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WARNING: All rights reserved. Unauthorized duplication is a violation of applicable laws.","playParams":{"id":"157427923","kind":"album"},"editorialNotes":{"standard":"This 1966 survey of Dave Brubeck’s Columbia work couldn’t be tighter or more effective. There’s quartet material from Time Out and Time Further Out, with all their famous rhythmic asymmetries, but also two tracks from the vibrant, lesser-known Bossa Nova U.S.A. and a definitive version of “The Duke,” one of Brubeck’s greatest melodies. Much of the collection, naturally, centers on Brubeck’s sublime rapport with alto saxophonist Paul Desmond, notably on the harmonically intriguing remake of Stephen Foster’s “Camptown Races” and the intricate tempo-shifting marvel “I'm in a Dancing Mood.” But there’s also a solo piano rundown of “In Your Own Sweet Way,” and Brubeck’s unique language on the instrument is richly evident throughout. There’s a hard-driving blues attack in his playing—a certain old-school, use-the-whole-piano approach—but also at times a kind of minimalist restraint, both of which balance his compositional modernism.","short":"Brubeck’s ’60s heyday with Paul Desmond in one ebullient package."},"isCompilation":false,"offers":[{"buyParams":"productType=P&price=9990&salableAdamId=157427923&pricingParameters=PLUS&pg=default","type":"buy","priceFormatted":"$9.99","price":9.99},{"buyParams":"productType=P&price=0&salableAdamId=157427923&pricingParameters=SUBS&pg=default","type":"subscription","priceFormatted":"$0.00","price":0}]}},{"id":"441175068","type":"albums","href":"/v1/catalog/us/albums/441175068?l=en-US","attributes":{"artwork":{"width":2400,"url":"https://is2-ssl.mzstatic.com/image/thumb/Music69/v4/61/6a/73/616a7332-6092-fb38-0017-42ad0a83ded7/dj.pedufqzw.jpg/{w}x{h}bb.{f}","height":2400,"textColor3":"a3c2cd","textColor2":"9bc8de","textColor4":"7ea6ba","textColor1":"c8ecf6","bgColor":"0c1c2c","hasP3":false},"artistName":"Pat Metheny","isSingle":false,"url":"https://music.apple.com/us/album/whats-it-all-about-deluxe/441175068","isComplete":true,"genreNames":["Jazz","Music","Contemporary Jazz"],"trackCount":12,"isMasteredForItunes":false,"releaseDate":"2011-06-14","name":"What's It All About (Deluxe)","recordLabel":"Nonesuch","editorialArtwork":{},"upc":"075597964608","audioTraits":["lossless","lossy-stereo"],"copyright":"℗ 2011 Nonesuch Records Inc. for the United States and WEA International Inc. for the world outside of the United States.","playParams":{"id":"441175068","kind":"album"},"isCompilation":false,"offers":[{"buyParams":"productType=P&price=11990&salableAdamId=441175068&pricingParameters=PLUS&pg=default","type":"buy","priceFormatted":"$11.99","price":11.99},{"buyParams":"productType=P&price=0&salableAdamId=441175068&pricingParameters=SUBS&pg=default","type":"subscription","priceFormatted":"$0.00","price":0}]}},{"id":"300865074","type":"albums","href":"/v1/catalog/us/albums/300865074?l=en-US","attributes":{"artwork":{"width":1474,"url":"https://is4-ssl.mzstatic.com/image/thumb/Features125/v4/8c/41/ef/8c41efae-a00f-84cf-9d6f-465bb0fc2f66/dj.aacpwrsd.jpg/{w}x{h}bb.{f}","height":1474,"textColor3":"cbc5c4","textColor2":"c8c1a4","textColor4":"a39b85","textColor1":"faf6f3","bgColor":"0f0307","hasP3":false},"artistName":"Miles Davis","isSingle":false,"url":"https://music.apple.com/us/album/kind-of-blue-legacy-edition/300865074","isComplete":true,"genreNames":["Jazz","Music"],"trackCount":22,"isMasteredForItunes":false,"releaseDate":"1959-08-17","name":"Kind of Blue (Legacy Edition)","recordLabel":"Columbia/Legacy","editorialArtwork":{"storeFlowcase":{"width":4320,"url":"https://is3-ssl.mzstatic.com/image/thumb/Features1/v4/9f/3c/ba/9f3cba8c-63a5-1148-007b-f525f723fa90/source/{w}x{h}bb.