbb8754-bcd0-2d0a-cef2-0888bb5e3c70/00602537190775.rgb.jpg/{w}x{h}bb.jpeg","bgColor":"0a170d","textColor1":"f3efec","textColor2":"eae6dc","textColor3":"c4c4bf","textColor4":"bdbdb3"},"artistName":"The Rolling Stones","isSingle":false,"url":"https://music.apple.com/us/album/exile-on-main-st/1440872228","isComplete":true,"genreNames":["Rock","Music","Arena Rock","Pop","Pop/Rock","Rock & Roll","Hard Rock","Blues-Rock"],"trackCount":18,"isMasteredForItunes":true,"releaseDate":"1972-05-12","name":"Exile On Main St.","recordLabel":"Polydor Records","editorialArtwork":{"storeFlowcase":{"width":4320,"height":1080,"url":"https://is3-ssl.mzstatic.com/image/thumb/Features122/v4/be/cc/03/becc03e5-60e9-c1aa-2ae8-68f5f08db9a9/source/{w}x{h}bb.jpeg","bgColor":"b5af92","textColor1":"121210","textColor2":"151514","textColor3":"33312a","textColor4":"35342d"}},"copyright":"℗ 2012 Promotone B.V., under exclusive licence to Universal International Music B.V.","playParams":{"id":"1440872228","kind":"album"},"editorialNotes":{"standard":"More than songs or performances, 1972’s Exile on Main St. was about mood. Listen close: Can you hear the young gods sweating it out in the basement of a French mansion overlooking the Mediterranean? Surrounded by junkies and hangers-on? Eating lobster and stuffed tomatoes in the afternoon and working all night? Never had the band managed to translate their myth—the sloppy, redemptive glory of rock ’n’ roll—so faithfully into sound. A great party album, yes, and a party unto itself. But Exile was also the closest The Rolling Stones ever got to something truly avant-garde, an album whose perceived mistakes—the muddy mix; the sloppy, dislocated performances—conjured a feeling something more correct would have wiped away.
\nEven in its looser moments, 1971’s Sticky Fingers had sounded professional—raw music gussied up for the main stage. Exile, by contrast, wasn’t just born in the basement, it evoked one: a place of clutter and darkness, strange things forgotten and unfinished. For every “Tumbling Dice” or “Torn and Frayed“—two of the album’s more coherent moments—there was an “I Just Want to See His Face” or “Let It Loose,” tracks that functioned less as finished thoughts than open-ended suggestions, seeds for new growth. And the blues that had once served as the band’s shorthand for earthly hardships and desires now sounded mysterious and arcane—less the entertainment of juke joints than the vernacular of some underground society.
\nThe story of Exile is probably oversold—after all, they only spent part of the time in the basement. But the frame remains useful. “I hear you talking when I’m on the street,” Mick slurs on the opening line of “Rocks Off.” “Your mouth don't move, but I can hear you speak.” For the next hour, the paradoxes keep coming: light in darkness, clarity in chaos. For years, the band had described confusion—with Exile, they embodied it.","short":"The height of the depths."},"isCompilation":false,"offers":[{"buyParams":"productType=P&price=9990&salableAdamId=1440872228&pricingParameters=PLUS&pg=default","type":"buy","priceFormatted":"$9.99","price":9.99},{"buyParams":"productType=P&price=0&salableAdamId=1440872228&pricingParameters=SUBS&pg=default","type":"subscription","priceFormatted":"$0.00","price":0}],"contentRating":"explicit"}},{"id":"1440812141","type":"albums","href":"/v1/catalog/us/albums/1440812141?l=en-US","attributes":{"artwork":{"width":1449,"height":1449,"url":"https://is5-ssl.mzstatic.com/image/thumb/Music128/v4/c8/84/0b/c8840bd4-6cf4-68e0-17fa-49672260c1f8/00602537191031.rgb.jpg/{w}x{h}bb.jpeg","bgColor":"b50414","textColor1":"fffeff","textColor2":"bfd9dd","textColor3":"f0ccd0","textColor4":"bdaeb5"},"artistName":"The Rolling Stones","isSingle":false,"url":"https://music.apple.com/us/album/tattoo-you/1440812141","isComplete":true,"genreNames":["Rock","Music","Hard Rock","Rock & Roll","Arena Rock","Pop","Pop/Rock"],"trackCount":11,"isMasteredForItunes":true,"releaseDate":"1981-08-24","name":"Tattoo You","recordLabel":"Polydor Records","editorialArtwork":{},"copyright":"℗ 2012 Promotone B.V., under exclusive licence to Universal International