32 Songs, 1 Hour 23 Minutes

EDITORS’ NOTES

Recorded live in 2016—almost exactly 100 years to the day since Leopold Stokowski conducted The Philadelphia Orchestra in the US premiere of the work—Mahler’s Eighth once again awes and overwhelms. Yannick Nézet-Séguin’s superb musicianship and skill in choral repertoire make this very special indeed. The orchestra plays magnificently, the choirs sing as if their lives depended on it, and the numerous soloists are well chosen, with Erin Wall and Angela Meade the standouts. The recording captures the symphony’s scale as well as its complex spatial demands. A terrific account of a work whose performance still ranks as a major musical event.

EDITORS’ NOTES

Recorded live in 2016—almost exactly 100 years to the day since Leopold Stokowski conducted The Philadelphia Orchestra in the US premiere of the work—Mahler’s Eighth once again awes and overwhelms. Yannick Nézet-Séguin’s superb musicianship and skill in choral repertoire make this very special indeed. The orchestra plays magnificently, the choirs sing as if their lives depended on it, and the numerous soloists are well chosen, with Erin Wall and Angela Meade the standouts. The recording captures the symphony’s scale as well as its complex spatial demands. A terrific account of a work whose performance still ranks as a major musical event.

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