6 Songs, 19 Minutes

EDITORS’ NOTES

With her acoustic guitar safe in its case, Miley is back in the club—wiser, but still with a thirst to party. Her tone across the six tracks strikes a balance between cause and effect. Miley processes feelings of confusion when partying isn’t fun anymore on “Unholy,” while producer Andrew Wyatt of Miike Snow gives the track a nocturnal R&B vibe. The Wu-referencing/Ghostface-guesting “D.R.E.A.M.” tries to make sense of waking up with strangers and new tattoos before succumbing to nihilistic pleasures (“Always last to leave the party/Drugs rule everything around me,” she coos on the chorus). The Mark Ronson-produced “The Most” is this album’s “Wrecking Ball,” a beautiful track that highlights her Nashville roots. The turnt-up Miley returns on two tracks: “Party Up the Street” reconnects with Bangerz architect Mike WiLL Made-It, adding a lovely vocal assist from Swae Lee. And the centrifugal force that is “Cattitude” is a straight flex out of her 2013 playbook. Her line “I love you, Nicki, but I listen to Cardi” will certainly raise some sculpted eyebrows. Miley, what’s good?

Parental Advisory: Explicit Lyrics. Mastered for iTunes

EDITORS’ NOTES

With her acoustic guitar safe in its case, Miley is back in the club—wiser, but still with a thirst to party. Her tone across the six tracks strikes a balance between cause and effect. Miley processes feelings of confusion when partying isn’t fun anymore on “Unholy,” while producer Andrew Wyatt of Miike Snow gives the track a nocturnal R&B vibe. The Wu-referencing/Ghostface-guesting “D.R.E.A.M.” tries to make sense of waking up with strangers and new tattoos before succumbing to nihilistic pleasures (“Always last to leave the party/Drugs rule everything around me,” she coos on the chorus). The Mark Ronson-produced “The Most” is this album’s “Wrecking Ball,” a beautiful track that highlights her Nashville roots. The turnt-up Miley returns on two tracks: “Party Up the Street” reconnects with Bangerz architect Mike WiLL Made-It, adding a lovely vocal assist from Swae Lee. And the centrifugal force that is “Cattitude” is a straight flex out of her 2013 playbook. Her line “I love you, Nicki, but I listen to Cardi” will certainly raise some sculpted eyebrows. Miley, what’s good?

Parental Advisory: Explicit Lyrics. Mastered for iTunes
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Ratings and Reviews

3.8 out of 5
1.2K Ratings

1.2K Ratings

Odst633 ,

Problematic

lil girl needs to stay in her lane. Wanna culturally appropriate hip hop then say “It was toxic, had to leave it because it was nothing but sex this money that”. But once that last album flopped now you wanna come back? Save it. Y’all can keep this little girl.

Das Boone ,

Trash

What nonsense - Is there anbody over 14 years of age that buys this Fluff.

truthmighthurtalittle ,

this is just bad

Creativity is lost on Miley. Trying so hard to be cool is just not cool anymore.

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