LYS

LYS

Inspired by the subtle shades and endless possibilities of light, violinist Mari Samuelsen turns to impressionistic works by women composers—many written specially for this album. Post-classical piano star Meredi describes the life-giving force of light itself in the shimmering “White Flowers Take Their Bath,” while Laura Masotto’s portrait of dawn “Sol Levante”—a showcase for Samuelsen’s soaring tone—begins its journey with a harmonic nod to Ravel’s Daphnis et Chloé before building to a dazzling climax. Clarice Jensen marries ancient and modern in her beautiful variation on a Hildegard von Bingen chant, the music gradually refracting and fragmenting like rays through a prism. With music by Anna Meredith, Caroline Shaw, Lera Auerbach, and Dobrinka Tabakova, Samuelsen’s album is as much an A to Z of contemporary composing talent as it is a spellbinding kaleidoscope of musical color.

White Flowers Take Their Bath
1
Nocturne (Arr. for Solo Violin and Piano)
2
4
5
6
O vis eternitatis (Arr. Tormod Tvete Vik for Solo Violin and Strings)
8
Halo (Solo Violin and Strings Version)
9
24 Preludes for Violin and Piano, Op. 46
10
Bær (Arr. by Knoth)
11
Reverie (Arr. Knoth for Solo Violin, Strings and Electronics)
12
14
Midi (Arr. for Solo Violin and Electronics)
15

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