Music B.V.","playParams":{"id":"1440812141","kind":"album"},"editorialNotes":{"standard":"Culled from outtakes from their past decade's worth of work in order to have a studio album to promote during their 1981 AmericanTour, Tattoo You is a surprisingly cohesive collection and considered by many hardcore fans to be the Rolling Stones' last solid studio album. Time will decide that matter, but for what it is, Tattoo You does feature all the trademarks that made the band an enduring entity long past their first rounds of international success. \"Start Me Up\" has become one of the group's biggest hits, while \"Little T&A\" is the perfect showcase for Keith Richards' parched snarl. \"Hang Fire\" and \"Neighbours\" define the harder edge of the band's sound. \"Black Limousine\" nods to their blues roots, while the falsetto-led \"Tops,\" \"Heaven\" and \"No Use in Crying\" gently pave the way for \"Waiting On A Friend,\" with a guest sax solo from jazz legend Sonny Rollins, that wraps things up on a strong note of confidence."},"isCompilation":false,"offers":[{"buyParams":"productType=P&price=9990&salableAdamId=1440812141&pricingParameters=PLUS&pg=default","type":"buy","priceFormatted":"$9.99","price":9.99},{"buyParams":"productType=P&price=0&salableAdamId=1440812141&pricingParameters=SUBS&pg=default","type":"subscription","priceFormatted":"$0.00","price":0}]}},{"id":"1440816775","type":"albums","href":"/v1/catalog/us/albums/1440816775?l=en-US","attributes":{"artwork":{"width":1681,"height":1723,"url":"https://is2-ssl.mzstatic.com/image/thumb/Music118/v4/05/07/40/050740d9-8419-178b-b8aa-7f41b8f10ccc/00602537190966.rgb.jpg/{w}x{h}bb.jpeg","bgColor":"231f20","textColor1":"fdfdfd","textColor2":"fff3dd","textColor3":"d1d0d0","textColor4":"d2c8b7"},"artistName":"The Rolling Stones","isSingle":false,"url":"https://music.apple.com/us/album/some-girls/1440816775","isComplete":true,"genreNames":["Rock","Music","Hard Rock","Rock & Roll","Arena Rock","Pop","Pop/Rock"],"trackCount":10,"isMasteredForItunes":true,"releaseDate":"1978-06-09","name":"Some Girls","recordLabel":"Polydor Records","editorialArtwork":{},"copyright":"℗ 2012 Promotone B.V., under exclusive licence to Universal International Music B.V.","playParams":{"id":"1440816775","kind":"album"},"editorialNotes":{"standard":"Stimulated by the pulse of late-’70s Manhattan, the Stones dove into the city’s musical subcultures and emerged with takes on disco (“Miss You”), punk (“Shattered”), and country (“Far Away Eyes”). Cheekiness is half the fun of Some Girls, but the other half is pure heart, especially the scrappy self-portrait of “Before They Make Me Run” and a twangy barroom cover of The Temptations’ “Just My Imagination (Running Away With Me).” Sexy, scruffy, but radiant, “Beast of Burden” is the centerpiece of an album on which the group’s creative juices just flow.","short":"The band revels in the musical pleasures of America’s grimiest metropolis."},"isCompilation":false,"offers":[{"buyParams":"productType=P&price=9990&salableAdamId=1440816775&pricingParameters=PLUS&pg=default","type":"buy","priceFormatted":"$9.99","price":9.99},{"buyParams":"productType=P&price=0&salableAdamId=1440816775&pricingParameters=SUBS&pg=default","type":"subscription","priceFormatted":"$0.00","price":0}],"contentRating":"explicit"}},{"id":"1440745549","type":"albums","href":"/v1/catalog/us/albums/1440745549?l=en-US","attributes":{"artwork":{"width":1500,"height":1500,"url":"https://is5-ssl.mzstatic.com/image/thumb/Music128/v4/db/07/ee/db07ee9a-05f1-4904-aa2c-3b334cbf0e92/00018771894520.rgb.jpg/{w}x{h}bb.jpeg","bgColor":"141d24","textColor1":"f6d0c4","textColor2":"069df0","textColor3":"c9aca4","textColor4":"0983c7"},"artistName":"The Rolling Stones","isSingle":false,"url":"https://music.apple.com/us/album/aftermath/1440745549","isComplete":true,"genreNames":["Rock","Music","Blues-Rock","Rock & Roll","Pop","Soft Rock","British Invasion","Pop/Rock"],"trackCount":11,"isMasteredForItunes":true,"releaseDate":"1966-06-20","name":"Aftermath","recordLabel":"ABKCO Music & Records, Inc.","editorialArtwork":{},"copyright":"℗ 2013 ABKCO Music & Records, Inc.","playParams":{"id":"1440745549","kind":"album"},"editorialNotes":{"standard":"The week The Rolling Stones released Aftermath in the US, the band touched down in New York for a month-long tour starting in the industrial city of Lynn, Massachusetts. They were measurably famous now: chart success, big advances, new cars, country houses. As it rained, the fans in Lynn were tear-gassed by cops as they rushed the stage. When asked at a press conference a couple of days earlier what the difference was between the Beatles and the Stones, an irritated Mick Jagger said that one band had five people and the other had four, but the scene in Lynn—replicated a handful of times throughout the tour—pointed toward a fundamental difference: The Beatles talked about revolution, and the Stones seemed to revel in personifying it.
\nLike The Beatles’ Revolver, The Beach Boys’ Pet Sounds, and Bob Dylan’s Blonde on Blonde (all released in mid-1966), Aftermath was an evolutionary step not only in the band’s development, but in the vocabulary of rock music in general. Brian Jones had all but given up on the guitar, turning instead to exoticisms like the dulcimer, marimba, koto, and sitar—textures that gave the band’s sound a new dimension, sublimating the physicality of rock and blues for something tenser and more introspective, as on “Paint It Black” and “I Am Waiting.”
\nAnd where The Beatles and contemporaries like The Kinks invoked their Britishness as something chipper and quaint, the Stones of Aftermath took on an almost gothic cast, projecting castellated worlds where moody princes stared out their windows to “Under My Thumb” and “Lady Jane,” stewing in their juices. In the absence of love, the bitter man turns to power. Before 1965, the band was, in some ways, just a new branch on an old tree. With Aftermath, they put down roots.","short":"Separating from the pack."},"isCompilation":false,"offers":[{"buyParams":"productType=P&price=8990&salableAdamId=1440745549&pricingParameters=PLUS&pg=default","type":"buy","priceFormatted":"$8.99","price":8.99},{"buyParams":"productType=P&price=0&salableAdamId=1440745549&pricingParameters=SUBS&pg=default","type":"subscription","priceFormatted":"$0.00","price":0}]}},{"id":"1440773836","type":"albums","href":"/v1/catalog/us/albums/1440773836?l=en-US","attributes":{"artwork":{"width":1500,"height":1500,"url":"https://is4-ssl.mzstatic.com/image/thumb/Music128/v4/53/84/e1/5384e1f2-fb74-8ab8-f6d4-0fc52adaab51/00018771895428.rgb.jpg/{w}x{h}bb.jpeg","bgColor":"7ca8d5","textColor1":"070908","textColor2":"0f2346","textColor3":"1e2931","textColor4":"253d63"},"artistName":"The Rolling Stones","isSingle":false,"url":"https://music.apple.com/us/album/their-satanic-majesties-request/1440773836","isComplete":true,"genreNames":["Rock","Music","Psychedelic","Pop","Pop/Rock"],"trackCount":10,"isMasteredForItunes":true,"releaseDate":"1967-12-08","name":"Their Satanic Majesties Request","recordLabel":"ABKCO Music & Records, Inc.","editorialArtwork":{},"copyright":"℗ 2013 ABKCO Music & Records, Inc.","playParams":{"id":"1440773836","kind":"album"},"editorialNotes":{"standard":"To be a Rolling Stone circa Their Satanic Majesties Request is to have stood at the convergence of cultural change in ways few can claim. Swinging London, sexual liberation, the embrace of drugs and the desecration of a life decent young men (like them) were expected not only to work for but to embrace: It all mapped. Most of the time, the band was on the leading edge—they didn’t just set trends, they transcended them. Yes, you could find them in the bigger picture, but by 1967 they were good enough to exist outside it, too. Their Satanic Majesties Request was one of the few times they responded directly to the sound of the moment—in this case, the excesses of “psychedelia.” (That term had always been a little foolish: What were “Paint It Black” and “19th Nervous Breakdown” if not three-minute explorations of the bent perceptions and spiraling anxieties of LSD?) But like The Beatles’ Sgt. Pepper’s—which had come out earlier that year—Satanic Majesties was bright and ostentatious, a peacock instead of a tense, circling crow.