{f}","height":1080,"textColor3":"0d9abf","textColor2":"34b9e0","textColor4":"2a94b3","textColor1":"10c1ee","bgColor":"000000","hasP3":false},"subscriptionHero":{"width":4320,"url":"https://is1-ssl.mzstatic.com/image/thumb/Features5/v4/28/eb/1f/28eb1fe2-ad3a-ca94-887c-ffa2a9bb51d9/source/{w}x{h}bb.{f}","height":1080,"textColor3":"0d9abf","textColor2":"34b9e0","textColor4":"2a94b3","textColor1":"10c1ee","bgColor":"000000","hasP3":false},"bannerUber":{"width":4320,"url":"https://is4-ssl.mzstatic.com/image/thumb/Features5/v4/0d/01/f8/0d01f807-21e4-1ee9-6275-d6dbbe7dd158/source/{w}x{h}bb.{f}","height":1080,"textColor3":"0d9abf","textColor2":"34b9e0","textColor4":"2a94b3","textColor1":"10c1ee","bgColor":"000000","hasP3":false}},"upc":"888880983541","audioTraits":["lossless","lossy-stereo"],"copyright":"℗ Originally recorded 1958. All rights reserved by SONY MUSIC ENTERTAINMENT/This compilation (P) 2008 Columbia Records, a division of Sony Music Entertainment","playParams":{"id":"300865074","kind":"album"},"editorialNotes":{"standard":"In the years between the dissolution of Miles Davis’ first great quintet and the formation of his second, the trumpet master ventured into something new in 1959—not knowing it would become one of jazz's biggest albums ever. Bassist Paul Chambers from the first quintet remained on board, as did John Coltrane, whom Davis had fired, then rehired after the tenor giant kicked his drug addiction and experienced a spiritual and creative rebirth.
\nBut Davis also added a third horn, alto saxophonist Julian “Cannonball” Adderley, making for richer group voicings and a bluesy, bebop-oriented soloing style that balanced Davis’ spare melodic approach and Coltrane’s restless, exploratory “sheets of sound” (coined by critic Ira Gitler). Pianist Bill Evans played close-voiced chords derived from modes, or specific types of scales—an approach that gave rise to the term “modal jazz.”
\nThe fast-moving progressions of bebop and much post-bop required improvisers to jump hurdles—something Davis knew all about as Dizzy Gillespie’s successor in the Charlie Parker Quintet. On Kind of Blue, there were longer durations between chords, opening up space in the music. The soloist had the option of taking a breath. But even as Miles brought the temperature down, he introduced new textures and tonal colors, drawing on the harmonic thinking of Gil Evans and George Russell, or even Debussy and Satie. In that sense the album was a continuation of Birth of the Cool, recorded 10 years earlier, and perhaps a harbinger of the ethereal In a Silent Way 10 years later.
\nPianist Wynton Kelly subbed in for Evans on “Freddie Freeloader,” and drummer Jimmy Cobb kept the music at a low-simmering boil throughout. Two years later, on Davis’ In Person at the Blackhawk recordings, however, one can hear Cobb, Chambers, and Kelly taking “So What” at a much brighter tempo, heightening the impact of that hypnotic two-chord song. On “Four” & More from 1964, with Tony Williams on drums, “So What” is faster still. What started out slow and meditative helped form the basis of the more aggressive and abstract playing of the second quintet.
