30 Songs, 1 Hour 32 Minutes

EDITORS’ NOTES

Bernstein’s final work for the stage is a biting commentary on dysfunctional family politics. Scored for an orchestra of more than 70 players, it was originally intended as a sequel to his one-act opera about a failing marriage, Trouble in Tahiti. This recording showcases a new reorchestration for just 18 musicians. The result is brilliantly claustrophobic, an acute picture of a family battling with its differences and past traumas. Lucas Meachem’s portrayal of Sam, who struggles with the death of his wife and his children’s issues, is a highlight, as is conductor Kent Nagano’s grasp of one of Bernstein’s most varied, memorable, sparkling scores.

EDITORS’ NOTES

Bernstein’s final work for the stage is a biting commentary on dysfunctional family politics. Scored for an orchestra of more than 70 players, it was originally intended as a sequel to his one-act opera about a failing marriage, Trouble in Tahiti. This recording showcases a new reorchestration for just 18 musicians. The result is brilliantly claustrophobic, an acute picture of a family battling with its differences and past traumas. Lucas Meachem’s portrayal of Sam, who struggles with the death of his wife and his children’s issues, is a highlight, as is conductor Kent Nagano’s grasp of one of Bernstein’s most varied, memorable, sparkling scores.

TITLE TIME

More By Kent Nagano