15 Songs, 1 Hour 4 Minutes

EDITORS’ NOTES

“The whole inspiration for this record was completely and utterly based on going out in Lisbon and trying to make friends,” Madonna tells Apple Music's Julie Adenuga. “Portugal is such a melting pot for so many different cultures—there's a lot of people from Brazil, Angola, Spain. You can stand out on a balcony and hear some incredible voice carrying through the starlit sky, and it's just so magical you can't help but be inspired by it.”

Fourteen albums in, it may be standard practice for Madonna to immerse herself in new cultures as a way of sparking artistic ideas, but her recent move to Lisbon opened her to incorporating not just different sounds but different languages. As evidence, look no further than “Medellin,” one of two collaborations on the album with Colombian pop star Maluma. “I heard from his manager that he wanted to collaborate with me,” she said. “[My producer and I] started listening to his music more closely, thinking, 'Okay, how can we do something slightly different but that still has a connection to the music that he makes?’”

This adventurous strategy—as much a cultural bridge as a musical technique—is what makes the sprawling Madame X so bold and timely. By fusing some of pop’s trendiest sounds (deep house, disco, and dancehall are a few) with characteristically eccentric imagery and serious subject matter (gun control, narcissism, ageism, and political noise), she doesn’t just acknowledge the current moment, she confronts it. “This is your wake-up call,” she sings on “God Control,” which morphs from spiritual hymn into ironic disco-funk at the sound of disquieting gunshots. “We don’t have to fall/A new democracy.” She seems to find hope in her own perseverance: “Died a thousand times/Managed to survive,” she sings on “I Rise.” “I rise up above it all.”

Mastered for iTunes

EDITORS’ NOTES

“The whole inspiration for this record was completely and utterly based on going out in Lisbon and trying to make friends,” Madonna tells Apple Music's Julie Adenuga. “Portugal is such a melting pot for so many different cultures—there's a lot of people from Brazil, Angola, Spain. You can stand out on a balcony and hear some incredible voice carrying through the starlit sky, and it's just so magical you can't help but be inspired by it.”

Fourteen albums in, it may be standard practice for Madonna to immerse herself in new cultures as a way of sparking artistic ideas, but her recent move to Lisbon opened her to incorporating not just different sounds but different languages. As evidence, look no further than “Medellin,” one of two collaborations on the album with Colombian pop star Maluma. “I heard from his manager that he wanted to collaborate with me,” she said. “[My producer and I] started listening to his music more closely, thinking, 'Okay, how can we do something slightly different but that still has a connection to the music that he makes?’”

This adventurous strategy—as much a cultural bridge as a musical technique—is what makes the sprawling Madame X so bold and timely. By fusing some of pop’s trendiest sounds (deep house, disco, and dancehall are a few) with characteristically eccentric imagery and serious subject matter (gun control, narcissism, ageism, and political noise), she doesn’t just acknowledge the current moment, she confronts it. “This is your wake-up call,” she sings on “God Control,” which morphs from spiritual hymn into ironic disco-funk at the sound of disquieting gunshots. “We don’t have to fall/A new democracy.” She seems to find hope in her own perseverance: “Died a thousand times/Managed to survive,” she sings on “I Rise.” “I rise up above it all.”

Mastered for iTunes
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Ratings and Reviews

3.7 out of 5
1.9K Ratings

1.9K Ratings

Vulisesiii ,

Great

Happy to see a Colombian singer collaborated with Madonna on her new album Madame X. I do not care about Maluma as a reggueton singer cause I don’t like the genre. It’s not my type of music and lyrics on his songs are deplorable. Now, after listening carefully the new single Medellin I got say Maluma’s lyrics are not that bad and I’m pretty sure Madonna managed each aspect of it. She knew about the controversy already but she is used to it. There are too many songs with sexual innuendos, misogynistic lyrics sang by several artists/singers males or females now and in the past. So people, please chill out cause Madonna don’t care about your thoughts and she is here to MAKE MONEY and not to satisfy your musical taste and opinions.

As a Colombian I’m proud to see another Colombian singer singing with the Queen of Pop. I wonder which another Colombian singer wants to sing with Madonna. A least Maluma got the balls to ask her about his desire to collaborate in her new album. She listened to his music and has a little talk with Mirwais. Plus, she have a great concept about Maluma now. Madonna said this: After the VMAs, Madonna started listening to Maluma's reggaetón music, and then they started working on music together. ”He's so great to work with. One of the most easygoing, open, warm, generous -- doesn't leave the studio until the work is done. Has great work ethic. I adore him. Nothing but great things to say about him,” Madonna added.

soslick7 ,

Dreadful

Did we really wait 4 years for this? Horrible song and awful choice for a first single. Madonna isn’t even the one doing the majority of the singing. Been a fan since day one and I can honestly say this may be her worst single to date.

Famer Girl ,

Where is Madonna!

Oh no! This has to be one of the most anticipated albums and the first song released is beyond disappointing! I know she is super rich so I guess you can put anything out there but It’s not good! Sorry, I am hearing better talent on American Idol. Definitely think she is NOT back and just bored.

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