On her debut, Dark Energy, Chicago producer Jlin took footwork music past the known limits of the form, braiding sleek, rolling drums into hypnotic triplet patterns; on the follow-up, Black Origami, she emphasized the globe-spanning percussive palette that makes her work unique. Autobiography, her score to a major piece by the British choreographer Wayne McGregor, represents a detour in her evolution. Stutter-stepping cuts like “Unorthodox Elements” alternate with synth-strafed trap mutations (“Annotation”) and even pensive ambient interludes like “Anamnesis, Pt. 1,” a minimalist study for piano and empty space. Jlin’s relentless kinetic energy shines like never before on tunes like “The Abyss of Doubt,” which sounds like a mainframe computer being torn apart by heavy machinery; it’s no wonder dancers would want to flex to this.