\nThe album’s recording had been long and disjointed—a function, in part, of court appearances, jail time, and managerial shake-ups in the wake of a drug raid the previous February. The band was rarely in the studio together at the same time, and foresight in terms of writing was limited. After falling out with Andrew Loog Oldham, they also found themselves serving as producer, a job none of them had done or seemed to want to do. Bill Wyman later described the sessions as a lottery. Jagger joked that the album was made under the influence of bail.
\nBut there was still gold in the hills. “Citadel” stung like a glitter whip, as physical as their mid-’60s singles albeit with the production baubles the moment demanded. “She’s a Rainbow”: the moony lyric; the sped-up, childlike voices; Nicky Hopkins’ sparkling piano—here was a rare sweet side. “2000 Light Years From Home” was requisitely spaced-out but grounded in real anxiety and longing—the alien’s lament, yes, but also the kind of thing you might write from jail, which is where Jagger had recently been.
\nIn hindsight, the album was an anomaly. But it also served as a kind of cleansing. Brian Jones, the band’s agent of experimentation, ebbed further into drugs and would be dead within two years. The infinite horizons of psychedelia were starting to look pretty limited. Six months later, the band released “Jumpin’ Jack Flash”—by Beggars Banquet, the trip was over and reality was at the door.","short":"Going full flower."},"isCompilation":false,"offers":[{"buyParams":"productType=P&price=8990&salableAdamId=1440773836&pricingParameters=PLUS&pg=default","type":"buy","priceFormatted":"$8.99","price":8.99},{"buyParams":"productType=P&price=0&salableAdamId=1440773836&pricingParameters=SUBS&pg=default","type":"subscription","priceFormatted":"$0.00","price":0}]}},{"id":"1440855527","type":"albums","href":"/v1/catalog/us/albums/1440855527?l=en-US","attributes":{"artwork":{"width":1424,"height":1417,"url":"https://is5-ssl.mzstatic.com/image/thumb/Music128/v4/ef/9c/b0/ef9cb08b-0eb5-25f4-2082-3e113f96e1b5/00602537190911.rgb.jpg/{w}x{h}bb.jpeg","bgColor":"07060b","textColor1":"df7560","textColor2":"ed483e","textColor3":"b35f4f","textColor4":"bf3b34"},"artistName":"The Rolling Stones","isSingle":false,"url":"https://music.apple.com/us/album/live-licks/1440855527","isComplete":true,"genreNames":["Rock","Music","Hard Rock","Pop","Pop/Rock","Rock & Roll","Blues-Rock","Arena Rock"],"trackCount":23,"isMasteredForItunes":true,"releaseDate":"2004-11-01","name":"Live Licks","recordLabel":"Polydor Records","editorialArtwork":{},"copyright":"℗ 2012 Promotone B.V., under exclusive licence to Universal International Music B.V.","playParams":{"id":"1440855527","kind":"album"},"editorialNotes":{"standard":"While the Rolling Stones have still never issued an official live album from their classic 1972 tour, they have seemingly documented every tour since with a live album that showcases their ever-growing catalog and their erratic performing abilities. This is a band who teeter on the brink of being the very best and the very worst live act at any unsuspecting moment, often in the same night. Capturing their wild mojo is an elusive task that no live album can seemingly accomplish though these recordings come closer than should be expected. Live Licks sums up their 2002-2003 World Tour split between obvious crowd-pleasers (\"Brown Sugar,\" \"Angie,\" \"Honky Tonk Women,\" \"Satisfaction\") and hardcore fan obscurities (\"Neighbours,\" \"Rocks Off,\" \"That's How Strong My Love Is\"). The band sounds energized throughout, and while the addition of backing vocals, extra keyboards and horn sections sometimes dilute the band's raw power, they manage to hold together for dramatic readings (\"Gimme Shelter,\" \"Monkey Man\" \"Worried About You\") of tunes that prove their timelessness and apparent