17 Songs, 1 Hour 11 Minutes

EDITORS’ NOTES

In 1995, Death Row Records was on a crazy roll. The back-to-back releases of The Chronic and Doggystyle had transformed America's youth into an army of blunt smoking, gin-and-juice sipping G funk fanatics, and the intoxicating sounds of Dr. Dre's keyboard grooves wafted out of cars from Long Beach to Maine. After co-starring on both of those albums, Tha Dogg Pound — Daz and Kurupt — were more than ready to go for theirs, and had already developed the fanbase needed for instant success. Though not as huge as its predecessors, Dogg Food  still debuted at #1, and went multi-platinum, thanks to the Snoop-assisted single and West Coast/East Coast beef instigator "New York, New York" as well as the ultra-smooth bedroom jam "Let's Play House" featuring Michel'le and Nate Dogg. Produced entirely by Daz, the music here is just what you would expect/hope for, a collection of watery synths, ferociously funky bass, and snapping beats, perfectly suiting the tag-team rhymes — a non-stop exercise in Cali gangsta-ism, overflowing with casually violent threats, XXX-rated sex rhymes, and Crip pride. 

EDITORS’ NOTES

In 1995, Death Row Records was on a crazy roll. The back-to-back releases of The Chronic and Doggystyle had transformed America's youth into an army of blunt smoking, gin-and-juice sipping G funk fanatics, and the intoxicating sounds of Dr. Dre's keyboard grooves wafted out of cars from Long Beach to Maine. After co-starring on both of those albums, Tha Dogg Pound — Daz and Kurupt — were more than ready to go for theirs, and had already developed the fanbase needed for instant success. Though not as huge as its predecessors, Dogg Food  still debuted at #1, and went multi-platinum, thanks to the Snoop-assisted single and West Coast/East Coast beef instigator "New York, New York" as well as the ultra-smooth bedroom jam "Let's Play House" featuring Michel'le and Nate Dogg. Produced entirely by Daz, the music here is just what you would expect/hope for, a collection of watery synths, ferociously funky bass, and snapping beats, perfectly suiting the tag-team rhymes — a non-stop exercise in Cali gangsta-ism, overflowing with casually violent threats, XXX-rated sex rhymes, and Crip pride. 

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