\nTwo striking ballads, “Blue in Green” and “Flamenco Sketches,” bear the compositional imprint of Bill Evans, though they’re co-credited to Davis. Both are key examples of Davis’ work with the Harmon mute, yielding a metallic and intimate sound that jazz trumpeters have emulated ever since. “Flamenco Sketches,” a modal chord cycle that shifts in mood like colors of the rainbow, took initial inspiration from Evans’ drone-like “Peace Piece,” heard on Everybody Digs Bill Evans (released in 1959 as well). Miles could pick pianists: Evans would soon be followed by Herbie Hancock, and Davis’ musical direction shifted yet again. But even though the Kind of Blue sextet was short-lived, it yielded what is now the most universally known example of Davis’ work.","short":"A harmonic experiment gives rise to a timeless expression of cool."},"isCompilation":false,"offers":[{"buyParams":"productType=P&price=14990&salableAdamId=300865074&pricingParameters=PLUS&pg=default","type":"buy","priceFormatted":"$14.99","price":14.99},{"buyParams":"productType=P&price=0&salableAdamId=300865074&pricingParameters=SUBS&pg=default","type":"subscription","priceFormatted":"$0.00","price":0}]}}],"meta":{"metrics":{"reco_displayType":"CAB","reco_eligible":"1","reco_algoId":"V1"},"count":3,"types":["albums"]}},"appears-on":{"href":"/v1/catalog/us/albums/152423037/view/appears-on?l=en-US","attributes":{"title":"Featured On"},"data":[]},"other-versions":{"href":"/v1/catalog/us/albums/152423037/view/other-versions?l=en-US","attributes":{"title":"Other Versions"},"data":[]},"video-extras":{"href":"/v1/catalog/us/albums/152423037/view/video-extras?l=en-US","attributes":{"title":"Video Extras"},"data":[]},"more-by-artist":{"href":"/v1/catalog/us/albums/152423037/view/more-by-artist?l=en-US","attributes":{"title":"More By Pablo Ziegler & Quique Sinesi"},"data":[{"id":"271047684","type":"albums","href":"/v1/catalog/us/albums/271047684?l=en-US","attributes":{"artwork":{"width":600,"url":"https://is1-ssl.mzstatic.com/image/thumb/Music/16/c3/b2/mzi.bgnrmxui.tif/{w}x{h}bb.{f}","height":600,"textColor3":"c78d7d","textColor2":"dd7e69","textColor4":"b16655","textColor1":"f9af9b","bgColor":"020506","hasP3":false},"artistName":"Pablo Ziegler & Quique Sinesi","isSingle":false,"url":"https://music.apple.com/us/album/buenos-aires-report/271047684","isComplete":true,"genreNames":["Jazz","Music","Latin","Latin Jazz"],"trackCount":9,"isMasteredForItunes":false,"releaseDate":"2007-10-17","name":"Buenos Aires Report","recordLabel":"ZOHO","editorialArtwork":{},"upc":"880956071121","audioTraits":["lossless","lossy-stereo"],"copyright":"℗ 2007 ZOHO","playParams":{"id":"271047684","kind":"album"},"isCompilation":false,"offers":[{"buyParams":"productType=P&price=9990&salableAdamId=271047684&pricingParameters=PLUS&pg=default","type":"buy","priceFormatted":"$9.99","price":9.99},{"buyParams":"productType=P&price=0&salableAdamId=271047684&pricingParameters=SUBS&pg=default","type":"subscription","priceFormatted":"$0.00","price":0}]}}]},"related-videos":{"href":"/v1/catalog/us/albums/152423037/view/related-videos?l=en-US","attributes":{"title":"Music Videos"},"data":[]},"audio-extras":{"href":"/v1/catalog/us/albums/152423037/view/audio-extras?l=en-US","attributes":{"title":"Audio Extras"},"data":[]}},"meta":{"views":{"order":["you-might-also-like","other-versions","related-videos","audio-extras","video-extras","more-by-artist","appears-on"]}}}]}

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