indestructibility"},"isCompilation":false,"offers":[{"buyParams":"productType=P&price=11990&salableAdamId=1440855527&pricingParameters=PLUS&pg=default","type":"buy","priceFormatted":"$11.99","price":11.99},{"buyParams":"productType=P&price=0&salableAdamId=1440855527&pricingParameters=SUBS&pg=default","type":"subscription","priceFormatted":"$0.00","price":0}]}},{"id":"1445890022","type":"albums","href":"/v1/catalog/us/albums/1445890022?l=en-US","attributes":{"artwork":{"width":1500,"height":1500,"url":"https://is4-ssl.mzstatic.com/image/thumb/Music118/v4/f3/00/d6/f300d611-2b94-1b05-b7dc-0e5b57febeda/00018771896425.rgb.jpg/{w}x{h}bb.jpeg","bgColor":"c9d8d5","textColor1":"290d28","textColor2":"31281e","textColor3":"49364b","textColor4":"4f4b42"},"artistName":"The Rolling Stones","isSingle":false,"url":"https://music.apple.com/us/album/get-yer-ya-yas-out-the-rolling-stones-in-concert-live/1445890022","isComplete":true,"genreNames":["Rock","Music","Blues-Rock","Hard Rock","Pop","Pop/Rock","Arena Rock","Rock & Roll"],"trackCount":10,"isMasteredForItunes":true,"releaseDate":"1970-09-04","name":"Get Yer Ya-Ya's Out! The Rolling Stones In Concert (Live)","recordLabel":"ABKCO Music & Records, Inc.","editorialArtwork":{},"copyright":"℗ 2013 ABKCO Music & Records, Inc.","playParams":{"id":"1445890022","kind":"album"},"editorialNotes":{"standard":"With the advent of the Big Rock Show in the 1960s came the companion Big Rock Live Album: Within a year or two of the Stones releasing Get Yer Ya-Ya’s Out! in 1970, The Who, Allman Brothers, Cream, Pink Floyd, Deep Purple, Grand Funk Railroad, and Joe Cocker all had them, and by the end of the decade it wasn’t uncommon for live albums—think Kiss, Peter Frampton, and Cheap Trick—to outshine their studio counterparts.
\nDid you need proof that The Rolling Stones could sound as powerful onstage as they did on record? Here you have it, with unusually untamed Charlie Watts and Mick Jagger banter to boot. The addition of Mick Taylor earlier in the year—after the firing and then sudden death of Brian Jones—gave the band a more elastic, improvisational edge: Taylor had come from John Mayall’s Bluesbreakers (where he’d replaced Peter Green, who replaced Eric Clapton) and, at just 20, probably had more experience with improvisation than the rest of the Stones combined.
\nKeep in mind that some of the stuff on the band’s set list—“Live With Me” (a Taylor standout) and “Midnight Rambler,” and “Love in Vain”—wouldn’t come out on Let It Bleed for another couple of weeks, while the bulk of the rest marked the first time an audience of that size heard music from 1968’s Beggars Banquet onstage—a shift worth noting because of how much the band had evolved since the last time they’d toured. “I think I busted a button on my trousers,” Jagger says after “Jumpin’ Jack Flash.” ”Hope they don’t fall down. You don’t want my trousers to fall down, now, do you?!” As though he’d left any doubt as to what was hiding inside.","short":"Live, rude, and on point."},"isCompilation":false,"offers":[{"buyParams":"productType=P&price=8990&salableAdamId=1445890022&pricingParameters=PLUS&pg=default","type":"buy","priceFormatted":"$8.99","price":8.99},{"buyParams":"productType=P&price=0&salableAdamId=1445890022&pricingParameters=SUBS&pg=default","type":"subscription","priceFormatted":"$0.00","price":0}]}},{"id":"1440830882","type":"albums","href":"/v1/catalog/us/albums/1440830882?l=en-US","attributes":{"artwork":{"width":1500,"height":1500,"url":"https://is5-ssl.mzstatic.com/image/thumb/Music118/v4/33/4a/d8/334ad8ae-d53b-a240-ed4c-9da845e798e9/00602547293565.rgb.jpg/{w}x{h}bb.jpeg","bgColor":"f8f7f3","textColor1":"080605","textColor2":"1d1b1a","textColor3":"383634","textColor4":"494745"},"artistName":"The Rolling Stones","isSingle":false,"url":"https://music.apple.com/us/album/sticky-fingers-super-deluxe-edition/1440830882","isComplete":true,"genreNames":["Rock","Music","Arena Rock","Hard Rock","Blues-Rock","Rock & Roll","Pop","Pop/Rock"],"trackCount":33,"isMasteredForItunes":true,"releaseDate":"1971-04-23","name":"Sticky Fingers (Super Deluxe Edition)","recordLabel":"Polydor