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Propelled by multiple remixes, the track launched its 20-year-old neophyte star to a record-breaking run and its success opened up new lines of dialogue between the often-insular worlds of country music and hip-hop. But “Old Town Road” wasn’t the only song that Apple Music listeners had on repeat this year: Post Malone and Swae Lee’s Spider-Man cut “Sunflower,” Drake and Meek Mill’s “Going Bad,” Lil Baby and Gunna’s “Drip Too Hard,” and Ariana Grande’s “thank u, next” round out the top 5 of our chart-based playlist—and that’s just scratching the surface. Relive all of 2019’s biggest musical moments with this exclusive playlist, and if you find something you missed out on this year, go ahead and add it to your library now.","short":"Apple Music’s most-played songs of the year in the United States."},"description":{"standard":"Here’s the least surprising sentence you’ll read this year: Lil Nas X’s “Old Town Road” is Apple Music's biggest song of 2019. 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Relive all of 2019’s biggest musical moments with this exclusive playlist, and if you find something you missed out on this year, go ahead and add it to your library now.","short":"Apple Music’s most-played songs of the year in the United States."}}},{"id":"pl.79b2bc58ca384e10bcaa7f0cb896ec75","type":"playlists","href":"/v1/catalog/us/playlists/pl.79b2bc58ca384e10bcaa7f0cb896ec75?l=en-US","attributes":{"artwork":{"width":2400,"height":2400,"url":"https://is1-ssl.mzstatic.com/image/thumb/t5gMv5VAEIcsafYEhXrcmA/{w}x{h}bb.{f}","bgColor":"ffffff","textColor1":"080e10","textColor2":"242525","textColor3":"393e3f","textColor4":"4f5150"},"isChart":false,"url":"https://music.apple.com/us/playlist/behind-the-boards-vinylz/pl.79b2bc58ca384e10bcaa7f0cb896ec75","lastModifiedDate":"2020-10-08T16:42:21Z","name":"Behind the Boards: Vinylz","playlistType":"editorial","curatorName":"Apple Music Hip-Hop","playParams":{"id":"pl.79b2bc58ca384e10bcaa7f0cb896ec75","kind":"playlist"},"editorialNotes":{"name":"Behind the Boards: Vinylz","standard":"Though he's been producing for artists like Cassidy and Gucci Mane since 2008, beatsmith Vinylz, a.k.a. 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The 2010s were post-genre, post-language-barrier, post-album, post-band, Post Malone—a time period that saw sounds and ideas from all eras and corners of the planet become one, often in the space of a single song, usually with some help from Drake or Beyoncé. From the cultural transcendence of “Despacito” to the 21st-century R&B of FKA twigs’ “cellophane” to the sociopolitical urgency of Kendrick’s “Alright” and the constant shape-shifting of Rihanna, Taylor Swift, and Ed Sheeran—these are the songs that defined the decade.","short":"Everything changed—and you could hear it."},"description":{"standard":"No decade in music has seen quite as much fundamental change as the one we just survived—the kind you can hear. The 2010s were post-genre, post-language-barrier, post-album, post-band, Post Malone—a time period that saw sounds and ideas from all eras and corners of the planet become one, often in the space of a single song, usually with some help from Drake or Beyoncé. 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It’s somewhat unconvincing coming from one of the most popular artists on the planet, but whatever he’s doing, it’s working. His third full-length album, Hollywood’s Bleeding, is bright and adventurous. Sure, it’s filled with all the flexing and bravado he’s known for, and features from Meek Mill, Travis Scott, Young Thug, Swae Lee, and more prove that Post hasn’t veered too far from hip-hop. But it’s also more sentimental, gentle, and pop-focused than ever. “Allergic” and “A Thousand Bad Times” are bouncy and melodic, and “I’m Gonna Be” is a joyous celebration of having fun and living your own truth.
\nIt’s fun to hear about Post’s opulent lifestyle, but he knows his fans, and he knows how to connect with them on a more grounded level. “It means a lot that if somebody is hundreds of thousands of miles away, they can sit and relate to the music,” he says. “And they come up to me to say something like, ‘Hey, I don’t want a picture, I just wanted to say your song saved my life.’” Beneath the Versace boxers and mink coats, Post is clearly wounded, and breakup tracks abound on the album’s more down-to-earth, relatable side. Future and Halsey feature on album highlight “Die For Me,” a slick, bitter attack on a lying ex-lover. Each artist takes turns airing dirty laundry and singing the chorus: “Said you’d take a bullet, told me you would die for me/I had a really bad feeling you been lying to me.” “Staring at the Sun” is a gorgeous synth-pop collaboration with SZA about the final throes of a doomed relationship: “If you keep staring at the sun, you won’t see what you have become/This can’t be everything you thought it was, blinded by the thought of us.”
\n“I want to do something weird and funky,” he tells Lowe, preparing listeners for the album’s more surprising moments. Kanye West cowrote (but doesn’t appear on) “Internet,” a rejection of social media and technology which blooms into a majestic orchestral arrangement. But the most unlikely collaboration on the album—and possibly of 2019 as a whole—can be found on “Take What You Want,” featuring Travis Scott and Ozzy Osbourne. Scott’s smoky Auto-Tune isn’t the most natural accompaniment to an eerie Black Sabbath-esque riff and scorching guitar solo, but, somehow, it works.","short":"Travis Scott, SZA, and Ozzy Osbourne guest on his most diverse album 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Inc.","playParams":{"id":"1477886950","kind":"album"},"editorialNotes":{"standard":"“I’m not trying to make anything massive, I’m not trying to make hit records,” Post Malone tells Apple Music’s Zane Lowe. It’s somewhat unconvincing coming from one of the most popular artists on the planet, but whatever he’s doing, it’s working. His third full-length album, Hollywood’s Bleeding, is bright and adventurous. Sure, it’s filled with all the flexing and bravado he’s known for, and features from Meek Mill, Travis Scott, Young Thug, Swae Lee, and more prove that Post hasn’t veered too far from hip-hop. But it’s also more sentimental, gentle, and pop-focused than ever. “Allergic” and “A Thousand Bad Times” are bouncy and melodic, and “I’m Gonna Be” is a joyous celebration of having fun and living your own truth.
\nIt’s fun to hear about Post’s opulent lifestyle, but he knows his fans, and he knows how to connect with them on a more grounded level. “It means a lot that if somebody is hundreds of thousands of miles away, they can sit and relate to the music,” he says. “And they come up to me to say something like, ‘Hey, I don’t want a picture, I just wanted to say your song saved my life.’” Beneath the Versace boxers and mink coats, Post is clearly wounded, and breakup tracks abound on the album’s more down-to-earth, relatable side. Future and Halsey feature on album highlight “Die For Me,” a slick, bitter attack on a lying ex-lover. Each artist takes turns airing dirty laundry and singing the chorus: “Said you’d take a bullet, told me you would die for me/I had a really bad feeling you been lying to me.” “Staring at the Sun” is a gorgeous synth-pop collaboration with SZA about the final throes of a doomed relationship: “If you keep staring at the sun, you won’t see what you have become/This can’t be everything you thought it was, blinded by the thought of us.”
\n“I want to do something weird and funky,” he tells Lowe, preparing listeners for the album’s more surprising moments. Kanye West cowrote (but doesn’t appear on) “Internet,” a rejection of social media and technology which blooms into a majestic orchestral arrangement. But the most unlikely collaboration on the album—and possibly of 2019 as a whole—can be found on “Take What You Want,” featuring Travis Scott and Ozzy Osbourne. 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Stoney (Deluxe)

Post Malone

Hip-Hop/Rap · 2016