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The textures are sparse and alluring, with Sosa’s piano, keyboards, and subtle electronic beats providing a modern sheen. (Cuban percussionist Inor Sotolongo contributes as well.) Cañizares has an intense, yearning quality on the vocal features—the ultra-high overtone effect she achieves on “La Respiracion” is extraordinary—while her violin is equally strong as a melodic and improvising voice. Her French spoken-word on “Sanzara” and “Se Van Los Mios” seems to broaden the range of Afro-Caribbean influences coursing through the program. 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