Editors’ Notes This funk-jazz collaboration between groove-oriented improvisers makes for mood music of the highest order. On opener “Chicago, Damn,” Humphrey’s control of tone is laser-like, fitting easily alongside the synth sounds. And her vocals on “Just a Love Child” and “Baby’s Gone” have a lilting charm. The Mizell Brothers’ compositions and production smarts keep this artifact of the early-’70s fusion phenomenon feeling timeless.

SONG
Chicago, Damn
1
6:33
 
Harlem River Drive
2
7:50
 
Just a Love Child
3
6:35
 
Blacks and Blues
4
4:39
 
Jasper Country Man
5
5:16
 
Baby's Gone
6
8:48