12 Songs, 46 Minutes

EDITORS’ NOTES

Sky Ferreira—a hugely talented pouty-lipped waif with an old soul—wrested what was to be her debut full-length away from her label and convinced them to grant her a do-over. The result was recorded in less than three weeks, then mixed and released in a whirlwind of alchemy. Night Time, My Time is an impressive and muscular collection. After a series of singles and EPs, Ferreira exudes her L.A. cool all over Night Time, from her nude photo on the cover to her edgy delivery. Her dusky throat and pop-be-damned attitude puts her squarely between artists like Yeah Yeah Yeahs and Icona Pop, swerving between an injured coo and a bad-kitty snarl with smooth deftness. Whether she's belting out the wistful ballad “24 Hours” or the stomping hissy fit “Nobody Asked Me,” there’s an appealing anthemic quality to these songs, written by Ferreira and a songwriting team that incudes producer Ariel Rechtshaid (Charli XCX, Usher, Haim). She strays into Madonna’s fertile territory on tunes like “I Blame Myself” and reaches into the icy underworld of ‘70s postpunk pioneer Alan Vega on “Omanko,” a clear measure of her intentions. The girl’s got it.

EDITORS’ NOTES

Sky Ferreira—a hugely talented pouty-lipped waif with an old soul—wrested what was to be her debut full-length away from her label and convinced them to grant her a do-over. The result was recorded in less than three weeks, then mixed and released in a whirlwind of alchemy. Night Time, My Time is an impressive and muscular collection. After a series of singles and EPs, Ferreira exudes her L.A. cool all over Night Time, from her nude photo on the cover to her edgy delivery. Her dusky throat and pop-be-damned attitude puts her squarely between artists like Yeah Yeah Yeahs and Icona Pop, swerving between an injured coo and a bad-kitty snarl with smooth deftness. Whether she's belting out the wistful ballad “24 Hours” or the stomping hissy fit “Nobody Asked Me,” there’s an appealing anthemic quality to these songs, written by Ferreira and a songwriting team that incudes producer Ariel Rechtshaid (Charli XCX, Usher, Haim). She strays into Madonna’s fertile territory on tunes like “I Blame Myself” and reaches into the icy underworld of ‘70s postpunk pioneer Alan Vega on “Omanko,” a clear measure of her intentions. The girl’s got it.

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