Editors’ Notes With High Noon, Jerrod Niemann achieves a balancing act that eludes many contemporary Nashville singer/songwriters. His music falls gracefully between the pop-infused anthems atop the country charts and low-key, boot-stomping traditionalism. Niemann tempers the poppy gloss of tunes like “Come On, Come On” and “Buzz Back Girl” with touches of ’70s countrypolitan and old-school twang (“Day Drinkin’”). When he turns out a slow-swinging, blues-inflected burner in “The Real Thing,” he scores the album’s most soulful, infectious melody. But High Noon’s most amiable quality is Niemann’s whip-smart one-liners. “I’m no Shakespeare or Kristofferson,” he teases on “Lucky #7.” Maybe he’s not, but the detailed wordplay and shrewd insight throughout the album suggest that he's inspired by both.

SONG
Space
1
3:45
 
Buzz Back Girl
2
3:11
 
Drink to That All Night
3
3:45
 
I Can't Give in Anymore
4
3:43
 
We Know How to Rock
5
3:26
 
Come On, Come On
6
3:20
 
Lucky #7
7
3:40
 
Donkey
8
3:18
 
Day Drinkin'
9
3:09
 
The Real Thing
10
3:56
 
Beach Baby
11
3:12
 
Refill
12
2:57
 
She's Fine (feat. Colt Ford) [feat. Colt Ford]
13
3:24
 

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