10 Songs, 48 Minutes

EDITORS’ NOTES

The sheer amount of stuff happening on Pond’s eighth album would be enough to fling a lesser band into unmanageable chaos. But more is more for the Western Australian psychedelic experimentalists, and on Tasmania that chaos is harnessed and transformed into something wild, digestible, and brilliant.

As with their other records, Tasmania was co-produced by longtime friend and former bandmate Kevin Parker (of Tame Impala). The extended musical family brings together a staggering array of ideas, instrumentation, and sounds with remarkable fluidity.

Thematically, the album's poignant environmentalism follows on from 2017’s The Weather. On both eight-minute epic “Burnt Out Star” and the title track, singer Nick Allbrook repeats the sentiment “I might go and shack up in Tasmania before the ozone goes/While paradise burns in Australia.” He takes aim at those who considered The Weather to be a statement rather than the simple truth on “Hand Mouth Dancer”: “So you got political, can you speak on that?/I didn’t get political, I just faced the facts.”

Of course, there's much more to Tasmania than that. “Selené” is a story about a “young love…who took a little too much speed and f**ked his guts up and his teeth,” while “Shame,” perhaps the band's most un-Pond-like track ever, is subtle, glassy, and sparse. “The Boys Are Killing Me,” one of their best songs to date, is a groovy psych-pop epic about Australia's destructive culture of toxic masculinity that was co-written by Indigenous activists John Watson and Annie Milgin. Over a decade into their career, Tasmania finds Pond at once more adventurous and more refined than ever.

Parental Advisory: Explicit Lyrics.

EDITORS’ NOTES

The sheer amount of stuff happening on Pond’s eighth album would be enough to fling a lesser band into unmanageable chaos. But more is more for the Western Australian psychedelic experimentalists, and on Tasmania that chaos is harnessed and transformed into something wild, digestible, and brilliant.

As with their other records, Tasmania was co-produced by longtime friend and former bandmate Kevin Parker (of Tame Impala). The extended musical family brings together a staggering array of ideas, instrumentation, and sounds with remarkable fluidity.

Thematically, the album's poignant environmentalism follows on from 2017’s The Weather. On both eight-minute epic “Burnt Out Star” and the title track, singer Nick Allbrook repeats the sentiment “I might go and shack up in Tasmania before the ozone goes/While paradise burns in Australia.” He takes aim at those who considered The Weather to be a statement rather than the simple truth on “Hand Mouth Dancer”: “So you got political, can you speak on that?/I didn’t get political, I just faced the facts.”

Of course, there's much more to Tasmania than that. “Selené” is a story about a “young love…who took a little too much speed and f**ked his guts up and his teeth,” while “Shame,” perhaps the band's most un-Pond-like track ever, is subtle, glassy, and sparse. “The Boys Are Killing Me,” one of their best songs to date, is a groovy psych-pop epic about Australia's destructive culture of toxic masculinity that was co-written by Indigenous activists John Watson and Annie Milgin. Over a decade into their career, Tasmania finds Pond at once more adventurous and more refined than ever.

Parental Advisory: Explicit Lyrics.
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Ratings and Reviews

4.6 out of 5
11 Ratings

11 Ratings

BlankNostalgia ,

Alright so here’s the friggin deal ma people’s

This will be,

And I repeat

The best record

...until maybe tame impala makes a new record, but in the meantime this will make me stoned without the drugs

Trip Shakespeare Fan ,

Outstanding!

I'm so happy with this album. Brilliant. Transformative. Beautiful. Spirited. Mature. Patient. Excellent. Enjoy.

Esro91er ,

Fuegoooo

These sounds are playing while the roses wave back at you

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