Records","editorialArtwork":{"originalFlowcaseBrick":{"width":1778,"height":600,"url":"https://is3-ssl.mzstatic.com/image/thumb/Features1/v4/83/1c/e7/831ce71e-4daa-7c24-b695-97ddd2df5609/source/{w}x{h}bb.jpeg","bgColor":"cccbcb","textColor1":"060606","textColor2":"262626","textColor3":"2e2e2e","textColor4":"474747"}},"copyright":"℗ 2015 Promotone B.V., under exclusive licence to UniversalInternational Music B.V.","playParams":{"id":"1440830882","kind":"album"},"editorialNotes":{"standard":"Fans will argue about it forever, but there’s a possibility that 1971’s Sticky Fingers is the most distilled album in The Rolling Stones’ catalog. Touring in 1969 and 1970 sharpened their playing and broadened their range, expanding it to cover country, Latin fusion, Southern soul, and whatever “Moonlight Mile” is. (Richards’ working title for the riff had been “Japanese Thing.”) Emotionally, the gradient had gotten finer, too: Like 1968’s Beggars Banquet and 1969’s Let It Bleed, Sticky Fingers wasn’t as concerned with getting or losing the girl so much as exploring the psychic tolls of romance (“Wild Horses,” “Dead Flowers”) and its many taboos (the sadomasochistic overtones of “Bitch,” the colonial-historical pipe bomb of “Brown Sugar”). The drugs still felt good coming in, but were a little rougher getting out (“Sister Morphine,” “Moonlight Mile”). Most of the movement still came from the hips, but you could feel the heart pumping pretty hard, too.
\nWith hindsight you can hear the constellation the band had been mapping out suddenly light up: British wit, American muscle, soul-revue horns, orchestral grandeur, and untamed lust. Reportedly, the band didn’t know the tape was even running when they improvised the simmering outro for “Can’t You Hear Me Knocking.” But it proved the band wasn’t limited by the structural confines of song, foreshadowing the groove-dominant music they made as the 1970s went on. They were bigger and more decadent now, but also more reflective and exploratory.
\nStill, you have to wonder, a little, how it must’ve felt. Not that The Rolling Stones needed sympathy per se—they’d already made a bigger cultural impact than any other musicians of their generation save, possibly, The Beatles, who, by the time Sticky Fingers came out, no longer existed. Led Zeppelin was the new thing now, as were David Bowie and Black Sabbath. Whatever air of competition that had surrounded the band dissipated. Sticky Fingers wasn’t just age—it was change.","short":"Wild, weary, and majestic."},"isCompilation":false,"offers":[{"buyParams":"productType=P&price=19990&salableAdamId=1440830882&pricingParameters=PLUS&pg=default","type":"buy","priceFormatted":"$19.99","price":19.99},{"buyParams":"productType=P&price=0&salableAdamId=1440830882&pricingParameters=SUBS&pg=default","type":"subscription","priceFormatted":"$0.00","price":0}]}},{"id":"1440831227","type":"albums","href":"/v1/catalog/us/albums/1440831227?l=en-US","attributes":{"artwork":{"width":1536,"height":1524,"url":"https://is2-ssl.mzstatic.com/image/thumb/Music128/v4/21/2d/c0/212dc032-83be-584b-99fe-e5e462591ea5/00602537191758.rgb.jpg/{w}x{h}bb.jpeg","bgColor":"dab686","textColor1":"161b1e","textColor2":"1a1f1f","textColor3":"3d3a33","textColor4":"403d34"},"artistName":"The Rolling Stones","isSingle":false,"url":"https://music.apple.com/us/album/black-and-blue/1440831227","isComplete":true,"genreNames":["Rock","Music","Arena Rock","Pop","Pop/Rock","Hard Rock","Rock & Roll"],"trackCount":8,"isMasteredForItunes":true,"releaseDate":"1976-04-23","name":"Black and Blue","recordLabel":"Polydor Records","editorialArtwork":{},"copyright":"℗ 2012 Promotone B.V., under exclusive licence to Universal International Music B.V.","playParams":{"id":"1440831227","kind":"album"},"editorialNotes":{"standard":"Part of loving 1976’s Black and Blue—and there’s a lot to love—is letting go of what you expect from The Rolling Stones. They were still a rock band, if rock was what you wanted: “Hand of Fate” could’ve been on Beggars Banquet and “Crazy Mama” on Exile on Main St. But where Goats Head Soup and It’s Only Rock ’n’ Roll worked to keep continuity with the sound they developed in the late ’60s, Black and Blue didn’t bother trying.
