Editors’ Notes The sixth volume of Jonathan Biss’ run-through of the Beethoven sonatas contains what many call the composer’s most monumental and labyrinthine work in the genre: the “Hammerklavier.” Its “Adagio sostenuto” bears the perfect balance of pathos and despair, with Biss giving each chord and melody perfect calculation and nuanced delivery.

SONG
Piano Sonata No. 9 in E Major, Op. 14 No. 1
Piano Sonata No. 9 in E Major, Op. 14 No. 1: I. Allegro
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Piano Sonata No. 9 in E Major, Op. 14 No. 1: II. Allegretto
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Piano Sonata No. 9 in E Major, Op. 14 No. 1: III. Rondo. Allegro comodo
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Piano Sonata No. 13 in E-Flat Major, Op. 27 No. 1 "Sonata quasi una fantasia"
Piano Sonata No. 13 in E-Flat Major, Op. 27 No. 1 "Sonata quasi una fantasia": I. Andante
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Piano Sonata No. 13 in E-Flat Major, Op. 27 No. 1 "Sonata quasi una fantasia": II. Allegro molto e vivace
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Piano Sonata No. 13 in E-Flat Major, Op. 27 No. 1 "Sonata quasi una fantasia": III. Adagio con espressione
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Piano Sonata No. 13 in E-Flat Major, Op. 27 No. 1 "Sonata quasi una fantasia": IV. Allegro vivace
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Piano Sonata No. 29 in B-Flat Major, Op. 106 “Hammerklavier”
Piano Sonata No. 29 in B-Flat Major, Op. 106 “Hammerklavier”: I. Allegro
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Piano Sonata No. 29 in B-Flat Major, Op. 106 “Hammerklavier”: II. Scherzo. Assai vivace
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Piano Sonata No. 29 in B-Flat Major, Op. 106 “Hammerklavier”: III. Adagio sostenuto
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Piano Sonata No. 29 in B-Flat Major, Op. 106 “Hammerklavier”: IV. Largo - Allegro risoluto
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