9 Songs, 43 Minutes

EDITORS’ NOTES

Before Neil Halstead sang bearded, beachy folk tunes, he drove Rickenbackers through countless effects and sang heavenly harmonies with Rachel Goswell in Slowdive. After a handful of EPs which showed Slowdive as masters at orchestrating three-part guitar-wash symphonies, Just for a Day revealed the quintet writing catchier songs and honing the harmonies that made Halstead and Goswell a pair of early '90s indie darlings. "Spanish Air" opens borrowing from the Cure's Disintegration, but it's the lovely "Celia's Dream" that truly sets the tone with bouncing lilts of guitar delay and Halstead's wispy inflections. Had shoegazing gone mainstream, "Catch the Breeze" would have been a hit. The descending verse chords, delicately braided vocals, astral guitar crescendos, soaring melodies, and pulsing drums all took the dream pop sound as far as it could go. Slowdive flirted with adolescent goth roots in the melancholic "Ballad of Sister Sue" and turned kids on to Erik Satie with the inspired instrumental "Erik's Song." 1993's Souvlaki connected to a wider audience as they landed producer Brian Eno, but Just for a Day is the exciting sound of a young and innovative band huddled around a single light in the darkness.

EDITORS’ NOTES

Before Neil Halstead sang bearded, beachy folk tunes, he drove Rickenbackers through countless effects and sang heavenly harmonies with Rachel Goswell in Slowdive. After a handful of EPs which showed Slowdive as masters at orchestrating three-part guitar-wash symphonies, Just for a Day revealed the quintet writing catchier songs and honing the harmonies that made Halstead and Goswell a pair of early '90s indie darlings. "Spanish Air" opens borrowing from the Cure's Disintegration, but it's the lovely "Celia's Dream" that truly sets the tone with bouncing lilts of guitar delay and Halstead's wispy inflections. Had shoegazing gone mainstream, "Catch the Breeze" would have been a hit. The descending verse chords, delicately braided vocals, astral guitar crescendos, soaring melodies, and pulsing drums all took the dream pop sound as far as it could go. Slowdive flirted with adolescent goth roots in the melancholic "Ballad of Sister Sue" and turned kids on to Erik Satie with the inspired instrumental "Erik's Song." 1993's Souvlaki connected to a wider audience as they landed producer Brian Eno, but Just for a Day is the exciting sound of a young and innovative band huddled around a single light in the darkness.

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Ratings and Reviews

4.9 out of 5
49 Ratings

49 Ratings

bmcharris ,

sonic bliss

I bought this cd when i was a junior in high school. When everyone was listening to mainstream crap on the radio, I had the unique privledge to wrap my ears around this beautiful sound orgasm. Slowdive followed in the cocteau twins footsteps, but added their own style. Beautiful, swirling guitars and heavenly voices that weave together like a fine tapestry. Seeing them live was even more of a treat. If one was fortunate to witness the shoegaze era they can look back and honestly say they saw something out of the realm the average pop band...

Tp Thompson ,

Sublime

A beautiful work of sonic dreamscaping. This album is a rainy day delight that still inspires many years later. It holds up very well over time. Highly recommended to fans of sweeping, orchestrated slabs of loveliness.

c_h_keeley ,

Beautiful work of art!

I love this album, Slowdive was so grossly underrated. The whole album makes you feel like you're going on an asterial journey. Yes I will admit and I am not ashamed to say, when I hear "Erik's song" my eyes become Niagra Falls.

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