\nJagger had moved to New York and fallen in love with funk and disco (“Hot Stuff,” “Hey Negrita”); Keith Richards with reggae (“Cherry Oh Baby”). Mick Taylor left the band and Ron Wood joined, stripping out the guitar solos and moving back toward pure rhythm. The songs were short, the grooves were long, and the performances—Jaggers’s, especially—combined sex and humor in ways they never had before. That “Hot Stuff” was the band’s first song to make the R&B charts since “19th Nervous Breakdown” 10 years earlier made sense: Not since their early albums had they sounded so connected to Black music, or so joyfully indebted to it.
\nThe critic Lester Bangs called it the “first meaningless Rolling Stones album.” An insult, of course—but it could’ve just as well been a compliment. After the relentless significance of the band’s late-’60s and early-’70s run—the politics, the violence, the cultural referenda—Black and Blue felt like a liberation, like fresh air. They sounded funny, weird, and alive. And when they downshifted for the ballads (“Memory Motel” and the classic “Fool to Cry”), they did so with a softness that penetrated deeper than any heavy-handed approach might.","short":"Recapturing the rhythm."},"isCompilation":false,"offers":[{"buyParams":"productType=P&price=9990&salableAdamId=1440831227&pricingParameters=PLUS&pg=default","type":"buy","priceFormatted":"$9.99","price":9.99},{"buyParams":"productType=P&price=0&salableAdamId=1440831227&pricingParameters=SUBS&pg=default","type":"subscription","priceFormatted":"$0.00","price":0}]}},{"id":"1440743344","type":"albums","href":"/v1/catalog/us/albums/1440743344?l=en-US","attributes":{"artwork":{"width":1500,"height":1500,"url":"https://is2-ssl.mzstatic.com/image/thumb/Music128/v4/7a/6f/76/7a6f76e5-0c4d-cd13-64be-7d1be8b16bae/00018771894223.rgb.jpg/{w}x{h}bb.jpeg","bgColor":"2e3233","textColor1":"ffffff","textColor2":"f5d5b7","textColor3":"d5d5d6","textColor4":"cdb49d"},"artistName":"The Rolling Stones","isSingle":false,"url":"https://music.apple.com/us/album/out-of-our-heads/1440743344","isComplete":true,"genreNames":["Rock","Music","British Invasion","Blues","Blues-Rock","Rock & Roll","Country Blues"],"trackCount":12,"isMasteredForItunes":true,"releaseDate":"1965-07-30","name":"Out of Our Heads","recordLabel":"ABKCO Music & Records, Inc.","editorialArtwork":{},"copyright":"℗ 2013 ABKCO Music & Records, Inc.","playParams":{"id":"1440743344","kind":"album"},"editorialNotes":{"standard":"When The Rolling Stones came to Chess Studios in Chicago in the summer of 1964, they were met by a middle-aged Black man standing on a ladder painting the ceiling: Muddy Waters—a figure so important in the band’s origin story they named themselves after one of his songs. And there he was, painting the ceiling.
\nThe band’s project had always been, in part, reparational: They wanted the Black musicians they loved to get the money and recognition the band felt they deserved. Waters had toured Europe a year earlier as part of the American Folk Blues Festival, a package that presented blues not as a living, breathing art form, but as a fixed cultural export, the kind of thing you might see in a museum. Getting people interested in guys like Muddy Waters, Howlin’ Wolf, and Willie Dixon—that would’ve been nice. Getting them to realize Waters, Wolf, and Dixon were still alive and trying to make a living—at a time when Black America was aching from the struggle for civil rights—would’ve been even better. Released in July 1965—and recorded at Chess starting in November the previous year—Out of Our Heads was a pivot point. The Stones were still covering blues and soul—Marvin Gaye’s “Hitch Hike,” Sam Cooke’s “Good Times,” Solomon Burke’s “Cry to Me”—but they were also discovering their own identity, folding in hints of country (“The Spider and the Fly”), English folk (“Play With Fire”), and rockabilly (“The Last Time”).
\nThen there was “(I Can’t Get No) Satisfaction.” Where the pop artist (and future collaborator) Andy Warhol argued that liking and buying were viable forms of self-expression, the Stones took a more athletic stance: They wanted stuff—fast cars, white shirts, game girls—but were embarrassed to admit it; they liked buying, but didn’t want to be sold. Ten years later, you’d call the same attitude “punk.” That their first take of “Satisfaction” had been recorded at Chess was poetic: In a studio whose music they had been defined by, they learned to define themselves. Otis Redding covered the song almost immediately, noting that if the words in his version sounded different, it’s because he’d made them up. Rock ’n’ roll.","short":"White blues band blows up."},"isCompilation":false,"offers":[{"buyParams":"productType=P&price=10990&salableAdamId=1440743344&pricingParameters=PLUS&pg=default","type":"buy","priceFormatted":"$10.99","price":10.99},{"buyParams":"productType=P&price=0&salableAdamId=1440743344&pricingParameters=SUBS&pg=default","type":"subscription","priceFormatted":"$0.00","price":0}]}},{"id":"1440812139","type":"albums","href":"/v1/catalog/us/albums/1440812139?l=en-US","attributes":{"artwork":{"width":1528,"height":1522,"url":"https://is4-ssl.mzstatic.com/image/thumb/Music118/v4/e4/50/39/e45039c9-a316-abf8-a791-5484ff00ba4c/00602537190850.rgb.jpg/{w}x{h}bb.jpeg","bgColor":"bb906d","textColor1":"111614","textColor2":"1b1919","textColor3":"332e26","textColor4":"3b302a"},"artistName":"The Rolling Stones","isSingle":false,"url":"https://music.apple.com/us/album/its-only-rock-n-roll/1440812139","isComplete":true,"genreNames":["Rock","Music","Arena Rock","Rock & Roll","Hard Rock","Pop","Pop/Rock"],"trackCount":10,"isMasteredForItunes":true,"releaseDate":"1974-10-16","name":"It's Only Rock 'N' Roll","recordLabel":"Polydor Records","editorialArtwork":{},"copyright":"℗ 2012 Promotone B.V., under exclusive licence to Universal International Music B.V.","playParams":{"id":"1440812139","kind":"album"},"editorialNotes":{"standard":"Mick Jagger spent the ‘70s trying on new styles and trying to keep his band together. This would be guitarist Mick Taylor’s last album with the group, and his fluid playing enhances the band’s slash-and-burn aesthetic throughout most of it. There’s a ferocity to “If You Can’t Rock Me,” but Taylor can be best heard on the gorgeously melodic “Time Waits for No One.” The album is deliciously diverse, from the Motown swagger of “Ain’t Too Proud to Beg” and the classic Stones rip of “Dance Little Sister” to the hard rock reggae of “Luxury” and the striking ballads “Till the Next Goodbye” and “If You Really Want To Be My Friend.” The Stones intuitively understood what was demanded from a band in the ‘70s and found a way to deliver it without losing their signature sound. Jagger emerges as the prototypical rock ‘n’ roll singer, phrasing ingeniously and leading with a well-deserved smirk, especially on the Ron Wood–inspired title track. They have a laugh with the backroom goof of “Short and Curlies” and tighten up for the apocalyptic funk of “Fingerprint File.”"},"isCompilation":false,"offers":[{"buyParams":"productType=P&price=9990&salableAdamId=1440812139&pricingParameters=PLUS&pg=default","type":"buy","priceFormatted":"$9.99","price":9.99},{"buyParams":"productType=P&price=0&salableAdamId=1440812139&pricingParameters=SUBS&pg=default","type":"subscription","priceFormatted":"$0.00","price":0}]}}]},"related-videos":{"href":"/v1/catalog/us/albums/1440764786/view/related-videos?l=en-US","next":"/v1/catalog/us/albums/1440764786/view/related-videos?l=en-US&offset=17","attributes":{"title":"Music 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Hot Rocks 1964-1971

The Rolling Stones

Rock · 1972